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This volume from the "Acta Hyperborea" series of archaeological studies covers the topic of urbanization in the Mediterranean in the 9th to 6th centuries BC. "Acta Hyperborea" is a periodical by a group of classical archaeologists associated with Danish universities and museums. Although primarily a journal of classical archaeology, it also covers other fields in classical scholarship. One of the main objectives of the periodical is the interdisciplinary approach to promote a dialogue between historians, philologists and archaeologists.
What was a polis? The Copenhagen Polis Centre (core-funded by the Danish National Research Foundation) has recently begun a broad series of investigations into the origins, nature and development of the ancient Greek city-states (poleis). This empirical project will be grounded in a comprehensive inventory of all attested poleis of the late archaic and classical periods (ca. 600 - ca. 323 B.C.); and that in turn necessitates an attempt to establish working principles, in source-criticism and historical methodology generally, for the differentiation of poleis from communities of other types. The present volume is a collection of papers, from members of the Centre, which seek to make preliminary contributions to the clarification of such principles.
Twelve international papers, from a conference held at the University of Aarhus in 1997, which explore the iconography and styles of Late Antique art and architecture. The papers argue that Late Antiquity existed as a distinct period in its own right and that it exhibited both transformation and continuity.
This text is presented in English and German. This book contains 19 articles dealing with various aspects of the Greek goddess Artemis and the Roman goddess Diana. The themes presented in the volume deal with the Near Eastern equivalents of Artemis, the Bronze Age Linear B testimonies, and Artemis in Homer and in the Greek tragedies. Sanctuaries and cult, and regional aspects are also dealt with - encompassing Cyprus, the Black Sea region, Greece and Italy. Pedimental sculpture, mosaics and sculpture form the basis of investigations of the iconography of the Roman Diana; the role of the cult of Diana in a dynastic setting is also examined. There is a single section that deals with the reception of the iconography of the Ephesian Artemis during the Renaissance and later periods.
While the role of women in western society has changed since the time of the great classical eras of Greece and Rome, the heroines of ancient myth remain just as potent to modern audiences as they were for their original creators. Regardless of genre or medium, these women of antiquity retain their power to reinforce, challenge, or outright shatter popular beliefs about the attributes, limitations, and social roles of women. This collection of eight essays examines the legacy of the heroines of antiquity in a variety of contexts, from the page to the stage to the screen, in order to understand why Helen of Troy, the Amazons, and their fellow ladies of myth have remained such vital figures to...
In recent years architectural discourse has witnessed a renewed interest in materiality under the guise of such familiar tropes as 'material honesty,' 'form finding,' or 'digital materiality.' Motivated in part by the development of new materials and an increasing integration of designers in fabricating architecture, a proliferation of recent publications from both practice and academia explore the pragmatics of materiality and its role as a protagonist of architectural form. Yet, as the ethos of material pragmatism gains more popularity, theorizations about the poetic imagination of architecture continue to recede. Compared to an emphasis on the design of visual form in architectural practi...
Note biographique : Eva Cancik-Kirschbaum, Freie Universität Berlin; Joachim Marzahn, Vorderasiatisches Museum, Berlin;Margarete van Ess, Deutsches Archäologisches Institut, Orient-Abteilung, Berlin
This volume publishes a further seven papers from the Copenhagen Polis Centre, five of which are written by Morgens Herman Hanson. The specialised papers make full use of inscriptions and other written sources to make comparative analyses of the nature of poleis, their citizens and their ethnicity. Subjects include: poleis as consumption cities; the concept of patris in sources; geographically grouped ethnics in the Athenian tribute lists; the evidence for two poleis called Sane; the names of Greek citizens; whether every polis state was centred on a polis town; the Perioikic poleis of Lakedaimon. Includes lists of sources. All of the papers are in English. The other two contributors are Thomas Heine Nielsen and Bjorn Paarmann.
The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court brings together close textual readings of Costa’s numero...
Renowned for his work within the fields of Numismatics, Archaeology, Egyptology and Coptic studies, Georg Zoëga was a figure of outstanding importance both in Rome and in Europe, at the end of the eighteenth century. Although highly valued by his contemporaries, Zoëga’s scientific legacy fell almost entirely into oblivion with the end of the Enlightenment. The Forgotten Scholar: Georg Zoëga (1755-1819): At the Dawn of Egyptology and Coptic Studies represents an exceptional occasion to rediscover the largely unknown scientific legacy of this Danish scholar consisting of hundreds of letters, drawings, sketches, notes, and other documents, mainly preserved in the Royal Library and in the Thorvaldsen Museum of Copenhagen.