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Named by Black Issues as the best poetry book of 2004, this is the astonishing story of a slave girl in the antebellum South. This critically acclaimed verse-novel follows the unforgettable Varl, a slave on a plantation in Tennessee, on her path to freedom. Wise beyond her years and wildly creative, Varl must choose between the only life she's knownher Mamalee, her friends (especially her beloved Dob), the farmland she's explored since childhoodand her growing need for self-determination. Standing in her path, waiting to quash her spirit, is her master, the cunning Peter Perry, "a collector of rare things" who aims to add Varl herself to his perverse assortment of oddities. With Slave Moth, Thylias Moss shows herself yet again to be "a visionary storyteller" (Charles Simic). Written in gorgeous verse, it is an explosion of life in the face of servitude.
This career-spanning volume by Thylias Moss, one of America’s most revered literary innovators, conveys the dazzling spectrum of her hypnotic poetic output, written over the past thirty-five years and including selections from each previous book as well as previously unpublished new poems. A poet whose innovations have influenced generations of writers, Thylias Moss is a sort of taxonomist-preacher, whose profound meditation on American culture underlies and propels the dazzling lyrical and impassioned passages she writes in outraged response. This new volume gathers together substantial selections from her previous books and follows them with more than fifty pages of daring new work. Whet...
Nominee for the 1989 National Book Critics Circle Award for Poetry, this is Moss's second volume of poems. In these poems she raises questions about the black heritage, womanhood, God, and culture in reverberating, realistic language. ISBN 0-8139-1202-4 (pbk.) : $8.95.
A new collection by the National Critics Book Circle Award finalist author of Last Chance fro the Tarzan Holler features pieces that explore searches for vestiges of a beloved deceased cousin, a missing college student, and the author's true self.
These poems are angry, defiant, yet informed by a sense of the sacred. Here is a writer who speaks bitterness and makes her own music of it. --Marilyn Hacker As this book reveals, Thylias Moss has produced a body of poetry both large and broad. --Small Press Magazine.
The latest volume of this dazzling poet's work, urgent poems in which words, images, ideas, music, and feelings are pushed to their ultimate capacity. Finalist for the National Book Critics Circle Award; a Village Voice Favorite Book of 1998. The latest volume of this important and highly original poet's work is a three-part journey into the pathology of human emotions. In a cascade of language-ordinary speech, preaching, song, banter, erudition-all that is good spirals into regions of horror and grotesque inconsistency with consequences as contemporary as headlines and as eternal as myth. Intense and brilliantly sustained, these poems limn the humane being tested, the plunge into strangeness, and finally recovery, the salvaging of wonder after all.
Poems deal with children, envy, parenthood, tornados, the South, animals, machines, poetry, racism, and mortality
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and Af...
Within my life's present unified theory of being, splendor divests itself of its own integrity, splitting to belong to everything that notices it, each part as effective as the whole splendid thing. It belongs to whatever wants it and is inexhaustible even as someone lays dying, even as someone else cries thinking there is none, their tears becoming prisms. . . With these words, the acclaimed poet Thylias Moss proclaims a hymn to the power of light over darkness, both in her own life, and in the wider world. In this, her first prose work, the author of six books of poetry and winner of the most distinguished honors--including a MacArthur Fellowship Award, a Guggenheim Fellowship, an NEA Fell...
Malin Pereira's collection of eight interviews with leading contemporary African American poets offers an in-depth look at the cultural and aesthetic perspectives of the post-Black Arts Movement generation. This volume includes unpublished interviews Pereira conducted with Wanda Coleman, Yusef Komunyakaa, Thylias Moss, Harryette Mullen, Cornelius Eady, and Elizabeth Alexander, as well as conversations with Rita Dove and Cyrus Cassells previously in print. Largely published since 1980, each of these poets has at least four books. Their influence on new generations of poets has been wide-reaching. The work of this group, says Pereira, is a departure from the previous generation's proscriptive ...