Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Introductions, Notes and Commentaries to Texts in ' The Dramatic Works of Thomas Dekker '
Four of the plays in this volume are based on important source materials, so that the relationship of plays to sources looms large in Cyrus Hoy's introductory essays. There is an extensive account of the relation of The Shoemakers' Holiday to Deloney's Gentle Craft. The Introduction to Old Fortunatus relates in detail that play's relationship to the German Volksbuch, and to the German Comoedia von Fortunate und seinem Seckel und Wünschhütlein (1620), a redaction of Dekker's play. The Introduction to Patient Grissil relates Dekker, Chettle and Haughton's play to the tradition of the Griselda story generally. The chronicle-history sources (Foxe, Grafton, Stow, Holinshed) of Sir Thomas Wyatt are surveyed in the Introduction, in his Introduction also, Professor Hoy considers the play's relationship to the lost play, Lady Jane, by Dekker, Chettle, Heywood, Webster and W. Smith. Satiromastix has no known source, but as Dekker's contribution to the stage quarrel of Marston and Jonson, this is a play that has always had particular interest for the student of Elizabethan theatrical history, and Professor Hoy therefore bestows on it the most elaborate Commentary in all these four volumes.
Introductions, Notes and Commentaries to Texts in ' The Dramatic Works of Thomas Dekker ': Volume 1, Sir Thomas More: Dekker's Addition; The Shoemakers' Holiday; Old Fortunatus; Patient Grissil; Satiromastix; Sir Thomas Wyatt
Four of the plays in this volume are based on important source materials, so that the relationship of plays to sources looms large in Cyrus Hoy's introductory essays. There is an extensive account of the relation of The Shoemakers' Holiday to Deloney's Gentle Craft. The Introduction to Old Fortunatus relates in detail that play's relationship to the German Volksbuch, and to the German Comoedia von Fortunate und seinem Seckel und Wünschhütlein (1620), a redaction of Dekker's play. The Introduction to Patient Grissil relates Dekker, Chettle and Haughton's play to the tradition of the Griselda story generally. The chronicle-history sources (Foxe, Grafton, Stow, Holinshed) of Sir Thomas Wyatt are surveyed in the Introduction, in his Introduction also, Professor Hoy considers the play's relationship to the lost play, Lady Jane, by Dekker, Chettle, Heywood, Webster and W. Smith. Satiromastix has no known source, but as Dekker's contribution to the stage quarrel of Marston and Jonson, this is a play that has always had particular interest for the student of Elizabethan theatrical history, and Professor Hoy therefore bestows on it the most elaborate Commentary in all these four volumes.
Scholae Academicae. Some Account of the Studies at the English Universities in the Eighteenth Century
Reprint of the original, first published in 1877.
Aquinas Among the Protestants
AQUINAS AMONG THE PROTESTANTS This major new book provides an introduction to Thomas Aquinas’s influence on Protestantism. The editors, both noted commentators on Aquinas, bring together a group of influential scholars to demonstrate the ways that Anglican, Lutheran, and Reformed thinkers have analyzed and used Thomas through the centuries. Later chapters also explore how today’s Protestants might appropriate the work of Aquinas to address a number of contemporary theological and philosophical issues. The authors set the record straight and disavow the widespread impression that Aquinas is an irrelevant figure for the history of Protestant thought. This assumption has dominated not only ...
The Fairy Pastoral
A pastoral satire about homicidal women- and men-haters being forced into marriage. A standard “Shakespearean” comedy takes a group of youths who are attracted to those who are not interested in them, and regroups them by the conclusion into neat pairings of three or four marriages. In contrast, Fairy Pastoral appears to have been censored because the men in the pairings are wooing their intended partners from the beginning, while the women are homicidally opposed to marriage and prove to the men how much they hate them during the plot, only for them all to be forced into four marriages that all of them are miserable in by the resolution. The setting is the Forest of Elvida inhabited by ...
