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The Meaning of Sexual Identity in the Twenty-First Century
Something happened in the 1990s; a group of people who were perceived as radical and unmentionable were transformed into a group of people who deserved human rights, and, if you looked close enough, were normal, just like everybody else (John DOCOEmilio (2002). Had a post-gay era (Ghaziani, 2011) begun? And if so, how might this impact on the meaning of sexual identity and a political movement steeped in identity politics? Have the LGBT youth of today been duped into conformity because..."
Grotesque Visions
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle.
Jürgen Habermas and the European Economic Crisis
The European Union entered into an economic crisis in late 2009 that was sparked by bank bailouts and led to large, unsustainable, sovereign debt. The crisis was European in scale, but hit some countries in the Eurozone harder than others. Despite the plethora of writings devoted to the economic crisis in Europe, present understandings of how the political decisions would influence the integration project continue to remain vague. What does it actually mean to be European? Is Europe still a collection of peoples that rallied together during good times and then retreat to nationalism when challenges appear? Or has Europe adopted a common identity that would foster solidarity during hard times...
The Doppelgänger
The Doppelgänger - the double, twin, mirror image or alter ego of someone else - is a universal theme that has been prevalent in German culture since the Romantic period. This volume explores the phenomenon of the double in multiple aspects of German visual culture, from painting and classical ballet to film and photography.
Theories of the Stranger
In our global, multicultural world, how we understand and relate to those who are different from us has become central to the politics of immigration in western societies. Who we are and how we perceive ourselves is closely associated with those who are different and strange. This book explores the pivotal role played by ‘the stranger’ in social theory, examining the different conceptualisations of the stranger found in the social sciences and shedding light on the ways in which these discourses can contribute to an analysis of cross-cultural interaction and cultural hybridity. Engaging with the work of Simmel, Park and Bauman and arguing for the need for greater theoretical clarity, Theories of the Stranger connects conceptual questions with debates surrounding identity politics, multiculturalism, online ethnicities and cross-cultural dialogue. As such, this rigorous, conceptual re-examination of the stranger will appeal to scholars across the social sciences with interests in social theory and the theoretical foundations of discourses relating to migration, cosmopolitanism, globalisation and multiculturalism.
Mothers, Comrades, and Outcasts in East German Women's Films
Mothers, Comrades, and Outcasts in East German Women's Film merges feminist film theory and cultural history in an investigation of "women's films" that span the last two decades of the former East Germany. Jennifer L. Creech explores the ways in which these films functioned as an alternative public sphere where official ideologies of socialist progress and utopian collectivism could be resisted. Emerging after the infamous cultural freeze of 1965, these women's films reveal a shift from overt political critique to a covert politics located in the intimate, problem-rich experiences of everyday life under socialism. Through an analysis of films that focus on what were perceived as "women's concerns"—marital problems, motherhood, emancipation, and residual patriarchy—Creech argues that the female protagonist served as a crystallization of socialist contradictions. By framing their politics in terms of women's concerns, these films used women's desire and agency to contest the more general problems of social alienation and collectivism, and to re-imagine the possibilities of self-fulfillment under socialism.
Kant for Children
Salomo Friedlaender was a prolific German-Jewish philosopher, poet, and satirist. His Kant for Children is intended to help young people learn about Immanuel Kant’s philosophy. Friedlaender writes, “Morality is inherent in us organically. But its abstract formula should be imprinted on schoolchildren.” Published in 1924, 200 years after Kant’s birth, the book sparked interest in some quarters, attracting the attention of the first Newbery Award winner, Hendrik Willem van Loon, who corresponded with Friedlaender in 1933 requesting an English translation. That didn’t happen. This is the first English translation of the book. During the National Socialist period, Kant for Children tro...
Revolutionary Beauty
"It is difficult to write brilliantly about humor, more difficult to write engagingly about humor and politics, and more difficult still to write with precision about humor, politics, and art. Revolutionary Beauty is indispensable for understanding the singular genius of John Heartfield, the Weimar era avant-garde virtuoso whose photomontages created a new visual language for destabilizing and ridiculing NazismÕs rise and triumph." ÑAnson Rabinbach, Professor of History at Princeton University and author of The Third Reich Sourcebook "Historically precise and theoretically astute, this is by far the most wide-ranging study of John HeartfieldÕs extraordinary project to date. Sabine Kriebel...
Cultural Responses to the Far Right in Contemporary Germany
Against the backdrop of an insurgent far right and numerous deadly neo-Nazi attacks, various cultural practitioners have written far-right violence into Germany’s collective memory and imagined more inclusive futures in its wake. This volume explores contemporary examples from literature, music, theatre, film, television and art that respond to this situation. They demonstrate that, alongside the ways in which art expands the public sphere in terms of what is said and who is heard, aesthetic questions of how artistic works are presented are a crucial part of how they open up new perspectives.
Genealogies of Emotions, Intimacies, and Desire
Genealogies of Emotions, Intimacies and Desire excavates epistemologies which attempt to explain changes in emotional regimes from medieval society to late modernity. Key in this debate is the concept of intimacy. The book shows that different historical periods are characterized by emotional regimes where intimacy in the form of desire, sex, passion, and sex largely exist outside marriage, and that marriage and traditional normative values and structures are fundamentally incompatible with the expression of intimacy in the history of emotional regimes. The book draws on the work of a number of theorists who assess change in emotional regimes by drawing on intimacy including Michel Foucault,...
