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In master engraver George A. Walker’s newest work, The Mysterious Death of Tom Thomson, the circumstances surrounding the death and disappearance of the iconic Canadian artist are explored through some one hundred and nine wood engravings, creating a work that eulogizes not only the artist himself, but the struggle of the artist’s attempt to express himself while constrained by society, the reality of the moment, and mortality.
Published to accompany exhibition organized by Dulwich Picture Gallery and the National Gallery of Canada, in collaboration with the National Museum of Art, Architecture and Design, Oslo, and the Groninger Museum.
An examination of Canadian identity through our cultural obsession with iconic painter Tom Thomson.
Canadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray's book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.
Tom Thomson (1877-1917) occupies a prominent position in Canada's national culture and has become a celebrated icon for his magnificent landscapes as well as for his brief life and mysterious death. The shy, enigmatic artist and woodsman's innovative painting style produced such seminal Canadian images as The Jack Pine and The West Wind, while his untimely drowning nearly a century ago is still a popular subject of fierce debate. Originally a commercial artist, Thomson fell in love with the forests and lakes of Ontario's Algonquin Park and devoted himself to rendering the north country's changing seasons in a series of colourful sketches and canvases. Dividing his time between his beloved wilderness and a shack behind the Studio Building near downtown Toronto, Thomson was a major inspiration to his painter friends who, not long after his death, went on to change the course of Canadian art as the influential - and equally controversial - Group of Seven.
Two preteens, Dani and Caitlin, set out to uncover the truth behind the mysterious death of Canadian painter Tom Thomson, while on a camping trip with their fathers in the Ontario wilderness.
This book celebrates the artisitic legacy of eleven artists who broke with tradition and established a new way of painting Canada. Although they called themselves the Group of Seven, the members eventually numbered ten. Tom Thompson, who died before the group was established, was always present in spirit and in the public mind--Page 4 of cover.
A National Post Bestseller! How did Tom Thomson die in the summer of 1917? Was landscape painter Tom Thomson shot by poachers, or by a German-American draft dodger? Did a blow from a canoe paddle knock him unconscious and into the water? Was he fatally injured in a drunken fight? Did he end his life out of fear of being forced to marry his pregnant girlfriend? Commemorating the one-hundredth anniversary of the death of the renowned Canadian landscape painter, The Many Deaths of Tom Thomson offers an authoritative review of the historical record, as well as some theories you might not have thought of in a hundred years. Cultural historian Gregory Klages surveys first-hand testimony and archival records about Thomson’s tragic demise, attempting to sort fact from legend in the death of this Canadian icon.
The aristocracy of Antarctic exploration does not include the name of Thomas Orde Hans Lees. He came away from Shackleton's 1914 expedition with the reputation of being the least popular and most criticised of the men involved in the Endurance adventure in the Weddell Sea. Not only was he disliked simply for being himself but he was also expected to become the first victim of cannibalism if the 22 men of Elephant Island had run out of food. Previous accounts of Shackleton's adventure have unfailingly mentioned that Orde Lees was unpopular. Though they have plundered his excellent journal for much of the detail of life on board the Endurance, on the pack ice and finally on Elephant Island, th...