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One scientist's account of the poltergeist case that made headlines across the country -- and the riveting examination of a child's mysterious murder. When she was just fourteen years old, Tina Resch became the center of the best-documented case of poltergeist activity of the twentieth century. During the spring of 1984, Tina's home in Ohio was thrown into chaos: appliances turned themselves on without electric current, objects flew through the air, furniture scooted across the floor. Censured endlessly by her adoptive family and thrust into the eye of a media twister thanks to one reporter's photographic evidence of a flying phone, Tina was propelled into a downward spiral that led to an ab...
Poltergeists—mischievous spirits, ghosts of the dead, or other strange energies—are said to be responsible for a good deal of unexplainable phenomena. However, often the only clues they leave to their existence are floating objects, broken or missing household items, strange noises, and other minor disturbances, always rendering the investigations of such claims inconclusive. Leaving room for both believers and skeptics, the author of this volume examines a smattering of reported poltergeist activity—from spooky to thrilling to playful—from around the world to better understand the nature of poltergeists and the likelihood of these seemingly paranormal occurrences.
This volume explores a core medieval myth, the tale of an Arthurian knight called Wigalois, and the ways it connects the Yiddish-speaking Jews and the German-speaking non-Jews of the Holy Roman Empire. The German Wigalois / Viduvilt adaptations grow from a multistage process: a German text adapted into Yiddish adapted into German, creating adaptations actively shaped by a minority culture within a majority culture. The Knight without Boundaries examines five key moments in the Wigalois / Viduvilt tradition that highlight transitions between narratological and meta-narratological patterns and audiences of different religious-cultural or lingual background.
Arthur Goldstuck made the world of South African urban legends his own with four best-sellers during the 1990s. Now he returns to this landscape, but from a very different angle: looking at the extent to which ghost stories are really urban legends - stories spread by word of mouth (and the media) as absolute truth, but falling short on evidence and reality. In exploring ghost stories as urban legends, Goldstuck makes a fascinating discovery: the ghostly beliefs of each culture across South Africa have had a profound impact on the supernatural beliefs of every other cultural group in the country over the past four centuries. The result is the story of the South African ghost: a unique and co...
Drawing upon the most current methodologies, the essays in this book pursue the multifarious functions of end-times in medieval German texts.
This collection honours the scholarship of Professor David F. Johnson, exploring the wider view of medieval England and its cultural contracts with the Low Countries, and highlighting common texts, motifs, and themes across the textual traditions of Old English and later medieval romances in both English and Middle Dutch.Few scholars have contributed as much to the wider view of medieval England and its cultural contacts with the Low Countries than Professor David F. Johnson. His wide-ranging scholarship embraces both the textual traditions of Old English, especially in manuscript production, and later medieval romances in both English and Middle Dutch, highlighting their common texts, motif...
The decapitation motif recurs in nearly all medieval and early modern genres, from saints' lives and epics to comedies and romances, yet decollation is often little regarded, save as a marker of humanity (that is, as the moment mortality exits) or inhumanity (that is, as the moment the supernatural enters). However, as a seat of reason, wisdom, and even the soul, the head has long been afforded a special place in the body politic, even when separated from its body proper. Capitalizing upon the enduring fascination with decapitation in European culture, this collection examines--through a variety of critical lenses--the recurring "roles/rolls" of severed human heads in the medieval and early modern imagination. Contributors are Nicola Masciandaro, Mark Faulkner, Jay Paul Gates, Christine Cooper-Rompato, Dwayne Coleman, Mary Leech, Tina Boyer, Renée Ward, Andrew Fleck, Thomas Herron, Thea Cervone, and Asa Simon Mittman. Preface by Jeffrey Jerome Cohen.
This volume examines mutual ethnic and national perceptions and stereotypes in the Middle Ages by analysing a range of narrative historical sources, such as chronicles, hagiography, and literary material, with a particular focus on the mutual history of Germany and Poland. What sorts of stereotypes and prejudices existed in the Middle Ages, and how widespread were they? Or what other types of differentiating features were considered, and why? The majority of the contributions clearly shows that medieval authors in general displayed only limited interest in the activities of neighbouring lands, and only then when it concerned their own interests – such as matters of conflict, diplomacy, or marriage – while criticism usually focused on individuals, rather than being generalised to bordering regions as a whole. Contributors are Isabelle Chwalka, Jarochna Dąbrowska-Burkhardt, Stephan Flemmig, Sławomir Gawlas, Georg Jostkleigrewe, David Kalhous, Norbert Kersken, Paul Martin Langner, Roman Michałowski, Wojciech Mrozowicz, Piotr Okniński, Andrzej Pleszczyński, Volker Scior, Florian M. Schmid, Marcin Starzyński, Adam Szweda, Kristin Skottki, Grischa Vercamer, and Thomas Wünsch.
This is Volume One of a two-volume collection that brings together contributions from cultural and military history to offer an examination of religious rites employed in connection with warfare as well as their transformative and power- and identity-building potential across political communities of medieval Northern, Central, and Eastern Europe. Covering the period ca. 900 and 1500, the work takes theoretical, textual and practical approaches to the research on religious warfare, and investigates the connections between, and significance and function of crucial war rituals such as pre-, intra- and postbellum rites, as well as various activities surrounding the military life of individuals, polities, and corporates. Contributors are Robert Antonín, Robert Bubczyk, Dariusz Dąbrowski, Jesse Harrington, Carsten Selch Jensen, Sini Kangas, Radosław Kotecki, Gregory Leighton, Kyle C. Lincoln, Jacek Maciejewski, Yulia Mikhailova, Max Naderer, László Veszprémy, and Dušan Zupka.
Geoffrey of Monmouth’s immensely popular Latin prose Historia regum Britanniae (c. 1138), followed by French verse translations – Wace’s Roman de Brut (1155) and anonymous versions including the Royal Brut, the Munich, Harley, and Egerton Bruts (12th -14th c.), initiated Arthurian narratives of many genres throughout the ages, alongside Welsh, English, and other traditions. Arthur, Origins, Identities and the Legendary History of Britain addresses how Arthurian histories incorporating the British foundation myth responded to images of individual or collective identity and how those narratives contributed to those identities. What cultural, political or psychic needs did these Arthurian narratives meet and what might have been the origins of those needs? And how did each text contribute to a “larger picture” of Arthur, to the construction of a myth that still remains so compelling today?