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Till Lindemann is known as the singer and lyricist of the band Rammstein. But he has also been writing poetry for over 20 years. His short, incisive poems hit the reader directly, surprising and rattling us. The poems circumscribe Till Lindemann's cosmos of themes in constantly new and original variations, often calling to mind traditions of German poetry since Romanticism: Nature. The body. Loneliness. Violence. Love. Evil. Animals. Pain. Beauty. Language. Death. Sex...Till Lindemann plays with the classic poetic forms of verse, folk songs, counting rhymes and ballads, always finding his very own tone, which also includes humor and irony. After Messer and On Quiet Nights a remarkable new collection of poems-not just for Rammstein fans.
Named a Best Nonfiction Book of 2022 by Esquire A sociological study of reality TV that explores its rise as a culture-dominating medium—and what the genre reveals about our attitudes toward race, gender, class, and sexuality What do we see when we watch reality television? In True Story: What Reality TV Says About Us, the sociologist and TV-lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre. From the first episodes of The Real World to countless rose ceremonies to the White House, reality TV has not just remade our entertainment and cultural landscape (which it undeniably has). Reality TV, Lindemann argues, uniquely reflects our everyday experie...
This volume contains 13 original essays exploring Rammstein's stage performance and recorded works from multiple academic perspectives. Topics range from Rammstein's connection with 19th century German literature and their East German heritage to cannibalism and the supernatural. The panoramic view of approaches to Rammstein's music and performance goes beneath the surface and provides fan and scholar alike with a deeper appreciation for the band.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
A History of Modern Europe surveys European history from the defeat of Napoleon to the twenty-first century, presenting major historical themes in an authoritative and compelling narrative. Concise, readable single volume covering Europe from the early nineteenth century through the early twenty-first century Vigorous interpretation of events reflects a fresh, concise perspective on European history Clear and thought-provoking treatment of major historical themes Lively narrative reflects complexity of modern European history, but remains accessible to those unfamiliar with the field
#1 German bestseller "I have no idea how late it actually is. We flew off somewhere this morning, and my cell phone automatically turns off the clock if we're getting close to a new time zone by plane. Mile by mile, the bus pushes through the inner city. Budapest seems to be quite big. We are in the middle of rush hour traffic. As it is Friday, everyone wants to get out of the city very quickly. But nothing works quickly here at all." Flake, the legendary keyboardist for the German band Rammstein, takes readers on a journey of what it is to be a touring musician. The excitement, the boredom, the moments that will be remembered and those that are forgotten.It's The World's Birthday Today is a strange and moody book about life on the road.
The timeless classic from the iconic Dr. Seuss – now available in ebook, with hilarious read-along narration performed by outstanding comic talent, Rik Mayall. Enjoy this classic Christmas favourite anytime, anywhere!
A first impression of Putin through the lens of Columbine may be that it displays an unhealthy recall of the Columbine High School massacre, as a singular and horrible event that deserves consignment to the past. The view is probable that this should be the case especially for the two perpetrators. There are grounds, however, for suggesting that Columbine may have been a peculiarly and even uniquely resonant event: the blood-event in which a focused, articulate, and unapologetic will to destruction of the human world both announced itself to the world and entered it. What is offered here is a reading of archives that begins with recognition of a syntax of resemblance between two performative mass murderers with big ambitions: Eric Harris and Vladimir Putin. The text organizes thought in an unusual way, drawing in method from David Hume and Gilles Deleuze as will be credited. A reader accustomed to the usual bandwidth of both public and academic discourse is asked to set aside expectations and proceed with an open mind.