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Beyond Matter, Within Space
Exhibition spaces are physical places of knowledge production and exchange. Their spatial properties play an important role in contextualizing information. Virtual stagings of exhibitions should therefore retain these properties. The Beyond Matter research project (2019–23) aims to unravel the intertwining of physical and virtual structures and their impact on spatial aspects in art production, curating, and art education, and thus to identify ways to preserve cultural heritage in the digital age. This publication offers a comprehensive overview of the diverse research activities, exhibition and book projects, and symposia that have taken place or emerged in the course of the international Beyond Matter project at the various partner institutions.
Virtual Reality
Virtual Reality Über das Eintauchen in neue, von Menschen geschaffene Wirklichkeiten. Mit Beiträgen von Marc Bodmer, Jennifer Beck, Neal Hartman, Tina Sauerländer, Peggy Schoenegge, Maike Thies, Wolfgang Ullrich, Matthias Zehnder und Annina Zwettler. Sechster Band der erfolgreichen Reihe "Edition Digital Culture". Virtual Reality war schon früh auf der Wunschliste der Computerentwickler. Der Traum von der Überwindung der flachen Bilderwelt ist alt und taucht bereits in barocken Kirchenkuppeln auf. Das Zauberwort heisst Immersion, das Eintauchen in eine künstliche Umgebung. Die Digitalisierung hat diesen Traum für Wissenschaft und Wirtschaft nun in greifbare Nähe gebracht.Die zweisprachige Publikation beleuchtet das Potenzial der neuen Formen von Immersion im Bereich der Kultur mit Beispielen aus Film, Fernsehen, Museen, Kunst, Bildung, Unterhaltung und Gaming. Projekte wie Birdly, Desktop Jacob Burckhardt Digital oder das Werk von Mélodie Mousset werden vorgestellt. Seitenblicke auf die Industrie (Medizin, Architektur) ergänzen die Darstellung. Ein umfangreiches Glossar im Anhang erklärt die wichtigsten Begriffe.
Museums and Digital Culture
This book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and globa...
The Sculptural in the (Post-)Digital Age
Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture
Jonny Star
"'Art has an enormous power to transform,' Jonny Star (b. Düsseldorf, 1964; lives and works in Berlin and New York) believes. Star's work combines a variety of materials and media such as bronze, photography, and fabrics with elements of installation art. Her ensembles explore biographical experiences, sexuality, gender roles, and identity and how it is perceived by society. 'See Me, Feel Me, Touch Me, Heal Me' is the artist's first monograph and presents a survey of her oeuvre of the past two decades. Three essays round out the volume: The art historian and exhibition organizer Eva Meyer-Hermann discusses Jonny Star's most recent works, the tapestries Free Your Soul, and traces an arc to the artist's curatorial projects. The curator and author Tina Sauerländer offers an introduction to Star's oeuvre and describes her approach and evolution as an artist. The art critic and writer Ralf Hanselle's contribution examines Star's utopian vision, focusing on an early work, the installation Weltstadt Berlin (1996)."--
A Companion to Curation
The definitive reference text on curation both inside and outside the museum A Companion to Curation is the first collection of its kind, assembling the knowledge and experience of prominent curators, artists, art historians, scholars, and theorists in one comprehensive volume. Part of the Blackwell Companion series, this much-needed book provides up-to-date information and valuable insights on the field of curatorial studies and curation in the visual arts. Accessible and engaging chapters cover diverse, contemporary methods of curation, its origin and history, current and emerging approaches within the profession, and more. This timely publication fills a significant gap in literature on t...
Self-Representation in an Expanded Field
Defined as a self-image made with a hand-held mobile device and shared via social media platforms, the selfie has facilitated self-imaging becoming a ubiquitous part of globally networked contemporary life. Beyond this selfies have facilitated a diversity of image making practices and enabled otherwise representationally marginalized constituencies to insert self-representations into visual culture. In the Western European and North American art-historical context, self-portraiture has been somewhat rigidly albeit obliquely defined, and selfies have facilitated a shift regarding who literally holds the power to self-image. Like self-portraits, not all selfies are inherently aesthetically or ...
Digital Art
Digital art, along with the technological developments of its medium, has rapidly evolved from the digital revolution into the social media era and to the postdigital and post-Internet landscape. This new, expanded edition of this invaluable overview of the medium traces the emergence of artificial intelligence, augmented and mixed realities, and Non-Fungible Tokens (NFTs), and surveys themes explored by digital artworks in the areas of activism, networks and telepresence, and ecological art and the Anthropocene. Christiane Paul considers all forms of digital art, focusing on the basic characteristics of their aesthetic language and their technological and art-historical evolution. By looking at the ways in which internet art, digital installation, software art, AR and VR haveemerged as recognized artistic practices, Digital Art is an essential critical guide.
Carlo Mollino
Maniera Moderna is dedicated to the multi-faceted work of the Italian architect, designer and photographer Carlo Mollino (1905-1973). His surrealist roots are evident in the black and white photography and interiors of the 1930s, right through to his later work in the elegant Teatro Regio and his highly staged erotic Polaroids. However, he was also inspired to create the most individual of designs by the Futurism of Gaud�, Niemeyer and Le Corbusier. His extravagant furniture, which he produced in limited numbers or as unique pieces, is still extremely sought after. It is an expression of the designer's extraordinary flights of fancy: chairs can look like deer, the ribs of a table like the human spinal column, backrests like skis. This monograph is divided into six chapters: choreography, montage, publications, display, appropriations and techniques, which impressively highlight the correspondences within Mollino's wide-ranging and heterogeneous oeuvre.
Lightness and Matter
"The course on transmedia art at the University of Applied Arts in Vienna focuses on transdisciplinary approaches to the development and production of art. It highlights space- and time-based artistic concepts that are generated in critical discourse with theoretical and practical methods, and seizes on communication, performance, and procedural aspects. The publication provides an overview of the wide range of media productions that have been created over the last two decades under the direction of the internationally renowned artist, Brigitte Kowanz. Comprehensive image sections with diploma works, projects, exhibitions, and performances. With text contributions from Gerald Bast, Verena Durr, Patrick Lichty, Claudia Slanar, and others"--Publisher website.
