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Long recognized as perhaps the greatest non-fiction writer at work in Ireland, for his vast, polymathic accounts of nature and culture in the Aran Islands and Connemara, Tim Robinson is also an essayist of genius whose fascinations range across the globe. In Experiments on Reality, he shines the light of his intelligence on his own life, and on some of the most fascinating questions in science and culture. Robinson brings us to his boyhood in Yorkshire, National Service in Malaya in the 1950s, and his years as a visual artist in Istanbul, Vienna and London. He revisits some of the scenes of his researches for the maps he made of Aran and Connemara, places that continue to throw up remarkable...
The first volume of Tim Robinson's Connemara trilogy, Listening to the Wind, covered Robinson's home territory of Roundstone and environs. The Last Pool of Darkness moves into wilder territory: the fjords, cliffs, hills and islands of north-west Connemara, a place that Wittgenstein, who lived on his own in a cottage there for a time, called 'the last pool of darkness in Europe'. Again combining his polymathic knowledge of Connemara's natural history, human history, folklore and topography with his own unsurpassable artistry as a writer, Tim Robinson has produced another classic.
Connemara: A Little Gaelic Kingdom is the triumphant conclusion to Tim Robinson's extraordinary Connemara trilogy, which Robert Macfarlane has called 'one of the most remarkable non-fiction projects undertaken in English'. Robinson writes about the people, places and history of south Connemara - one of Ireland's last Gaelic-speaking enclaves - with the encyclopaedic knowledge of a cartographer and the grace of a born writer. From the man who has been praised in the highest terms by Joseph O'Connor ('Robinson writes with passion, grace and scholarly scruple, but also with extraordinary beauty'), John Burnside ('one of the finest of contemporary prose stylists') and Giles Foden ('an indubitable classic'), among many others, this is one of the publishing events of 2011 and the conclusion of one of the great literary projects of our time.
The Aran Islands, in Galway Bay off the west coast of Ireland, are a unique geological and cultural landscape, and for centuries their stark beauty and their inhabitants’ traditional way of life have attracted pilgrims from abroad. The Aran Islands, in Galway Bay off the west coast of Ireland, are a unique geological and cultural landscape, and for centuries their stark beauty and their inhabitants’ traditional way of life have attracted pilgrims from abroad. After a visit with his wife in 1972, Tim Robinson moved to the islands, where he started making maps and gathering stories, eventually developing the idea for a cosmic history of Árainn, the largest of the three islands. Pilgrimage...
Born in the mid 18th century, William Roxburgh was brought up in the centre of the Edinburgh Enlightenment, with all the patronage an intellectual curiosity that this entailed. After joining the East India Company as an Assistant Surgeon on one of their ships, he joined the staff of the General hospital at Madras. Soon he was Company Naturalist, describing many species for the first time which inspired some beautiful watercolour drawings by Indian artists, copies of which were sent to Sir Joseph Banks at Kew. Arising from his scientific work, he was appointed the first paid Superintendent of the Calcutta Botanic Garden in 1793, where he continued his previous experimental work as well as loo...
The head of the 2002 Salt Lake City Winter Olympics organizing committee describes how he assumed the leadership of the troubled organization and turned it around to present one of the most successful Olympic Games ever.
This is a collection of writings by Tim Robinson. As well as Setting Foot on the Shores of Connemara, the work includes Place/Person/Book, Robinson's introduction to the Penguin Classics edition of Synge's The Aran Islands. These pieces are written from the perspective of cartography, landscape interpretation, mathematics, art and writing. With the author, the reader explores Connemara, the Burren and Aran Islands, experiencing his initial impression of these islands and his rationale for mapping them in the early 1970s.
Tim Robinson’s Stones of Aran is one of the most striking and original literary undertakings of our time. Robinson’s ambition is to find out both what it is to know a landscape, know it as extensively and intimately as possible, and what it takes to make that knowledge, the sense of the landscape itself, come alive in writing. It is a project that draws on the legacies of Thoreau and Joyce, to which Robinson brings his own polymathic gifts as cartographer, mathematician, historian, and, above all, shaper of words. In Pilgrimage Robinson walked the entire coast of Airann, largest of the Aran islands. In Labyrinth he turns in to the island’s interior. These two books—parts of an inseparable whole that can, for all that, be read quite separately from each other—constitute a vast polyphonic composition, at once encyclopedic and lyrical, scientific and surprisingly personal. Exploring the illimitable complexity and bounty contained in the seemingly limited confines of a single island, Robinson invites us to look without and within and to see the wonder of the world.
From the author of the award-winning novels, The Indian Fighter and The Cow Hunters (Florida Historical Society, Patrick D. Smith Award), this is the First novel in the "Tropical Frontier" series.
'Work, Leisure and the Environment' is about a fundamental flaw in market economies that causes us to unknowingly reduce our well-being by working and consuming too much. We do this because we are unable to correctly assess the benefits we derive from our individual work effort.