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The Tube Has Spoken
Featuring ordinary people, celebrities, game shows, hidden cameras, everyday situations, and humorous or dramatic situations, reality TV is one of the fastest growing and important popular culture trends of the past decade, with roots reaching back to the days of radio. The Tube Has Spoken provides an analysis of the growing phenomenon of reality TV, its evolution as a genre, and how it has been shaped by cultural history. This collection of essays looks at a wide spectrum of shows airing from the 1950s to the present, addressing some of the most popular programs including Alan Funt’s Candid Camera, Big Brother, Wife Swap, Kid Nation, and The Biggest Loser. It offers both a multidisciplina...
Identity and Image
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...
Film Professionals in Nazi-Occupied Europe
This book analyses the film industries and cinema cultures of Nazi-occupied countries (1939-1945) from the point of view of individuals: local captains of industry, cinema managers, those working for film studios and officials authorized to navigate film policy. The book considers these people from a historical perspective, taking into account their career before the occupation and, where relevant, pays attention to their post-war lives. The perspectives of these historical agents” contributes to an understanding of how top-down orders and haphazard signals from the occupying administration were moulded, adjusted and distorted in the process of their translation and implementation. This edited collection offers a more dynamic and less deterministic approach to research on the international expansion of Third-Reich cinema in World War Two; an approach that strives to balance the role of individual agency with the structural determinants. The case studies presented in this book cover the territories of Belgium, Czechoslovakia, France, the Netherlands, Norway, Poland and the Soviet Union.
Art and Masculinity in Post-war Britain
List of Figures -- Acknowledgements -- Series preface -- Introduction: 'Shaken by the Spirit of Reconstruction' -- 1. John Bratby: Masculinity and Violence in the Post-War Home -- 2. Francis Bacon: Queer Intimacy and Queer Spaces of Home -- 3. Keith Vaughan: Bodies and Memories of Home -- 4. Francis Newton Souza: Masculinity, Migration, and Home -- 5. Victor Pasmore: Abstraction and the Post-War Landscape of Home -- Conclusion: Gilbert & George and the Persistence of Reconstruction Notes Bibliography -- Index.
‘Immortal Austria’?
Immortal Austria was the title of a theatrical pageant devised by Austrian refugees in wartime London, the name summarizing their collective memory of their homeland as a country of mountain scenery, historical grandeur and musical refinement. The reality of the country they had left, and the one to which some of them returned, was very different. This volume contains various studies of the representations of their homeland in the cultural production of Austrian exiles, including those projected by émigrés working in the British film industry, those portrayed in the historical novel and in the literary works of such notable authors as Stefan Zweig, Elias Canetti and Robert Neumann. It opens with a survey of the make-up of the Austrian exile community and concludes with a study of attitudes to returning exiles, as reflected in the post-war literary journals. The volume thus offers students and teachers a vital cultural link between the pre-1934 Austria of the First Republic and the post-1945 Austria of the Second.
Feminist Transformations and Domestic Violence Activism in Divided Berlin, 1968-2002
This is the first in-depth historical study of feminist activism against domestic violence in divided Berlin between 1968 and 2002. Starting in the 1970s, feminists in West and then East Berlin campaigned against domestic violence as a key issue of women's inequality. They exposed the harmful gender norms that left women unprotected and vulnerable to abuse in the home and called for this to change. Indeed, domestic violence has been one of the issues most effectively addressed by the women's movement in Germany. Since the first shelter opened in West Berlin in 1976, women's shelters have spread throughout the country, and today up to 45,000 women a year turn to emergency housing in Germany, ...
Anti-Fandom
A revealing look at the pleasure we get from hating figures like politicians, celebrities, and TV characters, showcased in approaches that explore snark, hate-watching, and trolling The work of a fan takes many forms: following a favorite celebrity on Instagram, writing steamy fan fiction fantasies, attending meet-and-greets, and creating fan art as homages to adored characters. While fandom that manifests as feelings of like and love are commonly understood, examined less frequently are the equally intense, but opposite feelings of dislike and hatred. Disinterest. Disgust. Hate. This is anti-fandom. It is visible in many of the same spaces where you see fandom: in the long lines at ComicCon...
The Last Midnight
Do you find yourself contemplating the imminent end of the world? Do you wonder how society might reorganize itself to cope with global cataclysm? (Have you begun hoarding canned goods and ammunition...?) Visions of an apocalypse began to dominate mass media well before the year 2000. Yet narratives since then present decidedly different spins on cultural anxieties about terrorism, disease, environmental collapse, worldwide conflict and millennial technologies. Many of these concerns have been made metaphorical: zombie hordes embody fear of out-of-control appetites and encroaching disorder. Other fears, like the prospect of human technology's turning on its creators, seem more reality based. This collection of new essays explores apocalyptic themes in a variety of post-millennial media, including film, television, video games, webisodes and smartphone apps.
The Mythic Fantasy of Robert Holdstock
Robert Holdstock was a prolific writer whose oeuvre included horror, fantasy, mystery and the novelization of films, often published under pseudonyms. These twelve critical essays explore Holdstock's varied output by displaying his works against the backdrop of folk and fairy tales, dissecting their spatiotemporal order, and examining them as psychic fantasies of our unconscious life or as exempla of the sublime. The individual novels of the Mythago Wood sequence are explored, as is Holdstock's early science fiction and the Merlin Codex series.
Science Fiction in Classic Rock
As technology advances, society retains its mythical roots--a tendency evident in rock music and its enduring relationship with myth and science fiction. This study explores the mythical and fantastic themes of artists from the late 1960s to the mid-1980s, including David Bowie, Pink Floyd, Jefferson Airplane, Blue Oyster Cult, Iron Maiden, Led Zeppelin and Black Sabbath. Drawing on insights from Joseph Campbell, J.G. Frazer, Carl Jung and Mircea Eliade, the author examines how performers have incorporated mythic archetypes and science fiction imagery into songs that illustrate societal concerns and futuristic fantasies.
