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What do Canadian films say about crime and justice in Canada? What purpose to Canadian crime films serve politically and culturally? Screening Justice is a scholarly exploration of films that focus on crime and justice in Canada. Crime films are pivotal for understanding and shaping Canadian sensibilities by setting out widely available templates for thinking about crime and justice in Canadian society. Spanning disciplines and examining films from across Canada, Screening Justice is the first comprehensive Canadian volume on crime films that takes up cultural criminology’s call for more critical scholarly analyses of the interplay between crime, culture and society.
A critical cultural materialist introduction to the study of global entertainment media. In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: Paradigms of global entertainment media such as cultural imperialism and cultural globalization. The business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media. The "governance" o...
Commemorating the one hundredth anniversary of Tom Thomson's death, cultural historian Gregory Klages offers the deepest look to date at the historical record, testimony, and archives about the artist’s tragic and mysterious demise. Putting the whole range of theories under examination, he separates truth from legend in this great Canadian mystery.
Judith Nasby, founding director and curator of the Macdonald Stewart Art Centre, animates the story of the gallery from its humble beginnings in the hallways of a university campus in 1916 to its latest incarnation as the internationally recognized Art Gallery of Guelph. The book is beautifully illustrated with eighty images of artworks in the permanent collection, beginning with the gallery's first acquisition, Tom Thomson's 1917 masterpiece The Drive, the last large canvas he painted before his tragic death. As curator, Nasby oversaw the creation of one of the most comprehensive sculpture parks in Canada and the amassing of a permanent collection of some nine thousand artworks. In The Maki...
Tom Thomson was Canada's Vincent van Gogh. He painted for a period of five years before meeting his untimely death in a remote wilderness lake in July 1917. He was buried in an unofficial grave close to the lake where his body was found. About eight hours after he was buried, the coroner arrived but never examined the body and ruled his death accidental due to drowning. A day and a half later, Thomson's family hired an undertaker to exhume the body and move it to the family plot about 100 miles away. This undertaker refused all help, and only worked at night. In 1956, John Little's father and three other men, influenced by the story of an old park ranger who never believed Thomson's body was...
A Life of Crime: My Career in Forensic Science chronicles the career and experiences of world-renowned forensic scientist, Dr. Douglas Lucas. It is the culmination of his decades-worth of work in the field, developing innovative techniques that have revolutionized several aspects of forensic science. It is part professional reference, part career guide, part instructive reference for students wishing to entering the to enter the field, and wholly autobiographical. Dr. Lucas chronicles a number of the high-profile cases he’s worked on firsthand. This includes both the logistical problem-solving of case management—how to process and handle the evidence—in addition to the testing, analysi...
Roy MacGregor grew up in Huntsville, close to his beloved Algonquin Park, where he spent his childhood surrounded by stories of the famous painter. At the heart of it all was MacGregor’s relative, Winnie Trainor, the “old maid” too eccentric to be considered a romantic character, even if it was well known that Tom Thomson had once been in love with her. MacGregor’s fascination with the mysterious painter went deeper. Thomson had made friends in Northern Ontario, but also enemies. He liked to drink and canoe for days on end; he was also seen as a seducer. Be that as it may, the artist’s body was found in Canoe Lake in July 1917. The confusion surrounding his death and burial site was never resolved. In Northern Light (L’étoile du nord), MacGregor offers new leads and reveals previously hidden details of Thomson’s final days, as well as forensic data. Was Thomson a good-for-nothing womanizer or a visionary artist and gentleman? Did he drown accidentally or was he a victim of homicide? The myth of Tom Thomson has grown to obscure the reality of what happened, but the answers to many of these questions are finally revealed here.
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A National Post Bestseller! How did Tom Thomson die in the summer of 1917? Was landscape painter Tom Thomson shot by poachers, or by a German-American draft dodger? Did a blow from a canoe paddle knock him unconscious and into the water? Was he fatally injured in a drunken fight? Did he end his life out of fear of being forced to marry his pregnant girlfriend? Commemorating the one-hundredth anniversary of the death of the renowned Canadian landscape painter, The Many Deaths of Tom Thomson offers an authoritative review of the historical record, as well as some theories you might not have thought of in a hundred years. Cultural historian Gregory Klages surveys first-hand testimony and archival records about Thomson’s tragic demise, attempting to sort fact from legend in the death of this Canadian icon.