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Hear Me Now
A brand-new collection of original audition pieces written by and for actors of colour, commissioned by Tamasha Theatre Company and edited by Titilola Dawudu, with a foreword by Noma Dumezweni. Hear Me Now is a unique collection of over eighty original audition monologues, expressly created by a range of award-winning writers brought together by producer Titilola Dawudu and Tamasha Theatre Company. They're ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity. The book provides varied, nuanced stories that expand beyond the range of existing material available – from a cross-dressing Imam, to the first Black Prime Minister, the British Indian girl with dreams of becoming a country music star, or the young Black boy who loves baking as much as football – Hear Me Now is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.
Hear Me Now, Volume Two
Hear Me Now, Volume Two is a unique collection of over 80 original audition monologues, expressly created by a range of writers including Vera Chok, Josh-Susan Enright and Bea Webster, brought together by producer Titilola Dawudu and Tamasha Theatre Company. They are ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity. The volume is introduced by BAFTA-nominated actor Ashley Madekwe, and will also feature a section on Top Tips for auditioning from Tamasha and a host of actors, including Ted Lasso's Kevin 'KG' Garry and Cherrelle Skeete of Harry Potter and the Cursed Child. Following on from the successful first volume, and featuring a variety of themes, scenes and characters, Hear Me Now, Volume Two is an essential tool for actors of colour to showcase their range, and seeks to inspire, empower, and create a legacy for generations to come.
Hear Me Now, Volume Two
"A collection of audition pieces written by and for actors of colour, commissioned by Tamasha Theatre Company and edited by Titilola Dawudu. They're ideal for actors of colour searching for speeches for auditions or training, writers, teachers, and theatre-makers who are passionate about improving diversity."--Publisher.
Feminist Theatre Then and Now
Feminist Theatre Then & Now – Celebrating 50 Years of women theatre makers in the UK and Ireland and their battle to make their voices heard, have their work produced professionally, and promote social justice. Here, the pioneers and leading lights of the newly energised feminist theatre movement continue to fight for an equitable, diverse and inclusive theatre which speaks for all. In 30+ essays, covering three generations, the interviews and essays in this book give important insight into the lived experience of women working in theatre and what it takes to rise in an industry where race, gender, class and parenthood can be serious obstacles to success. Interviews and essays by playwrigh...
Human Nurture
I don't agree with everything they say, but we do have a lot in common nowadays; anyway, I can't be racist, my best friend is Black. Roger and Harry's bond is so strong they could be brothers. They share the same food, music, computer games and even dreams... Everything other than their race. Roger is black, and Harry is white. But what does that matter, right? When Roger is re-homed, Harry is left behind in the care system, and these 'brothers' grow up in opposite ends of Britain's social spectrum. Then on Harry's birthday, Runaku (Roger's reclaimed Zimbabwean birth name) returns for a dream reunion that turns into a nightmare situation. Human Nurture is an explosive new play from Ryan Calais Cameron where nothing's off-limits: from innocent primary school humiliations to race, privilege, allyship and male vulnerability.
Galatea
Was anyone undone by fire, or turned to ashes through desire? Two young trans people find love whilst escaping oppression; a shipwrecked migrant searches for his family; goddesses clash; parents fret; an alchemist brews magic and a teenage Cupid sets hearts on fire - causing chaos and near disaster. And all the while, time is running out! Galatea is an unapologetically queer tale of love, magic, and the importance of welcoming outsiders. Galatea was originally written in the 1580s by John Lyly, William Shakespeare's best-selling but now long-forgotten contemporary, inspiring Shakespeare's comedies from As You Like It to A Midsummer Night's Dream. Performed in front of Queen Elizabeth I over ...
Wish You Weren't Here
You didn't come for a weekend in Scarborough to watch Homes Under The Hammer. After all those extra shifts, all Lorna wants is a night out on the town and time to reconnect with her daughter. All 16-year-old Mila wants is for the world to stop burning. And for someone to take down that 'Beach Body Ready' poster. Please. As mum and daughter check into their 'premium' room where they can almost see the sea, they quickly discover that their favourite seaside town, which was once their annual sunny escape, could really use some attention – just like their relationship. Katie Redford's Wish You Weren't Here is a hilarious and heart-warming exploration of family relationships, the agony of growing up, and how to find your way in the world when you can't help thinking you're just not good enough. This edition was published to coincide with Theatre Centre's UK tour in January 2024.
The Dark
A new live literature experience by award-winning poet Nick Makoha. On a November evening in 1978 after eight years of civil war, Nick Makoha and his mother fled their homeland of Uganda. Many people were displaced, thrown into unfamiliar environments and forced to find their new home in the world. The Dark is Nick's own poetic retelling of his experience and that of others affected by it - a series of voices echoing from varying states of darkness. What unfolds is a story of those who find themselves exiled, with allegiances split between their birthplace and their new country.
RED PITCH.
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Audition Speeches for 6-16 Year Olds
Intended for students and children taking part in speech and drama competitions and exams, this book contains a range of audition speeches. It includes female, male and unisex speeches selected from both plays and children's books. Where relevant the author has indicated how a speech could be shortened for younger children. There is also an introductory section with contributions from Alan Ayckbourn, Carol Schroder (teacher and examiner for the London Academy of Music and Dramatic Art), Richard Carpenter (TV writer) and Ed Wilson (Director of the National Youth Theatre) and senior casting directors for the RSC, TV and film. This edition has been freshly revised to include 10 new speeches from well known recent productions as well as children's books including Harry Potter. 'A superb compilation' Amateur Stage
