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Christi Belcourt's The Conversationis emblematic of her work. Made of dots created by dipping the end of a paintbrush or knitting needle into paint and pressing it onto the canvas, the painting evokes the traditional beadwork of First Nations and Métis women. Its twining stems, flower blossoms, and root systems highlight the abiding connections of life across Turtle Island, connections that Belcourt has spent her life fighting for through her art and her advocacy. Christi Belcourtis the first book devoted exclusively to Belcourt's life and work: her early paintings showcasing the natural world's beauty and interconnectedness, her monumental "flower beadwork " paintings, and her recent collaborations with Isaac Murdoch, an Anishinaabe knowledge keeper. Drawn from a national touring exhibition, these works of art inspire reflection, provoke conversation, and call for action. The book features a powerful artist's statement by Christi Belcourt, and illuminating essays written by scholars Sherry Farrell Racette, Dylan Miner, and exhibition curator Nadia Kurd.
In recognizing the established intellectual and institutional authority of Aboriginal artists, curators, and academics working in cultural institutions and universities, this volume serves as an important primer on key questions and issues accompanying the changing representational practices of the community cultural center, the public art gallery and the anthropological museum.
We are just beginning to realize the charm and importance of Indian legends. "Too late, perhaps," wrote W.S. Piper when he first published this book in 1924, as many of the old-time Ojibways, who translated freely, had passed away. By pen and camera the author tried to preserve some of the stories told to him years ago by his Indian friends, Chief Skeet, Luke Bushy, Chief Penassie, Chief Blackstone, and Joe Turtle, among others. There is an unmistakable fascination about Indian legends which is greatly increased when they are heard amidst the surroundings that gave them birth.--Thunder Bay Historical Socierty website
Art for a New Understanding, an exhibition from Crystal Bridges Museum of American Art that opened in October 2018, seeks to radically expand and reposition the narrative of American art since 1950 by charting a history of the development of contemporary Indigenous art from the United States and Canada, beginning when artists moved from more regionally-based conversations and practices to national and international contemporary art contexts. This fully illustrated volume includes essays by art historians and historians and reflections by the artists included in the collection. Also included are key contemporary writings—from the 1950s onward—by artists, scholars, and critics, investigati...
This lively book encompasses the French predecessors of Fort William, Native Peoples of the time, and the evolution of the fur trade.
If Tenderness Be Gold is set in 19th-century and early 20th-century northern Ontario and Manitoba. An Irish mother, an Italian herbalist, and a Scottish midwife come together on the night of a difficult birth, and the result of their union has effects that echo through the generations.