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Visual Sphere as an object of sociological enquiry must be understood in terms of its complex interconnections with social relations, within which visual materials and visual knowledge are produced, circulated and consumed. This book aims to build a bridge between scholars in practice-based visual research, visual methodologists and researchers dealing with conceptual issues in visual sociology. Questions addressed by this text include: How is the visual relationship of the urban dwellers to the urban landscape being established? How are images of conflict being disseminated, what are the politics of their dissemination, and what limits and potential do they carry? What are the paradoxes of the phenomenon of iconoclasm? How can we visually access the phenomenon of urbanization? What are the major challenges for visual researchers using photo-elicitation interviews, focus groups or computer-based methods?
A book to challenge the status quo, spark a debate, and get people talking about the issues and questions we face as a country!
In this rich cultural history, Pamela Roberston Wojcik examines America's ambivalent and shifting attitude toward homelessness. She considers film cycles from five distinct historical moments that show characters who are unhomed and placeless, mobile rather than fixed—characters who fail, resist, or opt out of the mandate for a home of one's own. From the tramp films of the silent era to the 2021 Oscar-winning Nomadland, Wojcik reveals a tension in the American imaginary between viewing homelessness as deviant and threatening or emblematic of freedom and independence. Blending social history with insights drawn from a complex array of films, both canonical and fringe, Wojcik effectively "unhomes" dominant narratives that cast aspirations for success and social mobility as the focus of American cinema, reminding us that genres of precarity have been central to American cinema (and the American story) all along.
In recent years, the far right has done everything in its power to accelerate the heating: an American president who believes it is a hoax has removed limits on fossil fuel production. The Brazilian president has opened the Amazon and watched it burn. In Europe, parties denying the crisis and insisting on maximum combustion have stormed into office, from Sweden to Spain. On the brink of breakdown, the forces most aggressively promoting business-as-usual have surged - always in defense of white privilege, against supposed threats from non-white others. Where have they come from? The first study of the far right in the climate crisis, White Skin, Black Fuel: On the Danger of Fossil Fascism presents an eye-opening sweep of a novel political constellation, and reveals its deep historical roots. Fossil-fueled technologies were born steeped in racism. None loved them more passionately than the classical fascists. As such forces rise to the surface, some profess to have the solution - closing borders to save the climate. Epic and riveting, White Skin, Black Fuel traces a future of political fronts that can only heat up.
"There Was Nothing There: Williamsburg, The Gentrification of a Brooklyn Neighborhood explores the daily, lived-effects of gentrification for neighborhood residents- those who are newcomers and those who have remained as Williamsburg transformed around them"--
This book documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Chhaya Kolavalli explores how urban food projects—central to the city’s approach to green urbanism—are conceived and implemented and how they are perceived by residents of “food deserts,” those intended to benefit from these projects. Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City—one that centers the contributions of Black and brown resid...
Green Gentrification looks at the social consequences of urban "greening" from an environmental justice and sustainable development perspective. Through a comparative examination of five cases of urban greening in Brooklyn, New York, it demonstrates that such initiatives, while positive for the environment, tend to increase inequality and thus undermine the social pillar of sustainable development. Although greening is ostensibly intended to improve environmental conditions in neighborhoods, it generates green gentrification that pushes out the working-class, and people of color, and attracts white, wealthier in-migrants. Simply put, urban greening "richens and whitens," remaking the city fo...
Efforts to create greener urban spaces have historically taken many forms, often disorganized and undisciplined. Recently, however, the push towards greener cities has evolved into a more cohesive movement. Drawing from multidisciplinary case studies, Urban Natures examines the possibilities of an ethical lively multi-species city with the understanding that humanity's relationship to nature is politically constructed. Covering a wide range of sectors, cities, and urban spaces, as well as topics ranging from edible cities to issues of power, and more-than-human methodologies, this volume pushes our imagination of a green urban future.
The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in many metropolitan cities of the West including London, Berlin, New York, San Francisco, and Melbourne, and is increasingly influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo). Cities and the Cultural Economy prov...