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World Directors and Their Films
In World Directors and Their Films, Bert Cardullo offers readable analyses of some of the most important films and the artists who produced them. Beyond simple biographical capsules and plot summaries, these readings demonstrate with clarity and elegance how international moviemakers use the resources of the medium to pursue complex, significant human goals. Including essays on filmmakers from China, Japan, India, Argentina, Brazil, Mexico, Iran, Senegal, and Chad, this book is an engaging collection of enlightening and helpful essays that will appeal as much to the general reader as it will to scholars of international cinema.
Ex-wife, Let's Get Married Again
There was a sign at the gate: Bai Yunshu, please go through the side door! Bai Yunshu had always thought that this was the greatest insult to him! When his husband and his father joined forces to send him to a mental hospital. When her husband and sister married behind their backs. When the child in her womb was mercilessly murdered by them. She realized that the insult she thought she had suffered was too far away to reach. It had only just begun!
Interstellar True Dragon
Long Yi, was originally just an ordinary student of Ling Feng Saint Emperor's Academy in Gesun City of China! He had an extremely ordinary family background and extremely ordinary strength! He had been dependent on his mother since he was young! However, once again, he inadvertently found out a secret that he could not believe! All along, his mother had disguised herself, but he was actually the undying legendary figure of Earth, the son of the Ling Feng Saint Emperor — Yun Zhi! From then on, an interstellar journey that transcended time and space to search for the miracle of the Great Father began ...
Cultivating Master In City
coincidence, zhou yi seventeen years old, miss the girls, you still want to run? this world, will be able to stop the killing, god to kill god! this world, only willing to live up to the dust not qing, the sky again!
Movies as Politics
In this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing, key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler...
Annual Report
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China Into Film
Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture. Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.
Film Chronicle
It is the aim of this book to chronicle the vitality of international film art between the years 1987 and 1992. Countries represented in this collection include England, France, Sweden, the United States, Germany, India, Russia, Denmark, Italy, Spain, China, Holland, Japan, and Finland. The review/essays contained herein are acts of analysis and interpretation in the humanistic senses of those words; they are neither theoretical musings nor scholarly tracts. As such, Film Chronicle can be considered a call for the return of practical criticism as the best way to understand and appreciate the work of cinematic artists.
