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Jung on Art
First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
Thresholds: Rethinking Spirituality Through Music
In Thresholds Marcel Cobussen rethinks the relationship between music and spirituality. The point of departure is the current movement within contemporary classical music known as New Spiritual Music, with as its main representatives Arvo P?, John Tavener, and Giya Kancheli. In almost all respects, the musical principles of the new spiritual music seem to be diametrically opposed to those of modernism: repetition and rest versus development and progress, tradition and familiarity versus innovation and experiment, communication versus individualism and conceptualism, tonality versus atonality, and so on. As such, this movement is often considered as part of the much larger complex called post...
The Magic Flute
This volume demonstrates for the first time that Mozart's opera Die Zauberflöte is an enactment of the alchemical opus magnum, in the form of a chemical wedding. Towards the end of the 18th century, alchemy was still a prominent mystical current within the Order of Freemasons of which Mozart and his librettists were members. The central part focuses on the opera's alchemical structure, whereas the historical and mythological backgrounds are also dealt with extensively. The book comes with 3 CD's offering a rendition of the integral opera, in contrast to the common practice of leaving out major parts of the libretto. The Magic Flute is a fascinating journey of discovery, an initiation into Initiation. With complete original libretto and over 100 pictures.
Ancient Egypt
Traces the sources of the Christian religion to ancient Egypt. The earliest Christian myths emerged in the melting pot of gnostic Alexandria--not in orthodox Jerusalem, classical Athens, or legalistic Rome. In this book, Tjeu van den Berk traces the sources of the Christian faith to the banks of the river Nile. Focusing on ancient archetypes, van den Berk underscores the striking similarities between the Egyptian and Christian religions. In this fascinating study, he explores the symbolism of the Trinity, the cross, and the myths of a god born of a virgin. He also traces the origins of the stories of Lazarus and Saint George, and he finds stunning parallels between Egyptian mythology and the Book of Revelation.
The Hermetic Link
Hermes is the Greek god of the Word, of thought and magic, the swift-moving messenger of the Divine and guardian of souls in the Afterlife. In Ancient Egypt he was the majestic god Thoth, the Recorder, the lord of measurement and science, the brother/husband of Isis. In Rome, he was of course Mercury, flying through the Empyrean at the speed of idea by the aid of his winged helmet and boots. In this broad survey of the Hermetic arts, author Jacob Slavenburg brings an unparalleled depth of insight to the subject. He examines the historical Hermetic literature and details its relevance to modern occultism, from the symbolism of architecture and art to the mysteries of Freemasonry. The heavenly...
Landscape Theory in Design
Phenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio? Landscape Theory in Design introduces theoretical ideas to students without the use of jargon or an assumption of extensive knowledge in other fields, and in doing so, links these ideas to the processes of design. In five thematic chapters Susan Herrington explains: the theoretic groundings of the theory of philosophy, why it matters to design, an example of the theory in a work of landscape architecture from the twentieth ...
The Pillars of the Temple
Marcus van Alphen reflects on what the role of ceremony may be in today's society. Coming from a Liberal Catholic background, he uses the Holy Eucharist as point of departure. He chooses the broader perspective of Esoteric Christianity and covers such subjects as religion and spirituality, a modern interpretation of priesthood and the principles which led to the founding of the Young Rite.
The Unconscious Roots of Creativity
From whence spring the sparks of creativity? It is to this very question that the field of depth psychology—especially that of C.G. Jung and his intellectual descendants—has much to contribute. Just as the Muses were the offspring of Mnemosyne, the goddess of memory, our memories are the ancestors of our creativity that finds its multifaceted expression in the written word, image, theater, dance, and music. The Unconscious Roots of Creativity seeks to push the investigation into that domain of memory that is beyond our conscious reach. With articles from 16 contributors, the “red thread” running through each of the offerings in this volume is that, whatever its ultimate expression, the creative impulse has its roots deep in the psyche. Edited By Kathryn Madden with articles by Linda Carter, Anna Maria Costantino, Carol Thayer Cox, Leonard Cruz, Lisa Raye Garlock, James Hollis, Naomi Ruth Lowinsky, Ian Livingston, Kathryn Madden, Jordan S. Potash, Susan Rowland, Murray Stein, Ann Ulanov, Tjeu van den Berk, Robin van Loben Sels, and Heidi S. Volf.
American Enchantment
American Enchantment presents a new understanding of the social order after the American Revolution, one that enacts the concept of "enchantment" as a unique way of describing and coalescing popular power and social affiliation.
Jung’s Reception of Picasso and Abstract Art
This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising. Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.
