Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
(Re)writing and Remembering
Recounting past events is intrinsic to the storytelling function, as most fiction assumes the past tense as the natural means of narrating a story. Few narratives draw attention to this process, yet others make the act of remembering a primary part of the narrative situation. Ranging in its focus from poetry to novels, autobiographical memoirs and biopics – from the ostensibly fictional to the implicitly real – this volume discusses the extent to which such fictional acts of remembering are also acts of rewriting the past to suit the needs of the present. How seamlessly does experience yield to the ordering strictures of narrative and what is at stake in the process? What must be omitted or stylised, and to what (ideological) end? In making an artefact of the past, what role does artifice play, and what does this process also tell us about history-making?
The Place of the Mediterranean in Modern Israeli Identity
While early Zionists envisioned the Jewish state as an outpost of Europe in the Middle East, modern Israel is—geographically speaking—located in Asia and incorporates elements from both “Orient and Occident.” This book sheds light on how the Mediterranean region, its history, traditions, climate, and attitudes have shaped Israeli lived experience and consciousness. It offers new perspectives on the evolving phenomenon of Yam Tikhoniut (hebr. Mediterraneanism), which centers around the longing to find a "natural" place in order that Israel be accommodated in the region, both culturally and politically. This book explores Mediterraneanism as reflected in popular music, literature, architecture, and daily life and analyzes the ways in which the notion comprises cultural identity, societal concepts, and political realities.
Modern Art and the Idea of the Mediterranean
The Mediterranean is an invented cultural space, on the frontier between North and South, West and East. Modern Art and the Idea of the Mediterranean examines the representation of this region in the visual arts since the late eighteenth century, placing the 'idea of the Mediterranean' - a cultural construct rather than a physical reality - at the centre of our understanding of modern visual culture. This collection of essays features an international group of scholars who examine competing visions of the Mediterranean in terms of modernity and cultural identity, questioning and illuminating both European and non-European representations. An introductory essay frames the analysis in terms of...
L'Europe Méditerranéenne
L'Europe de la méditerranée, comparée aux autres régions européennes, dispose d'une histoire et d'une géographie particulières. Et pourtant elle entretient avec ces régions de nombreux rapports qu'il conviendra d'analyser afin d'enrichir notre compréhension de l'Europe dans son ensemble. Une longue tradition de rapports économiques et culturels rapproche tous les pays donnant sur la mer, berceau des principales civilisations du monde, bassin où s'échangent hommes, idées, matières premières, et technologies. L'Union européenne est appelée à développer une grande politique méditerranéenne, aussi bien par l'adhésion de nouveaux pays que par une politique de bon voisinage o...
Albert Camus's "The New Mediterranean Culture"
This book was shortlisted for the R.H. Gapper prize 2011. On 8 February 1937 the 23-year-old Albert Camus gave an inaugural lecture for a new Maison de la culture, or community arts centre, in Algiers. Entitled 'La nouvelle culture méditerranéenne' ('The New Mediterranean Culture'), Camus's lecture has been interpreted in radically different ways: while some critics have dismissed it as an incoherent piece of juvenilia, others see it as key to understanding his future development as a thinker, whether as the first expression of his so-called 'Mediterranean humanism' or as an early indication of what is seen as his essentially colonial mentality. These various interpretations are based on r...
Critically Mediterranean
Traversed by masses of migrants and wracked by environmental and economic change, the Mediterranean has come to connote crisis. In this context, Critically Mediterranean asks how the theories and methodologies of Mediterranean studies may be brought to bear upon the modern and contemporary periods. Contributors explore how the Mediterranean informs philosophy, phenomenology, the poetics of time and space, and literary theory. Ranging from some of the earliest twentieth-century material on the Mediterranean to Edmond Amran El Maleh, Christoforos Savva, Orhan Pamuk, and Etel Adnan, the essays ask how modern and contemporary Mediterraneans may be deployed in political, cultural, artistic, and literary practice. The critical Mediterranean that emerges is plural and performative—a medium through which subjects may negotiate imagined relations with the world around them. Vibrant and deeply interdisciplinary, Critically Mediterranean offers timely interventions for a sea in crisis.
Go North!
HauptbeschreibungGo North was the programmatic title of an international conference on Baltic Sea Region Studies that took place at Humboldt University of Berlin from April 4-6, 2005. It was hosted by the BalticStudyNet project, which is part of the European Union's Erasmus Mundus programme for the global promotion of European higher education. In order to discuss the past, present and future of Baltic Sea Region Studies, the Berlin conference brought together about fifty government representatives and scholars from all Baltic Sea Region countries, including Russia, as well as from the United Kingdom, Switzerland, the USA, Canada, Ukraine and Kyrgyzstan. The basic idea of the Go North confer...
In the Wake of the Poetic
Heralding a new period of creativity, In the Wake of the Poetic explores the aesthetics and politics of Palestinian cultural expression in the last two decades. As it increasingly gains a significant presence on the international scene, much of Palestinian art owes a debt to Mahmoud Darwish, one of the finest contemporary poets, and to Palestinian writers of his generation. Rahman maps the immense influence of Darwish’s poetry on a new generation of performance artists, visual artists, spoken-word poets, and musicians. Through an examination of selected works by key artists—such as Suheir Hammad, Ghassan Zaqtan, Elia Suleiman, Mona Hatoum, Sharif Waked, and others—Rahman articulates an aesthetic founded on loss, dispersion, dispossession, and transformation. It interrupts dominant regimes, constituting acts of dissension and intervention. It reinscribes belonging and is oriented toward solidarity and future. This innovative wave of experimentation transforms our understanding of the national through the diasporic and the transnational, and offers a profound meditation on identity.
The Iron Cage
A brilliant and sobering critique of the Palestinian failure to achieve statehood, by a major Palestinian historian and political commentator At a time when a lasting peace between Palestinians and Israelis seems virtually unattainable, understanding the roots of the longest-running conflict in the Middle East is an essential step in restoring hope to the region. In The Iron Cage, Rashid Khalidi, one of the most respected historians and political observers of the Middle East, examines the Palestinian’s struggle for statehood, presenting a succinct and insightful history of the people and their leadership throughout the twentieth century. Ranging from the Palestinian struggle against colonial rule and the establishment of the State of Israel to the current rivalry between Hamas and Fatah, this is an unflinching and sobering critique of the Palestinian failure to achieve statehood, as well as a balanced account of the odds ranged against them. Lucid yet challenging, Rashid Khalidi’s engrossing narrative of this tortuous history is required reading for anyone concerned about peace in the Middle East.
