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This is a site-specific installation inspired by the tombs of the Egyptian Pharaohs which has been made in collaboration the architect David Adjaye.
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The work of counterculture artists Tim Noble and Sue Webster, whose art is a complex punk-rock take on modern consumer culture. Enormous neon signs, intricate silhouette portraits constructed of trash heaps, and a work titled Instant Gratification: British artists Tim Noble and Sue Webster thrive on the thrills of illumination, love, language, shadows, garbage, and cash. British Rubbish showcases their work in all its splashy glory. Their art evokes both gaudy Vegas culture and down-and-dirty punk rock: a combination of cynical extravagance and a defiant, rebellious sensibility. Extravagant, irreverent, sometimes coarse, and always sharply clever, British Rubbish is both a paean to and sly denunciation of conspicuous consumption.
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According to Sigmund Freud, young children are, by nature, "polymorphously perverse” and while their infantile sexuality is swiftly suppressed it is retained in their unconscious adult minds. Tim Noble and Sue Webster’s new publication documents in beautiful detail their critically acclaimed site-specific project at the Freud Museum, which was nominated for the prestigious South Bank Prize in 2007. This includes one of their characteristic self-portrait shadow sculptures 'Black Narcissus’, a plethora of silicone rubber casts of Webster’s fingers and Noble’s member in various states of arousal which was installed in Freud’s study. There is also detailed documentation and analysis ...
Liberation theology has, since its beginnings over forty years ago, placed the poor at the heart of theology and revealed the ideologies underlying both society and church. Meanwhile, over this period, the progressive church appears to have stagnated and the poor of Latin America have turned increasingly to neo-Pentecostalism. 'The Poor in Liberation Theology' questions whether the effect of liberation theology is to provide a pathway to God or really to construct idols out of the poor. Combining the conceptual language of the philosophers Jean-Luc Marion and Emmanuel Levinas with the methodology of the liberation theologian Clodovis Boff, the volume outlines how liberation theology can work to ensure the poor do not become an ideological construct but remain icons of God. Drawing on a wealth of material from Latin American and Europe, the book demonstrates the continuing validity and importance of liberation theology and its further potential when engaged with contemporary philosophy.
This hugely exciting picture book collaboration by internationally celebrated musician-comedian Tim Minchin and award-winning illustrator Steve Antony is a an absolute treat for all ages. Inspired by Tim Minchin's hit song WHEN I GROW UP from MATILDA THE MUSICAL, the book takes a humorous yet moving look at adult life from a child's perspective.