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One of the New York Public Library's 25 "Books to Remember" in 1997 Lux comments on the absurd, the pathetic, and the commonplace in our culture, writing with compassion as well as satire. He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."
The Cradle Place is a collection from Thomas Lux, a self-described "recovering surrealist" and winner of the Kingsley Tufts Award. These fifty-two poems bring to full life the "refreshing iconoclasms" Rita Dove so admired in Lux's earlier work. His voice is plainspoken but moody, humorous and edgy, and ever surprising. These are philosophical poems that ask questions about language and intention, about the sometimes untidy connections between the human and natural worlds. In the poem "Terminal Lake," Lux undermines notions of benign nature, finding dark currents beneath the surface: "it's a huge black coin, / it's as if the real lake is drained / and this lake is the drain: gaping, language-...
One of the New York Public Library's 25 "Books to Remember" in 1997 Lux comments on the absurd, the pathetic, and the commonplace in our culture, writing with compassion as well as satire. He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."
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From the award-winning author of The Street of Clocks and The Cradle Place comes a distinctive and provocative new collection of poetry that explores unexpected moments of grace even within such dark themes as intolerance, inhumanity, loss, and a sense of mortality.
A selection of Bill Knott’s life work—testimony of his enduring, “thorny genius” (Robert Pinsky) Going to sleep, I cross my hands on my chest. They will place my hands like this. It will look as though I am flying into myself. For half a century, Bill Knott’s brilliant, vaudevillian verse electrified the poetic form. Over his long career, he studiously avoided joining any one school of poetry, preferring instead to freewheel from French surrealism to the avant-garde and back again—experimenting relentlessly and refusing to embrace straightforward dialectics. Whether drawing from musings on romantic love or propaganda from the Vietnam War, Knott’s quintessential poems are alive ...
Thomas Lux is the author of such books as Sunday, Half Promised Land, and The Drowned River. His poetry has been steadily growing and penetrating deeper into the plain-spoken, saturnine, witty language that he virtually invented. In his latest work, Lux's level gaze, cool talk, weird rhythms, and quirky humor place him in a special territory - entirely original - of contemporary American poetry. These new poems, like the book itself, have unusual titles ("Loudmouth Soup", "Virgule", "Each Startled Touch Returns the Touch Unstartled") and circle around their subjects in strange ways, most often dealing with the lonely oddity of the individual in a society that inflexibly ignores individuality.
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King David sings his psalms. A world away, King Henry plots. And courtier Thomas Wyatt sees them both, his beloved falcon Lukkes on his arm. David wants Bathsheba. Henry too must have what he wants. He wants Ann, a divorce, a son. He looks up at his tapestry of David and sees a mighty predecessor who defended his faith and took what he liked. But he leaves it to others to count the costs. Among those counting is the poet Wyatt, who sees a different David, a man who repented before God, in song as in life. This is the version of the biblical king which Wyatt must give voice to as he translates David's psalms. As David pursues Bathsheba, Henry courts Ann, and Wyatt interweaves the past and present. Lux is a story of love and its reach, fidelity and faith, power and poetry.