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The Mythic Past
A major new synthesis and interpretation of findings over the past twenty-five years in biblical archaeology. Thompson's conclusions are sure to spark intense debate.
Early History of the Israelite People
This is a groundbreaking book on the origins of Israel, taking into account the contexts of geography, anthropology, and sociology, and drawing on a careful analysis of archaeological and written evidence. Thompson argues that none of the traditional models for the origin of biblical Israel in terms of conquest, peaceful settlement, or revolution are viable. The ninth and eighth century BC State of Israel is a product of the Mediterranean economy. The development of the ethnic concept of biblical Israel finds its context in history first at the time of the Persian renaissance. The volume presents a clear historical context and an interpretative matrix for the Bible.
Biblical Narrative and Palestine's History
Modern biblical scholarship's commitment to the historical-critical method in its efforts to write a history of Israel has created the central and unavoidable problem of writing an objective and critical history of Palestine through the biblical literature with the methods of Biblical Archaeology. 'Biblical Narrative and Palestine's History' brings together key essays on historical method and the archaeology and history of Palestine. The essays employ comparative and formalistic techniques to illuminate the allegorical and mythical in Old Testament narrative traditions from Genesis to Nehemiah. In so doing, the volume presents a detailed review of central and radical changes in both our understanding of biblical traditions and the archaeology and history of Palestine. The study offers an analysis of Biblical narrative as rooted in ancient Near Eastern literature since the Bronze Age.
The Messiah Myth
Since the eighteenth century, scholars and historians studying the texts of the Bible have attempted to distil historical facts and biography from the mythology and miracles described there. That trend continues into the present day, as scholars dissect the gospels and other early Christian writings to seperate the 'Jesus of history' from the 'Christ of faith'. But in The Messiah Myth Thomas L. Thompson argues that the quest for the historical Jesus is beside the point, since the Jesus of the gospels never existed. Like King David before him, the Jesus of the Bible is an amalgamation of themes from Near Eastern mythology and traditions of kingship and divinity. The theme of a messiah - a div...
The Historicity of the Patriarchal Narratives
In der Reihe Beihefte zur Zeitschrift f r die alttestamentliche Wissenschaft (BZAW) erscheinen Arbeiten zu s mtlichen Gebieten der alttestamentlichen Wissenschaft. Im Zentrum steht die Hebr ische Bibel, ihr Vor- und Nachleben im antiken Judentum sowie ihre vielfache Verzweigung in die benachbarten Kulturen der altorientalischen und hellenistisch-r mischen Welt.
Biblical Narratives, Archaeology and Historicity
This volume collects essays from an international body of leading scholars in Old Testament studies, focused upon the key concepts of the question of historicity of biblical stories, the archaeology of Israel/Palestine during the Bronze and Iron Ages, and the nature of biblical narratives and related literature. As a celebration of the extensive body of Thomas L. Thompson's work, these essays enable a threefold perspective on biblical narratives. Beginning with 'method', the contributors discuss archaeology, cultural memory, epistemology, and sociology of knowledge, before moving to 'history, historiography and archaeology' and close analysis of the Qumran Writings, Josephus and biblical rewritings. Finally the argument turn to the narratives themselves, exploring topics including the possibility of invented myth, the genre of Judges and the depiction of Moses in the Qu'ran. Presenting an interdisciplinary analysis of the historical issues concerning ancient Israel/Palestine, this volume creates an updated body of reference to fifty years' worth of scholarship.
Why Photography Matters
A lucid and wide-ranging meditation on why photography is unique among the picture-making arts. Photography matters, writes Jerry Thompson, because of how it works—not only as an artistic medium but also as a way of knowing. With this provocative observation, Thompson begins a wide-ranging and lucid meditation on why photography is unique among the picture-making arts. He constructs an argument that moves with natural logic from Thomas Pynchon (and why we read him for his vision and not his command of miscellaneous facts) to Jonathan Swift to Plato to Emily Dickinson (who wrote “Tell all the Truth but tell it slant”) to detailed readings of photographs by Eugène Atget, Garry Winogrand, Marcia Due, Walker Evans, and Robert Frank. Forcefully and persuasively, he argues for photography as a medium whose business is not constructing fantasies pleasing to the eye or imagination, but describing the world in the toughest and deepest way.
The Bible and Hellenism
Did the Bible only take its definitive form after Alexander conquered the Near East, after the Hellenisation of the Samaritans and Jews, and after the founding of the great library of Alexandria? The Bible and Hellenism takes up one of the most pressing and controversial questions of Bible Studies today: the influence of classical literature on the writing and formation of the Bible. Bringing together a wide range of international scholars, The Bible and Hellenism explores the striking parallels between biblical and earlier Greek literature and examines the methodological issues raised by such comparative study. The book argues that the oral traditions of historical memory are not the key factor in the creation of biblical narrative. It demonstrates that Greek texts – from such authors as Homer, Hesiod, Herodotus and Plato – must be considered amongst the most important sources for the Bible.
Israel's Past in Present Research
Further, many of the most important names in late twentieth century biblical historiography appear as authors of various contributions: Hayes, Brettler, Van Seters, Miller, and de Vaux. In a work of more than 600 pages, Long finds room for thirty-two different writers. In addition to his concluding chapter, he also introduces each section and reprints an important essay of his own on history and literary technique.Every reader, including those already conversant with the subject, will gain much from reading this book. However, some will also recognize gaps or areas that they wished had been highlighted. Despite the word, 'Recent,' one wonders why no samples of the writings of Wellhausen, and especially of Alt, Noth, and Albright are included. Although most of the essays date from the 1990's, Hans Walter Wolff's contribution comes from a 1963 volume.
Beyond the Quest for the Historical Jesus
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed. The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.
