Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Walls
This book about walls is genuinely exciting and alive with insights, elegance, rigor, style, and thoughtful humanism. It reveals and interrogates the social, political, and historical complexities of one of our most common landscape features, demonstrating how we misconstrue or fail to appreciate the nature and possibilities of physical boundaries. Oles shows that our societies and our politics are shaped by the nature and quality of the divisions we make on and among landscapes, and he interrogates practical, theoretical, and ethical aspects of our landscapes and the boundaries between them. This leads him into stark discussions of barriers such as the USMexico border fence, Israel s fortifications in the West Bank, and the kinds of residential barriers that define neighborhoods by their edges in communities worldwide, from Johannesburg to Levittown. Oles further locates counternarratives of walls, showing how people have lived in walls or used them in seemingly contradictory ways, letting permeability become a form of strength."
Fieldwork in Landscape Architecture
Fieldwork in Landscape Architecture: Methods, Actions, Tools addresses the initial encounters between landscape designer and landscape site, an encounter that determines the entire course of the design process. The book offers a four-part framework (‘what you seek,’ ‘what you carry,’ ‘how you act,’ and ‘what you leave behind’) for learning and practicing fieldwork as a landscape design skill, and contains over sixty first-person accounts by international practitioners and educators about the methods and tools they bring to the field, from drones to dance. The first title of its kind, Fieldwork will be an invaluable resource for students and instructors of landscape architecture, as well as for anyone interested in the practice and experience of direct encounter with real places.
Annual Report
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
From Garden Art to Landscape Architecture
Originally, the area of responsibility for landscape architecture was based on the premise that the planning and creating of open spaces such as parks and gardens was the business of garden artists. Today, the training of landscape architects and future challenges of the profession include the protection of natural resources and the environment, urban planning or tourism - to name but a few. The international symposium “From Garden Art to Landscape Architecture - Traditions, Re-Evaluations, and Future Perspectives” addressed questions which, based on the idea of garden art, should help to reconstruct its historical development but also discussed the notion and the relevance of “art” in everyday work. The contributions critically reflect on the professional self-image of landscape architects at the beginning of the 21st century. The symposium in September 2018 was co-organized by the City and State Capital of Hannover’s Herrenhausen Gardens Division, the Deutsche Gesellschaft für Gartenkunst und Landschaftsarchitekturt (DGGL), the Volkswagen Foundation and the Centre of Garden Art and Landscape Architectur.
Goncharov's Oblomov
All the essays were written specifically for this volume and are published here for the first time. The book also includes an introduction, autobiographical materials, an annotated bibliography, and letters never before translated into English.
How Spaces Become Places
"A diverse set of place makers describe how they transformed contested or empty "spaces" into vibrant and functional "places." Spanning four countries and ten U.S. locales, these projects range from building affordable housing, to community building in the aftermath of racial violence, to the integration of the arts in community development. By recounting how they built trust, diagnosed local problems, and convened stakeholders to invent solutions, place makers offer pragmatic, instructive strategies to employ in other communities"--
NEA Literature Fellowships
The National Endowment for the Arts (NEA) Literature Fellowship Program has helped new writers find their voices and established authors continue their work. Some of the early grants went to writers whose work is now a permanent part of America¿s literary legacy, such as Gwendolyn Brooks, Isaac Bashevis Singer, John Berryman, Denise Levertov, Robert Penn Warren, and Eudora Welty. The NEA Fellowships have also recognized many writers before their talents were acknowledged by a wider audience, such as Alice Walker, Tobias Wolff, and Maxine Hong Kingston. This publication, issued in the 40th year of NEA¿s existence, celebrates the history of the NEA Literature Fellowship Program. Photos.
Globalizing Collateral Language
Language is never just a means of communication. It terrorizes. And, especially in times of war, it has the ability to target civilians and generate fear as a means of producing specific political outcomes, most notably the passive and active acceptance of state violence itself. For this reason, the critical examination of language must be a central part of any effort to fight imperialism, militarism, demagoguery, racism, sexism, and other structures of injustice. Globalizing Collateral Language examines the discourse surrounding 9/11 and its entrenchment in global politics and culture. To interrogate this wartime lexicon of “collateral language,” editors John Collins and Somdeep Sen have assembled a volume of critical essays that explores the long shadow of America’s “War on Terror” discourse. They illuminate how this language has now found resonance across the globe and in political projects that have little to do with the “War on Terror.” Two decades after the attacks of September 11, 2001, this book calls on us to resist the tyranny of collateral language at a time when the need for such interventions in the public sphere is more urgent than ever.
The Imperative of Reliability
The Imperative of Reliability examines the development of nineteenth-century Russian prose and the remarkably swift emergence of the Russian novel. Victoria Somoff identifies an unprecedented situation in the production and perception of the utterance that came to define nascent novelistic fictionality both in European and Russian prose, where the utterance itself—whether an oral story or a “found” manuscript—became the object of representation within the compositional format of the frame narrative. This circumstance generated a narrative perspective from which both the events and their representation appeared as concomitant in time and space: the events did not precede their narration but rather occurred and developed along with and within the narration itself. Somoff establishes this story-discourse convergence as a major factor in enabling the transition from shorter forms of Russian prose to the full-fledged realist novel.
The Gardens of Los Poblanos
In The Gardens of Los Poblanos, landscape designer and garden writer Judith Phillips recounts the history of these world-renowned gardens and demonstrates the ways in which the farm's owners, designers, and gardeners have influenced the evolution of this unique landscape. Phillips showcases how the changes in landscape style and content are driven by cultural expectations and climatic realities, and she discusses how the gardens of Los Poblanos have helped preserve the deep agrarian roots of the village of Los Ranchos de Albuquerque. Although plants are always a focus for Phillips, she demonstrates how gardens are more than plants and how plants are much more than mere fillers of garden space.
