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Grotesque Visions
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle.
Grotesque Visions
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle.
The Meaning of Sexual Identity in the Twenty-First Century
Something happened in the 1990s; a group of people who were perceived as radical and unmentionable were transformed into a group of people who deserved human rights, and, if you looked close enough, were normal, just like everybody else (John DOCOEmilio (2002). Had a post-gay era (Ghaziani, 2011) begun? And if so, how might this impact on the meaning of sexual identity and a political movement steeped in identity politics? Have the LGBT youth of today been duped into conformity because..."
Genealogies of Emotions, Intimacies, and Desire
Genealogies of Emotions, Intimacies and Desire excavates epistemologies which attempt to explain changes in emotional regimes from medieval society to late modernity. Key in this debate is the concept of intimacy. The book shows that different historical periods are characterized by emotional regimes where intimacy in the form of desire, sex, passion, and sex largely exist outside marriage, and that marriage and traditional normative values and structures are fundamentally incompatible with the expression of intimacy in the history of emotional regimes. The book draws on the work of a number of theorists who assess change in emotional regimes by drawing on intimacy including Michel Foucault,...
The Doppelgänger
The Doppelgänger - the double, twin, mirror image or alter ego of someone else - is a universal theme that has been prevalent in German culture since the Romantic period. This volume explores the phenomenon of the double in multiple aspects of German visual culture, from painting and classical ballet to film and photography.
Representations of German Identity
This volume examines the multi-faceted nature of German identity through the lens of myriad forms of visual representation from the Middle Ages to the present. A broad spectrum of visual culture is considered - from painting to sculpture, advertising to architecture, film to installation art - to offer new insights into the 'German Question'.
Theories of the Stranger
In our global, multicultural world, how we understand and relate to those who are different from us has become central to the politics of immigration in western societies. Who we are and how we perceive ourselves is closely associated with those who are different and strange. This book explores the pivotal role played by ‘the stranger’ in social theory, examining the different conceptualisations of the stranger found in the social sciences and shedding light on the ways in which these discourses can contribute to an analysis of cross-cultural interaction and cultural hybridity. Engaging with the work of Simmel, Park and Bauman and arguing for the need for greater theoretical clarity, Theories of the Stranger connects conceptual questions with debates surrounding identity politics, multiculturalism, online ethnicities and cross-cultural dialogue. As such, this rigorous, conceptual re-examination of the stranger will appeal to scholars across the social sciences with interests in social theory and the theoretical foundations of discourses relating to migration, cosmopolitanism, globalisation and multiculturalism.
Mothers, Comrades, and Outcasts in East German Women's Films
Mothers, Comrades, and Outcasts in East German Women's Film merges feminist film theory and cultural history in an investigation of "women's films" that span the last two decades of the former East Germany. Jennifer L. Creech explores the ways in which these films functioned as an alternative public sphere where official ideologies of socialist progress and utopian collectivism could be resisted. Emerging after the infamous cultural freeze of 1965, these women's films reveal a shift from overt political critique to a covert politics located in the intimate, problem-rich experiences of everyday life under socialism. Through an analysis of films that focus on what were perceived as "women's concerns"—marital problems, motherhood, emancipation, and residual patriarchy—Creech argues that the female protagonist served as a crystallization of socialist contradictions. By framing their politics in terms of women's concerns, these films used women's desire and agency to contest the more general problems of social alienation and collectivism, and to re-imagine the possibilities of self-fulfillment under socialism.
Kant for Children
Salomo Friedlaender was a prolific German-Jewish philosopher, poet, and satirist. His Kant for Children is intended to help young people learn about Immanuel Kant’s philosophy. Friedlaender writes, “Morality is inherent in us organically. But its abstract formula should be imprinted on schoolchildren.” Published in 1924, 200 years after Kant’s birth, the book sparked interest in some quarters, attracting the attention of the first Newbery Award winner, Hendrik Willem van Loon, who corresponded with Friedlaender in 1933 requesting an English translation. That didn’t happen. This is the first English translation of the book. During the National Socialist period, Kant for Children tro...
Imaginaries of Modernity
This book offers a new perspective on the issue of modernity through a series of interconnected essays. Drawing centrally on the works of Castoriadis, Luhmann, Heller and Lefort, and in critical discussion with Weber, Durkheim, Simmel, Adorno, Habermas and Taylor, the author argues that modernity is not only a unique historical creation but also a multiple one. With a focus on five broad themes - the problem of understanding of modernity after the decline of grand narratives; the complexity of the modern condition; politics, especially with reference to freedom and totalitarian regimes; the variety and density of modern life; and the centrality of a concept of culture to social and critical ...
