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In Hunting Nature, Thomas P. Hodge explores Ivan Turgenev's relationship to nature through his conception, description, and practice of hunting—the most unquenchable passion of his life. Informed by an ecocritical perspective, Hodge takes an approach that is equal parts interpretive and documentarian, grounding his observations thoroughly in Russian cultural and linguistic context and a wide range of Turgenev's fiction, poetry, correspondence, and other writings. Included within the book are some of Turgenev's important writings on nature—never previously translated into English. Turgenev, who is traditionally identified as a chronicler of Russia's ideological struggles, is presented in ...
Video cover art is a unique and largely lost artform representing a period of unabashed creativity during the video rental boom of the 1980s to early 1990s. The art explodes with a succulent, indulgent blend of design, illustration, typography, and hilarious copywriting. Written and curated by Tom "The Dude Designs" Hodge, poster artist extraordinaire and VHS obsessive, with a foreword by Mondo's Justin Ishmael, this collection contains over 240 full-scale, complete video sleeves in the genres of action, comedy, horror, kids, sci-fi, and thriller films. It's a world of mustached, muscled men, buxom beauties, big explosions, phallic guns, and nightmare-inducing monsters. From the sublime to the ridiculous, some are incredible works of art, some are insane, and some capture the tone of the films better than the films themselves. All are amazing and inspiring works of art that captivate the imagination. It's like stepping back in time into your local video store!
Modern literature has always been obsessed by music. It cannot seem to think about itself without obsessing about music. And music has returned the favour. The Routledge Companion to Music and Modern Literature addresses this relationship as a significant contribution to the burgeoning field of word and music studies. The 37 chapters within consider the partnership through four lenses—the universal, opera and literature, musical and literary forms, and popular music and literature—and touch upon diverse and pertinent themes for our modern times, ranging from misogyny to queerness, racial inequality to the claimed universality of whiteness. This Companion therefore offers an essential resource for all who try to decode the musico-literary exchange.
During this period estrada - which includes comedy, literary readings, and circus arts as well as popular song - saw the birth of tangos, foxtrots, waltzes, and big bands. MacFadyen shows how a nomadic art form survived the pressures of business before the 1917 Revolution and those of politics afterwards.
When they're not at their favorite sport, anglers will find great entertainment in more than 350 quotations by writers such as Lord Byron, Cervantes, Arthur Ransome, Ted Leeson, and, of course, Ernest Hemingway, author of that unrivaled novel of struggle between man and fish, The Old Man and the Sea.
About four or five years ago, the Abstractor of these wills was employed to examine the titles to a large number of timber tracts, situated in Norfolk County, and to carry the same back to the original grants. The first obstacle he found in his way was the lack of an Index, for the years 1637 to 1753, and it was, therefore, necessary to index deeds and wills for that period. This index required the reading, page by page, of the first nineteen volumes in the Norfolk County Clerk's Office, and formed the basis upon which the present work was made. In using this Abstract, it is well to bear in mind the brief development of Norfolk County: Norfolk County was originally a part of Elizabeth City County, formed in 1634. About 1636 that portion of Elizabeth City County, lying on the south side of the James River, was formed into New Norfolk County. About 1637 New Norfolk County was divided into Upper Norfolk and Lower Norfolk Counties; Upper Norfolk County later became Nansemond County, and in 1691 Lower Norfolk was divided into Princess Anne County and Norfolk County. -- Preface.
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"Notes on Fishing was Sergei Aksakov's first book, and Russia's first angling treatise. Notes, which has been compared to Izaak Walton's The Compleat Angler, presents a Russian gentleman's affectionate observations on the fishing tackle, angling techniques, and fish species he came to know during five decades of adventure-filled fishing in the vast Russian steppe and environs of Moscow." "Notes on Fishing, however, goes beyond more discourse on angling; it offers a rich multitude of viewpoints: philosophical, literary, linguistic, ethnographic, biological, and conservationist. Aksakov has imbued his notes with a deep fondness for the Russian land and an expertly conveyed atmosphere of personal and national nostalgia." --Book Jacket.