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Paris on the Potomac
In 1910 John Merven Carrère, a Paris-trained American architect, wrote, “Learning from Paris made Washington outstanding among American cities.” The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural environment of Washington, D.C., which continued long after the well-known contributions of Peter Charles L’Enfant, the transplanted French military officer who designed the city’s plan. Isabelle Gournay’s introductory essay provides an overview and examines the context and issues involved in three distinct periods of French influence: the classical and Enlightenment principles that prevailed from the 1790s through the 1820s, the Se...
Standing Soldiers, Kneeling Slaves
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces—specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest era of monument building in American history took place amid ...
American Sculpture in the Metropolitan Museum of Art: A catalogue of works by artists born between 1865 and 1885
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
The Apotheosis of Democracy, 1908-1916
"The art of Paul Wayland Bartlett (1865-1925) and turn-of-the-century sculpture in general have been attracting increasing attention. A leading American sculptor of international reputation, Bartlett was one of the best-known artists in the United States." "Bartlett's sculptural decoration for the House pediment at the U.S. Capitol Building was his most prestigious public monument and one of the most historically important federal commissions to be awarded in the United States during the early twentieth century. Its installation in the long-vacant House pediment finally brought to completion a project of Capitol expansion that had begun more than a half-century earlier. As such, it provides a valuable opportunity for exploring the early development of government-sponsored public sculpture in the United States. Unveiled just eight months prior to U.S. entry into World war I, the pediment also represents one of the most visible public expressions of the ideals of the late American Renaissance (1876-1917)."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Routledge Companion to Leadership
Leadership has never been more important – and divisive – than it is today. The idea and discourse of the leader remains a critical factor in organizational and societal performance, but there is evident tension between the persistent focus on the critical importance of individual leaders and the increasing emphasis on collective leadership. The Routledge Companion to Leadership provides a survey of the contentious and dynamic discipline of leadership. This collection covers key themes in the field, including advances in leadership theory, leadership in a range of contexts and geographies, leadership failure, leadership process, and leadership development. Topics range from micro studies...
American Sculpture in the Metropolitan Museum of Art: A catalogue of works by artists born before 1865
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
George Washington and Political Fatherhood
More than two hundred years after his death, George Washington is still often considered the metaphorical father of the United States. He was first known as the "Father of His Country" during his lifetime, when the American people bestowed the title upon him as a symbolic act of resistance and rebirth. Since then, presidents have stood as paternal figureheads for America, often serving as moral beacons. This book tracks political fatherhood throughout world history, from the idea of the pater patriae in Roman antiquity to Martin Luther's Bible translations and beyond. Often using George Washington as a paradigm, the author explores presidential iconography in the U.S., propaganda and the role of paternal rhetoric in shaping American sociopolitical history--including the results of the 2016 presidential election.
Coming to Terms with America
Coming to Terms with America examines how Jews have long “straddled two civilizations,” endeavoring to be both Jewish and American at once, from the American Revolution to today. In fifteen engaging essays, Jonathan D. Sarna investigates the many facets of the Jewish-American encounter—what Jews have borrowed from their surroundings, what they have resisted, what they have synthesized, and what they have subverted. Part I surveys how Jews first worked to reconcile Judaism with the country’s new democratic ethos and to reconcile their faith-based culture with local metropolitan cultures. Part II analyzes religio-cultural initiatives, many spearheaded by women, and the ongoing tensions...
Building Washington
While there have been many books on the architecture and planning of this iconic city, Building Washington explains the engineering and construction behind it.
Perspectives on American Sculpture Before 1925
The Metropolitan Museum of Art has long been renowned for its collection of American sculpture, in particular its world-famous American Neoclassical marbles. This volume contains eight papers presented at a symposium held at the Museum on October 26, 2001, upon the publication of American Sculpture in The Metropolitan Museum of Art. The contributors, who include art historians, museum professionals, and independent scholars, offer a fascinating cross section of current thematic interests and scholarly approaches to American sculpture. Each contributor takes as their starting point a sculpture or group of sculptures in the Metropolitan's collection, presenting a wide variety of approaches to the study and understanding of these works.
