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Food and Booze
Editors have assembled a delicious collection of food and drink writing that originally appeared in Tin House magazine. Food & Booze: A Tin House Literary Feast celebrates seven years of the dazzling writing and delicious recipes of Tin House magazine’s Readable Feast and Blithe Spirits departments. Literature and gastronomy converge in an idiosyncratic survey of everything from lotus fruit, elk, and absinthe to bread, eggs, and brandy Old-Fashioneds. Ranging from the humorous to the lyrical, the historic to the personal, and humble to haute cuisine, this elegant collection includes pieces by writers such as Steve Almond, Lan Samantha Chang, Lydia Davis, Chris Offutt, Grace Paley, Francine Prose, Elissa Schappell, and Michelle Wildgen.
Tin House: Weird Science
Improbable, far-fetched, real? Today's science headlines read like futuristic tales. From nanobots and neutrinos to architeuthis, the real is often stranger than the most speculative sci fi. In that vein, the latest edition of Tin House features fiction, poetry, and nonfiction that go beyond the headlines into current, past, and future scientific explanations of "reality." There may even be speculative fiction, if there are humans involved. Tin House is a beautifully designed periodical that features the best writers of our time alongside a new generation of talent. Content includes unique departments such as "Lost and Found," in which writers review overlooked or underrated books, and "Blithe Spirits" and "Readable Feast," which present tales and literary recipes for drinks and food.
The Writer's Notebook II: Craft Essays from Tin House
The Writer's Notebook II offers aspiring authors sixteen insightful essays about the craft of writing by Tin House authors and summer workshop faculty members, including Aimee Bender, Steve Almond, Maggie Nelson, Karen Russell, Benjamin Percy, and others. The Writer's Notebook II continues in the tradition of The Writer's Notebook, featuring essays based on craft seminars from the Tin House Summer Writer's Workshop, as well as a variety of craft essays from Tin House magazine contributors and Tin House Books authors. The collection includes essays that not only examine important craft aspects such as humor, suspense, and research but that also explore creating fractured and nonrealist narratives and the role of dream in fiction. An engaging and enlightening read, The Writer's Notebook II is both a toolkit and an inspiration for any writer. The Writer’s Notebook II offers aspiring authors sixteen insightful essays about the craft of writing by Tin House authors and summer workshop faculty members, including Aimee Bender, Steve Almond, Maggie Nelson, Karen Russell, Benjamin Percy, and others.
Tin House
The literary magazine people are talking about
Tin House Magazine
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Bright Before Us
Facing the prospect of fatherhood, disillusioned by his fledgling teaching career, and mourning the loss of a fraught former relationship, 25-year-old Francis Mason is a prisoner of his past mistakes. But when his second-grade class discovers a dead body during a field trip to a San Francisco beach, Francis spirals into unbearable grief and all-consuming paranoia. As his behavior grows increasingly erratic, and tensions arise with the school principal and the parents of his students, he faces the familiar urge to flee — a choice that forces him to confront the character weaknesses that have shattered his life again and again — and to accept the wrenching truth about the past he’s never been able to move beyond.
Anodyne
Colorado Book Awards Finalist for Poetry Shortlisted for the Reading the West Poetry Book Award The poems that make up Anodyne consider the small moments that enrapture us alongside the daily threats of cataclysm. Formally dynamic and searingly personal, Anodyne asks us to recognize the echoes of history that litter the landscape of our bodies as we navigate a complex terrain of survival and longing. With an intimate and multivocal dexterity, these poems acknowledge the simultaneous existence of joy and devastation, knowledge and ignorance, grief and love, endurance and failure—all of the contrast and serendipity that comes with the experience of being human. If the body is a world, or a metaphor for the world, for what disappears and what remains, for what we feel and what we cover up, then how do we balance fate and choice, pleasure and pain? Through a combination of formal lyrics, delicate experiments, sharp rants, musical litany, and moments of wit that uplift and unsettle, Queen’s poems show us the terrible consequences and stunning miracles of how we choose to live.
Tin House Magazine: Summer Reading 2016: Vol. 17, No. 4
Whether on a picnic blanket or a porch swing, the fiction, nonfiction, and poetry in Tin House will help you while away the hours.
Tin House Magazine
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Tin House: Summer 2010
Tin House is a beautifully designed periodical featuring some of the best writers of our time alongside a new generation of talent who are poised to become the most important voices of the future. Content includes short stories, profiles, author interviews, poetry, essays, and unique departments such as "Lost and Found," in which writers review overlooked or underrated books, and "Blithe Spirits" and "Readable Feast," which present tales and recipes for drinks and food in a literary way. Tin House is one of the most popular literary magazines in the country, and this new lineup of writers will keep readers cool all summer long.
