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An examination of the barbarian laws in Carolingian Europe, contributing to debates concerning written law, kingship and ethnic identities.
This is a genealogical study of the families of Russell Faulkner (ca.1775-1840s) of Edgefield District, SC; his son Elijah Faulkner (1813-1896), and his grandson Eligah Melvin Faulkner (1858-1941). It includes death and marriage records, obituaries, deeds, grave inscriptions and over 230 census records. It covers over 237 years of the Faulkner family in Edgefield, Greenwood, McCormick, and Aiken Counties, South Carolina
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This book offers the first comprehensive investigation of ethics in the canon of William Faulkner. As the fundamental framework for its analysis of Faulkner’s fiction, this study draws on The Methods of Ethics, the magnum opus of the utilitarian philosopher Henry Sidgwick. While Faulkner’s Ethics does not claim that Faulkner read Sidgwick’s work, this book traces Faulkner’s moral sensitivity. It argues that Faulkner’s language is a moral medium that captures the ways in which people negotiate the ethical demands that life places on them. Tracing the contours of this evolving medium across six of the author’s major novels, it explores the basic precepts set out in The Methods of Ethics with the application of more recent contributions to moral philosophy, especially those of Jacques Derrida and Derek Parfit.
In this discerning study of Faulkner's major novels from Sartoris to The Reivers, Lynn Levins answers the criticism that the fictional world of William Faulkner is not heroic enough. Her study analyzes his heroic design--his rendering of the events of his rural community of Yoknapatawpha against scenes from myth, classical drama, epic poetry, and chivalric and historical romance. In each case Faulkner is not parodying traditional literary modes to focus on the grotesque diminution of legend and myth in Yoknapatawpha County; rather he is writing in As I Lay Dying and Old Man and The Hamlet of the fulfillment of an ethical obligation. When that obligation is met in spite of temptations and difficulties, then the action of Anse Burden or the tall convict or the idiot Ike Snopes approaches heroic proportions. Behind the chivalric framework of the tall convict's epic journey or the identification of Thomas Sutpen as the old Greek tragic hero lies a heroic ideal. By employing such a design Faulkner affirms man's historical continuity and asserts his belief that in the twentieth century the heroic is still possible.
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