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To The Left Of Time
A brilliant new collection of poems by Kingsley Tufts Award–winning poet Thomas Lux With To the Left of Time, Thomas Lux adds more than fifty new poems to his celebrated oeuvre. Broken into three sections, these include semi-autobiographical poems, odes, and a final section that delves into a variety of subjects reflective of Lux’s imaginative range. Full of his characteristic satire and humor, this new collection promises laughter and profound insight into the human condition. To the Left of Time is a powerful addition to the work of one who has been widely praised for his ability to offer image- and metaphor-driven visions as well as lines of plain language and immediacy. This collection proves that Lux’s work will continue to inspire readers for decades to come.
New and Selected Poems, 1975-1995
Thomas Lux's poems embody the sound of deep emotions lightly carried. In their deft, sometimes humorous fashion they unseat the spirit, fastening on the rueful and mysterious poignancies of our lives, like that unopened bottle of maraschino cherries abandoned in the refrigerator, or cocking a snook at the dreadful challenges of commercial leech farming today. For the past twenty-five years, Lux's work has grown from his early experiments in surrealism into a body of work that, while challenging the mind and affecting the funnybone, is designed to touch the heart, a destination Lux attains with the utmost precision and delicacy. This book for the first time brings together in one volume the best of his mature work.
The Cradle Place
The Cradle Place is a collection from Thomas Lux, a self-described "recovering surrealist" and winner of the Kingsley Tufts Award. These fifty-two poems bring to full life the "refreshing iconoclasms" Rita Dove so admired in Lux's earlier work. His voice is plainspoken but moody, humorous and edgy, and ever surprising. These are philosophical poems that ask questions about language and intention, about the sometimes untidy connections between the human and natural worlds. In the poem "Terminal Lake," Lux undermines notions of benign nature, finding dark currents beneath the surface: "it's a huge black coin, / it's as if the real lake is drained / and this lake is the drain: gaping, language-...
The Drowned River
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I Am Flying into Myself
A selection of Bill Knott’s life work—testimony of his enduring, “thorny genius” (Robert Pinsky) Going to sleep, I cross my hands on my chest. They will place my hands like this. It will look as though I am flying into myself. For half a century, Bill Knott’s brilliant, vaudevillian verse electrified the poetic form. Over his long career, he studiously avoided joining any one school of poetry, preferring instead to freewheel from French surrealism to the avant-garde and back again—experimenting relentlessly and refusing to embrace straightforward dialectics. Whether drawing from musings on romantic love or propaganda from the Vietnam War, Knott’s quintessential poems are alive ...
My Business is Circumference
Twenty-eight contemporary American poets reflect on the poems that have most influenced their own creative vision and offer their best new works in this examination of poetic expression. Each entry includes a new poem from the author, the text of a poem or poems that particularly influenced the development of the new poem, and an essay about that influence. The dialogue created between the new works of the poets and the poems that they love provides insight into the poetic process and speaks to the meaning and endurance of great art.
Split Horizon
Thomas Lux is the author of such books as Sunday, Half Promised Land, and The Drowned River. His poetry has been steadily growing and penetrating deeper into the plain-spoken, saturnine, witty language that he virtually invented. In his latest work, Lux's level gaze, cool talk, weird rhythms, and quirky humor place him in a special territory - entirely original - of contemporary American poetry. These new poems, like the book itself, have unusual titles ("Loudmouth Soup", "Virgule", "Each Startled Touch Returns the Touch Unstartled") and circle around their subjects in strange ways, most often dealing with the lonely oddity of the individual in a society that inflexibly ignores individuality.
A Boat in the Forest
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