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That's Entertainment
Arthur Schwartz (1900-1984), a premier composer of American Popular Song during the mid-20th century, has been overlooked by historians. This first full-length biography covers his work on Broadway and in Hollywood, where he was known as the "master of the intimate revue" for his songs in the 1930s with Howard Dietz. Schwartz wrote music for films in the 1940s--with Academy Award nominations for They're Either Too Young or Too Old and A Gal in Calico--produced two popular movie musicals--Cover Girl and Night and Day--and was among the first songwriters to work in the new medium of television. The author describes his creative process and includes behind-the-scenes stories of each of his major musicals.
Tin Pan Alley Girl
Best known as the writer of the lyric for the popular Disney song "Who's Afraid of the Big Bad Wolf?" as well as the American standard "Willow Weep for Me," Ann Ronell was also a translator and orchestrator for operatic works. This biography traces Ronell's life from her early days in Omaha, Nebraska, and recounts her marriage to producer Lester Cowan and her friendships with George Gershwin, Kurt Weill and the baritone John Charles Thomas. Includes more than 40 photographs, a chronology, family tree and film credits.
Lyrical Satirical Harold Rome
Harold Rome was a composer and lyricist on Broadway, starting with Pins and Needles in 1937. His biggest hits included Call Me Mister, Wish You Were Here, Fanny, Destry Rides Again, and I Can Get It for You Wholesale and he continued on Broadway through 1965 with The Zulu and the Zayda. His early career, after two Yale degrees, featured songs of "social significance," lyrics for the common man filled with satire. His later works were songs well adapted to the book musicals of the day, and his words and music became more lyrical. Rome worked with Moss Hart, George S. Kaufman, Jerome Weidman, Joshua Logan, David Merrick and others, and wrote songs for such stars as Pearl Bailey, Ezio Pinza, Walter Slezak and Barbra Streisand (among many). Politically involved, and left-wing, he attracted the attention of conservative organizations and the FBI. His song writing contributed to the home front efforts for World War II, as a civilian and then as a corporal in the Army. Showing yet another side, his paintings were critically praised and he amassed an impressive collection of African art.
So You Want to Sing Music by Women
So You Want to Sing Music by Women opens wide a vast repertoire of vocal music written by women to advocate for widespread inclusion of this too-often neglected work in performance repertoire. Hoch and Lister provide a historical and contemporary perspective, chronicling the Western art music canon while also addressing contemporary trends in music theater and CCM. In addition to providing a historical overview and social context in which women created music, this volume explores the music of hundreds of historical and contemporary women composers, such as Hildegard von Bingen, Clara Schumann, Lili Boulanger, Cathy Berberian, Erykah Badu, and Sara Bareilles. In addition to discussions of art...
American Popular Song
Wonderful--The New York Times. Provocative, opinionated, and never dull--Down Beat. A singular book.--Studs Terkel. When it was first published, Alec Wilder's American Popular Song quickly became a classic and today it remains essential reading for countless musicians, lovers of American Song, and fans of Alec Wilder. Now, in a 50th anniversary edition, popular music scholar Robert Rawlins brings the book fully up-to-date for the 21st century. Whereas previous editions featured only piano scores, the format has been changed to lead sheet notation with lyrics, making it accessible to a wider readership. Rawlins has also added more than sixty music examples to help complete the chapter on Irvi...
The Jazz Standards
An updated new edition of Ted Gioia's acclaimed compendium of jazz standards, featuring 15 additional selections, hundreds of additional recommended tracks, and enhancements and additions on almost every page. Since the first edition of The Jazz Standards was published in 2012, author Ted Gioia has received almost non-stop feedback and suggestions from the passionate global community of jazz enthusiasts and performers requesting crucial additions and corrections to the book. In this second edition, Gioia expands the scope of the book to include more songs, and features new recordings by rising contemporary artists. The Jazz Standards is an essential comprehensive guide to some of the most im...
Hollywood Musicals You Missed
Pre-World War II Hollywood musicals weren't only about Astaire and Rogers, Mickey and Judy, Busby Berkeley, Bing Crosby, or Shirley Temple. The early musical developed through tangents that reflected larger trends in film and American culture at large. Here is a survey of select titles with a variety of influences: outsized songwriter personalities, hubbub over "hillbilly" and cowboy stereotypes, the emergence of swing, and the brief parade of opera stars to celluloid. Featured movies range from the smash hit Alexander's Ragtime Band (1938), to obscurities such as Are You There? (1930) and Swing, Sister, Swing (1938), to the high-grossing but now forgotten Mountain Music (1937), and It's Great to Be Alive (1933), a zesty pre-Code musical/science-fiction/comedy mishmash. Also included are some of the not-so-memorable pictures made by some of the decade's greatest musical stars.
Music in the Making of Modern Japan
This volume explores the notion of “affective media” within and across different arts in Japan, with a primary focus on music, whether as standalone product or connected to other genres such as theatre and photography. The volume explores the Japanese reception of this “affective media”, its transformation and subsequent cultural flow. Moving from a discussion of early encounters with the West through Jesuits and others, the contributors primarily consider the role of music in the nineteenth, twentieth, and twenty-first centuries. With ten original chapters, the volume covers a wealth of themes, from education, koto music, guitar making, avant-garde recorder works, musicals and rock photography, to interviews with contemporary performers in jazz, modern rock and J-pop. Innovative and fascinating, the book provides rich new insights and material to all those interested in Japanese musical culture.
Women Writing Musicals
The first-ever book to tell the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls "an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked." Library Journal praises the book, saying, "Tepper has fashioned a winning book on the unsung heroines of Broadway musicals that will be appreciated by readers of women’s studies and theater lore." Kirkus Reviews says it's an "encyclopedic reference" and a "long-overdue tribute to female lyricists and composers." From the composers who pounded the pavement selling their music in Tin Pan Alley at the turn of the twentieth century; to the lyricis...
The Routledge Companion to Asian Cinemas
Balancing leading scholars with emerging trendsetters, this Companion offers fresh perspectives on Asian cinemas and charts new constellations in the field with significance far beyond Asian cinema studies. Asian cinema studies – at the intersection of film/media studies and area studies – has rapidly transformed under the impact of globalization, compounded by the resurgence of a variety of nationalist discourses as well as counter-discourses, new socio-political movements, and the possibilities afforded by digital media. Differentiated experiences of climate change and the COVID-19 pandemic have further heightened interest in the digital everyday and the renewed geopolitical divide bet...
