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The Conte
A majority of the chapters in this book were originally presented as papers at a conference held at Queen's University Belfast in September 2006. The volume explores the oral-written dynamic in the conte français/francophone, focusing on key aspects of the relationship between oral and written forms of the conte. The chapters fall into four broad thematic areas (the oral-written dynamic in early modern France; literary appropriations and transformations; postcolonial contexts; storytelling in contemporary France: linguistic strategies). Within these broad areas, some chapters deal with sources and influences (such as that of written on oral and vice versa), others with the nature of the dis...
The Pleasant Nights
This full critical edition of The Pleasant Nights presents these stories in English for the first time in over a century. The text takes its inspiration from the celebrated Waters translation, which is entirely revised here to render it both more faithful to the original and more sparkishly idiomatic than ever before. The stories are accompanied by a rich sampling of illustrations, including originals from nineteenth-century English and French versions of the text.
New Perspectives on Arabian Nights
Adopting a multi-disciplinary approach, this comparative study of a selection of The Arabian Nights stories in a cross-cultural context, brings together a number of disciplines and subject areas to examine the workings of narrative. It predominantly focuses on the ways in which the Arabian Nights have transformed as its stories have travelled across historical eras, cultures, genres and media. Departing from the familiar approaches of influence and textual studies, this book locates its central inquiry in the theoretical questions surrounding the workings of ideology, genre and genre ideology in shaping and transforming stories. The ten essays included in this volume respond to a general que...
Three Loves for Three Oranges
In 1921, Sergei Prokofiev's Love for Three Oranges—one of the earliest, most famous examples of modernist opera—premiered in Chicago. Prokofiev's source was a 1913 theatrical divertissement by Vsevolod Meyerhold, who, in turn, took inspiration from Carlo Gozzi's 1761 commedia dell'arte–infused theatrical fairy tale. Only by examining these whimsical, provocative works together can we understand the full significance of their intertwined lineage. With contributions from 17 distinguished scholars in theater, art history, Italian, Slavic studies, and musicology, Three Loves for Three Oranges: Gozzi, Meyerhold, Prokofiev illuminates the historical development of Modernism in the arts, the ways in which commedia dell'arte's self-referential and improvisatory elements have inspired theater and music innovations, and how polemical playfulness informs creation. A resource for scholars and theater lovers alike, this collection of essays, paired with new translations of Love for Three Oranges, charts the transformations and transpositions that this fantastical tale underwent to provoke theatrical revolutions that still reverberate today.
French Theatre in the Neo-classical Era, 1550-1789
This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.
The Pleasant Nights - Volume 1
Renowned today for his contribution to the rise of the modern European fairy tale, Giovan Francesco Straparola (c. 1480–c. 1557) is particularly known for his dazzling anthology The Pleasant Nights. Originally published in Venice in 1550 and 1553, this collection features seventy-three folk stories, fables, jests, and pseudo-histories, including nine tales we might now designate for ‘mature readers’ and seventeen proto-fairy tales. Nearly all of these stories, including classics such as ‘Puss in Boots,’ made their first ever appearance in this collection; together, the tales comprise one of the most varied and engaging Renaissance miscellanies ever produced. Its appeal sustained it...
Music and Theatre in France, 1600-1680
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Imperialism:Crit Concepts V3
First published in 2004. This is Volume III in a collection on Imperialism, Critical Concepts in Historical Studies and includes PART V Cultural and ‘Postcolonial’ Critiques.
Marvellous Thieves
Although many of its stories originated centuries ago in the Middle East, the Arabian Nights is regarded as a classic of world literature by virtue of the seminal French and English translations produced in the eighteenth and nineteenth centuries. Supporting the suspicion that the story collection is more Parisian than Persian, some of its most famous tales, including the stories of Aladdin and Ali Baba, appear nowhere in the original sources. Yet as befits a world where magic lamps may conceal a jinni and fabulous treasures lie just beyond secret doors, the truth of the Arabian Nights is richer than standard criticism suggests. “Marvellous Thieves, which draws on hitherto neglected source...
