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The Creation of Chaos
This is the first book-length study of William James’ style, arguing that the manner in which James writes The Principles of Psychology and The Varieties of Religious Experience serves to construct a chaotic world for his readers. The book examines the uses of chaos in western literature and philosophy and reaches two conclusions: that chaos may be “utter confusion and disorder,” but, paradoxically, that disorder is communicated through some particular order — in Joyce’s term, all chaos is “chaosmos.” Secondly, what is essential about chaos is what it does: nothing is inherently chaotic, rather chaos is used to contrast with or challenge something that is more structured or formed. Finally, the author presents an examination of the religious function of James’ chaotic worldview as a disorientation which orients.
The Living Church
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Creativity and Spirituality
Drawing from six living faiths, this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience.
The Tao and the Daimon
The Tao and the Daimon examines a central theme in religious studies: the question of the authority and authenticity of traditional religious faith and practice (tao) in light of the challenge from the spirit of critical reason (Socrates' daimon). From a non-judgmental, historical standpoint, it develops the dialectical relation between religion and rational inquiry. Neville employs a philosophical system to set a task for reflection, making it possible to see how Eastern and Western religious traditions differ, overlap, contradict, and reinforce one another. The central chapters are detailed studies of theologically interesting elements in Christianity, Buddhism, taoism, and Neoconfucianism...
Explorations in Art, Theology and Imagination
Christianity has repeatedly valued the "Word" over and above the non-verbal arts. Art has been seen through the interpretative lens of theology, rather than being valued for what it can bring to the discipline. 'Explorations in Art, Theology and Imagination' argues that art is crucially important to theology. The book explores the interconnecting themes of embodiment and incarnation, faith and imagination, and the similarities and differences between art and theology. Arguing for a critique that begins with art and moves to theology, 'Explorations in Art, Theology and Imagination' offers a radical re-evaluation of the role of art in Christian discourse.
Bradley and the Problematic Status of Metaphysics
Bradley is a much neglected philosopher. The neglect is hardly justifiable, considering what Bradley actually wrote. However, the situation has improved in the last couple of decades, as there are signs of renewed interest in Bradley. Indeed, a basic consensus among Bradley scholars is the need for a reassessement of his philosophy and his place in the history of philosophy. In this interpretive and critical work, Ilodigwe undertakes an appraisal of Bradleyâ (TM)s philosophy. He argues that Bradleyâ (TM)s metaphysics of the absolute is the core of his philosophical system This means that we cannot understand Bradleyâ (TM)s philosophy unless we do justice to this aspect of his thought. Nor...
Bachelors of Science
Naomi Zack begins this extraordinary book with the premise that if one is to understand Western conceptions of racialized and gendered identity, one needs to go back to a period when such categories were not salient and examine how notions of identity in the seventeenth century were fundamentally different from subsequent constructions. The seventeenth century is the last time, for example, that Europeans had any contact with non-Europeans without racializing them. From the eighteenth century onward, race becomes a central category for Europeans in their transactions with a different world, and gender undergoes radical transformation.Zack takes the reader through a lucid tour of the lives, t...
Religious Aesthetics
In this groundbreaking work, Brown shows how aesthetics, no less than ethics, can play a central role in the study of religion and in the practice of theology. "An important book, wide ranging, often very witty . . . showing an impressive grasp of the current state of aesthetics and possible new directions".--Nick McAdoo, British Journal of Aesthetics.
Cross Currents
Philosophy begins with a question. The same question is often asked in different languages. Comparative philosophy is a project that engages thinkers from all areas of the world and approaches common problems from different perspectives. The conversations look at not only interactions between cultures, but also the relationships among humans, animals, and nature. But the many languages and unfamiliar terms can seem intimidating even to those with formal philosophical training. This book provides an approachable survey of current topics from some of the newest comparative philosophers as they enter the field. Arising out of a graduate student philosophy conference at the University of Hawaiâ€...
The Gracing of Human Experience
This study ponders different ways Christian thinkers understood humanity in its relationship to divine grace. It names fallacies that have in the past skewed theological understanding of that relationship. It argues that the philosophy of Charles Sanders Peirce avoided those same fallacies and provides a novel frame of reference for rethinking the theology of grace. The author shows how the insights of other American philosophers flesh out undeveloped aspects of PeirceÕs thought. He formulates a metaphysics of experience derived from his philosophical analysis. Finally, he develops an understanding of supernatural grace as the transmutation and transvaluation of human experience.
