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Reza Abdoh
In seinem nur zwölf Jahre umfassenden Schaffen brach der iranische Theatermacher Reza Abdoh mit sämtlichen Parametern des Theaters und brachte seine Schauspieler und das Publikum oft an ihre Grenzen. Seine halluzinatorischen Traumlandschaften waren eindringlich, seine Inszenierungen adressierten sprachgewaltig die bitteren politischen Realitäten seiner Zeit – vom staatlich sanktionierten Rassismus über die Weigerung der Reagan-Regierung, sich der AIDS-Krise anzunehmen, bis hin zu den Kriegen der USA. Kurz vor seinem Tod verfügte er, dass seine Stücke nicht neu aufgeführt werden dürfen. Der Katalog enthält neben zahlreichen Abbildungen neue Essays über die Einflüsse und Rezeption seines Werkes, bereits publizierte und bisher unveröffentlichte Interviews mit Reza Abdoh, Gespräche mit Weggefährten sowie Skripte seiner Stücke und Presseberichte.
Self-Portrait in Black and White
A SUNDAY TIMES BOOK OF THE YEAR A TIME 'MUST-READ' 'An extraordinarily thought-provoking memoir that makes a controversial contribution to the fraught debate on race and racism . . . intellectually stimulating and compelling' SUNDAY TIMES A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family's multi-generational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a 'black' father from the segregated South and a 'white' mother from the West, spent his whole life believing the dictum that a single drop of 'black blood' makes a person black. This w...
Phenomenal Blackness
This unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context. Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as ...
Black Deutschland
An intoxicating, provocative novel of appetite, identity, and self-construction, Darryl Pinckney's Black Deutschland tells the story of an outsider, trapped between a painful past and a tenebrous future, in Europe's brightest and darkest city. Jed--young, gay, black, out of rehab and out of prospects in his hometown of Chicago--flees to the city of his fantasies, a museum of modernism and decadence: Berlin. The paradise that tyranny created, the subsidized city isolated behind the Berlin Wall, is where he's chosen to become the figure that he so admires, the black American expatriate. Newly sober and nostalgic for the Weimar days of Isherwood and Auden, Jed arrives to chase boys and to escap...
Nothing But the Music
Thulani Davis' synesthetic documentary poems breathe impressionistic life into the sonic-social history of East Coast avant-garde jazz, soul and punk Written between 1974 and 1985, these are Davis' most anthologized works. Featured musicians and dancers include Cecil Taylor, the Art Ensemble of Chicago, Bad Brains, Henry Threadgill, Thelonious Monk, the Revolutionary Ensemble, the Commodores, Ishmael Houston-Jones and many more, in performances at historic venues such as the Five Spot, the Village Vanguard and the Apollo. Nothing but the Musicis further proof of Davis' place as a crucial figure, alongside poets Jayne Cortez, Sonia Sanchez and Ntozake Shange, in the cultural landscape surrounding the Black Arts Movement. Thulani Davis(born 1949) is the author of the novels 1959and Maker of Saints, several works of poetry and the forthcoming book The Emancipation Circuit: Black Activism Forging a Culture of Freedom(Duke University Press). She is currently an assistant professor in the Department of Afro-American Studies at the University of Wisconsin.
Making It
A controversial memoir about American intellectual life and academia and the relationship between politics, money, and education. Norman Podhoretz, the son of Jewish immigrants, grew up in the tough Brownsville section of Brooklyn, attended Columbia University on a scholarship, and later received degrees from the Jewish Theological Seminary and Cambridge University. Making It is his blistering account of fighting his way out of Brooklyn and into, then out of, the Ivory Tower, of his military service, and finally of his induction into the ranks of what he calls “the Family,” the small group of left-wing and largely Jewish critics and writers whose opinions came to dominate and increasingl...
One Summer Evening at the Falls
"In One Summer Evening at the Falls, Peter Campion writes about modern love. In narrative poems and traditional lyrics, in both formal and free verse, he writes from a surprising array of perspectives: desire and loss, betrayal and guilt, and commitment and renewal. Voices proliferate in these poems, translation gives way to found speech, autobiography trades places with dramatic monologue, and casual storytelling takes on an almost ritual intensity. For all his meticulous, formal patterning, however, Campion remains open to spontaneity and disruption. He renders the people in his poems with the depth and distinctiveness they deserve, and represents messy, contemporary life with a vivacity that suggests that the times we live in, for all their depredations, may also be worthy of our love. Campion looks at how love both undoes us and makes us who we are. Throughout, we see Campion balancing virtuosic writing with classical sturdiness. It's a surprising look at contemporary intimacy, and Campion's most far-reaching collection of poems to date"--
Work 1961-73
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Unseen
Hundreds of stunning images from Black history have been buried in the New York Times photo archives for decades. Four Times staff members unearth these overlooked photographs and investigate the stories behind them in this remarkable collection. New York Times photo editor Darcy Eveleigh made an unwitting discovery when she found dozens of never-before-published photographs from Black history in the crowded bins of the Times archives in 2016. She and three colleagues, Dana Canedy, Damien Cave, and Rachel L. Swarns, began exploring the often untold stories behind the images and chronicling them in a series entitled “Unpublished Black History” that was later published by the newspaper. Un...
Power in Modernity
In Power in Modernity, Isaac Ariail Reed proposes a bold new theory of power that describes overlapping networks of delegation and domination. Chains of power and their representation, linking together groups and individuals across time and space, create a vast network of intersecting alliances, subordinations, redistributions, and violent exclusions. Reed traces the common action of “sending someone else to do something for you” as it expands outward into the hierarchies that control territories, persons, artifacts, minds, and money. He mobilizes this theory to investigate the onset of modernity in the Atlantic world, with a focus on rebellion, revolution, and state formation in colonia...
