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The books that we choose to keep -- let alone read -- can say a lot about who we are and how we see ourselves. In My Ideal Bookshelf, dozens of leading cultural figures share the books that matter to them most; books that define their dreams and ambitions and in many cases helped them find their way in the world. Contributors include Malcolm Gladwell, Thomas Keller, Michael Chabon, Alice Waters, James Patterson, Maira Kalman, Judd Apatow, Chuck Klosterman, Miranda July, Alex Ross, Nancy Pearl, David Chang, Patti Smith, Jennifer Egan, and Dave Eggers, among many others. With colorful and endearingly hand-rendered images of book spines by Jane Mount, and first-person commentary from all the contributors, this is a perfect gift for avid readers, writers, and all who have known the influence of a great book.
Named a Best Book of the Year by TIME, The Washington Post, and Harper's Bazaar "A tender, spiky family saga about love in all its mysterious incarnations." Lorrie Moore, author of A Gate at the Stairs and Birds of America "Searing . . . Han asks a timeless yet urgent question: Is it possible to feel truly safe in a place that wasn't made for you?" Time From the outside, the Chengs seem like so-called model immigrants. Once Patty landed a tech job near Dallas, she and Liang grew secure enough to have a second child, and to send for their first from his grandparents back in China. Isn't this what they sacrificed so much for? But then little Annabel begins to sleepwalk at night, putting into m...
Peter and Rebecca Harris: mid-forties denizens of Manhattan's SoHo, nearing the apogee of committed careers in the arts—he a dealer, she an editor. With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca's much younger look-alike brother, Ethan (known in thefamily as Mizzy, "the mistake"), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed. Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham's masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.
A razor - sharp evisceration of celebrity culture and literary fame, How I Became a Famous Novelist is a satirical novel masquerading as a tell - all memoir. Sick of life as he knows it, Pete Tarslaw sets out to write a bestselling novel, armed with a formula for success cobbled together from previous bestsellers: he abandons truth, relies heavily on lyrical prose, creates a club with a mysterious mission, includes a murder and invokes ''confusing sadness'' at the end. Once the sales rankings for his novel The Tornado Ashes Club start their meteoric rise - thanks to a Christian evangelist, a recovering teen starlet and Law and Order: Criminal Intent - Tarslaw's inevitable decline looms, and his fall from grace will be nothing short of spectacular. How I Became a Famous Novelist is the hilarious tale of how Pete Tarslaw's ''pile of garbage'' became the most talked about, read, admired and reviled novel in America. It will change everything you think you know - about literature, appearance, truth, beauty, and those people out there who still care about books.
In 1921, Edith Wharton became the first woman to win a Pulitzer Prize, earning the award for The Age of Innocence. But Wharton also wrote several other novels, as well as poems and short stories that made her not only famous but popular among her contemporaries. That included her good friend Henry James, and she counted among her acquaintances Teddy Roosevelt and Sinclair Lewis.
A biography of the novelist who created Tom Ripley that is “both dazzling and definitive . . . as original as its contemptible, miserable, irresistible subject” (Los Angeles Times). A New York Times Notable Book * A Lambda Literary Award Winner * An Edgar Award Nominee * An Agatha Award Nominee * A Publishers Weekly Pick of the Week Patricia Highsmith, one of the great writers of twentieth-century American fiction, had a life as darkly compelling as that of her famed “hero-criminal,” the talented Tom Ripley. Joan Schenkar maps out this richly bizarre life from her birth in Texas to Hitchcock’s filming of her first novel, Strangers on a Train, to her long, strange self-exile in Euro...
A sweeping selection of Donald Judd’s iconic and ambitious works alongside a diverse collection of newly commissioned writings One of the most significant American artists of the postwar period, Donald Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of the artist’s largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd’s most recognizable forms, executed in materials such as Cor-t...
Meghan O'Rourke was thirty-two when her mother died of cancer on Christmas Day, 2008. As a writer, even in the depths of her grief, she was fascinated by what she observed of herself in the aftermath: the rage she felt, not only at what had happened to her mother, but also at the inability of people to acknowledge her pain; her sense that the meaning of her life had changed fundamentally with the loss of a parent; the way that the reassuringly familiar often became somehow completely new and strange. The Long Goodbye interleaves personal recollections of her much-loved mother with an examination of what it means to grieve in a society which no longer has the rituals - or even, most of the time, the desire - to engage with grief, to understand it, and to let it do both its worst - and its best.
Lenore Doolan, a food writer for the New York Times, meets Harold Morris, a photographer, at a halloween party in 2002. He is dressed as Harry Houdini. In Leanne Shapton's marvellously inventive and invented auction catalogue, the 325 lots up for auction are what remain from the relationship between Lenore and Harold (who aren't real people, but might as well be). Through photographs of the couple's personal effects-the usual auction items (jewellery, fine art, and rare furniture) and the seemingly worthless (pyjamas, Post-it notes, worn paperbacks)-the story of a failed love affair vividly and cleverly emerges. From first meeting to final separation, the progress and rituals of intimacy are...
A man is thrown out of his home after his wife discovers that the sweat-smudged footprint on the inside of his windscreen doesn't match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl. In the stories of Wells Tower, families fall apart and messily, hilariously try to reassemble themselves. His characters - marauding Vikings, washed-up entrepreneurs and jobbing hacks on local papers - are adrift from the mainstream, confused by contemporary masculinity, angry and aimless. Combining electric prose with compassion and dark wit, this is a major debut.