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Hunting Nature
"When we take seriously the effect Ivan Turgenev's lifelong passion for hunting had on his literary craft, we dramatically deepen our appreciation of the rich and complex ways one of Russia's most beloved writers depicted the natural world and the place of human beings within it"--
Hunting Nature
In Hunting Nature, Thomas P. Hodge explores Ivan Turgenev's relationship to nature through his conception, description, and practice of hunting-the most unquenchable passion of his life. Informed by an ecocritical perspective, Hodge takes an approach that is equal parts interpretive and documentarian, grounding his observations thoroughly in Russian cultural and linguistic context and a wide range of Turgenev's fiction, poetry, correspondence, and other writings. Included within the book are some of Turgenev's important writings on nature-never previously translated into English. Turgenev, who is traditionally identified as a chronicler of Russia's ideological struggles, is presented in Hunt...
A Double Garland
Thomas P. Hodge has produced the first literary-historical study of the art-song enterprise in Russia's Golden Age. A Double Garland investigates the interrelationship of poetry and music in Russia, specifically the relations between poets and composers, from 1800 to 1850. Hodge focuses on three major composers of art songs: Alyab'ev, Verstovskii, and Glinka. He surveys their choices of text and, after some preliminary metrical and structural analysis, proceeds to a detailed consideration of the dynamics of poet/composer interaction from various points of view. Hodge presents both the major and minor poets of this period in the context of Russian musical life. Based on extensive archival research, this study will appeal to specialists in Russian poetry and musicologists.
Notes on Fishing, and Selected Fishing Prose and Poetry
"Notes on Fishing was Sergei Aksakov's first book, and Russia's first angling treatise. Notes, which has been compared to Izaak Walton's The Compleat Angler, presents a Russian gentleman's affectionate observations on the fishing tackle, angling techniques, and fish species he came to know during five decades of adventure-filled fishing in the vast Russian steppe and environs of Moscow." "Notes on Fishing, however, goes beyond more discourse on angling; it offers a rich multitude of viewpoints: philosophical, literary, linguistic, ethnographic, biological, and conservationist. Aksakov has imbued his notes with a deep fondness for the Russian land and an expertly conveyed atmosphere of personal and national nostalgia." --Book Jacket.
Notes on Fishing
Notes on Fishing was Sergei Aksakov's first book and Russia's first angling treatise. It presents a Russian gentleman's observations on the fishing tackle, angling techniques, and fish species he came to know during five decades of adventure-filled fishing in the vast Russian steppe and the environs of Moscow. But it is goes beyond a mere discourse on angling, offering philosophical, literary, linguistic, ethnographic, biological, and conservationist observations. Aksakov has imbued his notes with a deep fondness for the land and an expertly conveyed atmosphere of personal and national nostalgia.
Songs for Fat People
During this period estrada - which includes comedy, literary readings, and circus arts as well as popular song - saw the birth of tangos, foxtrots, waltzes, and big bands. MacFadyen shows how a nomadic art form survived the pressures of business before the 1917 Revolution and those of politics afterwards.
The Quotable Fisherman
When they're not at their favorite sport, anglers will find great entertainment in more than 350 quotations by writers such as Lord Byron, Cervantes, Arthur Ransome, Ted Leeson, and, of course, Ernest Hemingway, author of that unrivaled novel of struggle between man and fish, The Old Man and the Sea.
The Routledge Companion to Music and Modern Literature
Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. The 37 chapters within consider the partnership through four lenses—the universal, opera and literature, musical and literary forms, and popular music and literature—and touch upon diverse and pertinent themes for our modern times, ranging from misogyny to queerness, racial inequality to the claimed universality of whiteness. This Companion therefore offers an essential resource for all who try to decode the musico-literary exchange.
