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John Heywood
The first comprehensive scholarly biography of the Tudor playwright, poet, musician, singer, proverb-collector, and satirist, John Heywood.
Medieval Drama
This anthology of drama in English contains plays from the late 14th century to the onset of the Renaissance. It brings together selections from all the major dramatic genres to provide a sense of the breadth and depth of medieval dramatic activity.
At the Hurricane's Eye
No one doubts the abilities of Special Operations Forces (SOF) after Desert Storm. But their impressive accomplishments are rooted in the lessons learned from Vietnam, Iran, Grenada, El Salvador, and Panama. AT THE HURRICANE'S EYE is the first book to take an unflinching look at SOF's growth since Vietnam. Author Greg Walker, with sixteen years of U.S. Army special operations experience as a ground operator, provides information and eyewitness acounts never before reported, from the tragic raid on Panama's Paitilla airfield to the first insider accounts of Special Forces, Marine Force Recon, and NAVY SEAL operations before and during Desert Storm.
Performing Arguments
Performing Arguments: Debate in Early English Poetry and Drama proposes a fresh performance-centered view of rhetoric by recovering, tracing, and analyzing the trope and tradition of aestheticized argumentation as a mode of performance across several early ludic genres: Middle English debate poetry, the fifteenth-century ‘disguising’ play, the Tudor Humanist debate interlude, and four Shakespearean works in which the dynamics of debate invite the plays’ reconsideration under the new rubric of ‘rhetorical problem plays.’ Performing Arguments further establishes a distinction between instrumental argumentation, through which an arguer seeks to persuade an opponent or audience, and performative argumentation, through which the arguer provides an aesthetic display of verbal or intellectual skill with persuasion being of secondary concern, or of no concern at all. This study also examines rhetorical and performance theories and practices contemporary with the early texts and genres explored, and is further influenced by more recent critical perspectives on resonance and reception and theories of audience response and reconstruction.
1518 to 1700
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Index Ecclesiasticus
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