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Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This book recovers the stories of two remarkable Victorian working men. Thomas Cooper and Arthur O'Neill were both imprisoned for seditious offences in 1843. The friendship they formed in Stafford Gaol lasted for fifty years. These two men wanted to be remembered as Chartist prisoners - but, talented and energetic, they also made their marks in other areas. Cooper was the author of a famous poem, The Purgatory of Suicides, and of novels; he knew well Thomas Carlyle and Charles Kingsley, and came into contact with Benjamin Disraeli and Charles Dickens. Later in life he became a lecturer in defence of Christianity. O'Neill worked with Joseph Sturge and Henry Richard for peace and international arbitration, attending a number of international peace conferences. An important contribution to Chartist studies, this book also examines in detail artisan literary activity, pacifism and Christian apologetics in Victorian Britain.
Can imaginative literature change the political and social history of a class or nation? In The Chartist Imaginary: Literary Form in Working-Class Political Theory and Practice, Margaret Loose turns to the Chartist Movement?Britain's first mass working-class movement, dating from the 1830s to the 1840s?and argues that, based on literature by members of the movement, the answer to that question is a resounding ?yes.” Chartist writing awakened workers' awareness of discord between professed ideals and reality; exercised their conceptual powers (literary and social); and sharpened their appetite for more knowledge, intellectual power, dignity, and agency in the present to fashion a utopian fu...
Alton Locke is the story of a young tailor-boy who has instincts and aspirations beyond the normal expectations of his working-class background. He is intensely patriotic and has ambitions to be a poet. In the course of the narrative, Alton Locke loves and struggles in vain. Physically, he is a weak man, but is able to encompass all the best emotions, along with vain longings, wild hopes, and a righteous indignation at the plight of his contemporaries. He joins the Chartist movement because he can find no better vehicle by which to improve the lot of the working class, experiencing a sense of devastation at its apparent failure. Utterly broken in spirit, Alton Locke sails for America to seek a new life there; however, he barely reaches the shore of the New World before he dies.
"Chartism was a Victorian era working class movement for political reform in Britain between 1838 and 1848. It takes its name from the People's Charter of 1838. The term "Chartism" is the umbrella name for numerous loosely coordinated local groups, often named "Working Men's Association," articulating grievances in many cities from 1837. Its peak activity came in 1839, 1842 and 1848. It began among skilled artisans in small shops, such as shoemakers, printers, and tailors. The movement was more aggressive in areas with many distressed handloom workers, such as in Lancashire and the Midlands. It began as a petition movement which tried to mobilize "moral force", but soon attracted men who advocated strikes, General strikes and physical violence, such as Feargus O'Connor and known as "physical force" chartists."--Wikipedia