You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An essential guide to the strange, sometimes sinister culture of contemporary Italy. In 1999 Tobias Jones travelled to Italy, expecting to discover the pastoral bliss described by centuries of foreign visitors and famous writers. Instead, he discovered a very different country, besieged by unfathomable terrorism and deep-seated paranoia, where crime is scarcely ever met with punishment. Now, in this fascinating travelogue, Jones explores not just Italy's familiar delights (art, climate, cuisine), but the livelier and stranger sides of the bel paese: language, football, Catholicism, cinema, television and terrorism. Why, he wonders, do bombs still explode every time politics start getting serious? Why does everyone urge him to go home as soon as possible, saying that Italy is a 'brothel'? And why do people warn him that 'Clean Hands' only disguise 'Dirty Feet'?
Winner of the Daily Telegraph Football Book of the Year Ultras are often compared to punks, Hell's Angels, hooligans or the South American Barras Bravas. But in truth, they are a thoroughly Italian phenomenon... From the author of The Dark Heart of Italy, Blood on the Altar and A Place of Refuge. Italy's ultras are the most organised and violent fans in European football. Many groups have evolved into criminal gangs, involved in ticket-touting, drug-dealing and murder. A cross between the Hell's Angels and hooligans, they're often the foot-soldiers of the Mafia and have been instrumental in the rise of the far-right. But the purist ultras say that they are are insurgents fighting against a p...
One Sunday morning in 1993 a 16-year-old girl named Eliza Claps goes missing from a church in the centre of Potenza, Italy. Shortly before her disappearance, Elisa had met Danilo Restivo, a strange local boy with a fetish for cutting women's hair on the back of buses. Elisa's family are convinced that Resitvo is responsible for their daughter's disappearance, but he is protected by local big-wigs: by his Sicilian father, by a doctor with links to organised crime, by a priest who had vices of his own. Years went by and Elisa's family could find only false leads. 2002, and Restivo is now living in Bournemouth. In November that year, his neighbour is found murdered, with strands of her own hair in her hands. Once again the police are at a loss to pin anything on him. It's not until 2010, when Elisa's decomposed body is found in the church where she went missing, that the two cases are linked and Restivo is finally dealt with. Blood on the Altar combines a gripping true crime case with Jones's deep understanding of Italian culture - the impunity it offers to the powerful - he so expertly demonstrated in his bestseller: The Dark Heart of Italy.
Utopian Dreams offers one writer's attempt to retreat from the 'real world' - which is making him emptier and angrier by the day - and seek out the alternatives to modern manners and morality. Instead of cynicism, loneliness and depression, is it possible to be idealistic, to find belonging and companionship with others who share your sadness, or even, perhaps, your happiness? With his wife and baby in tow, Jones spends a year with spritualists, time-travellers, reformed drug addicts and Quakers, producing a fascinating exploration of the meaning of community.
Five years ago, Tobias Jones and his wife set up a woodland sanctuary for people in a period of crisis in their lives. Windsor Hill Wood quickly becomes a well-known refuge, and a family home is transformed into a small community. Most people arrive because of a desperate need - bereavement, depression, addiction or homelessness - while others come simply because they are dismayed by modern life. A Place of Refuge is the story of an evolving community: the characters and conflicts, the miracles and mistakes. As the seasons turn in the bustling woodland, an ever-changing group of people try to share their money, their meals and ideals; making furniture, growing vegetables and rearing livestoc...
Castagnetti (informally known as 'Casta') is a private detective who doesn't do things by the book. He's dogged and lonely, impatient with the world of appearances and deceit. So when a pompous notary commissions him to verify that a missing person is "presumed dead" in order to dispose of a dead woman's estate to the other heirs, Casta smells a rat. Before long he's reopening wounds from years ago and exposing family secrets to those who have tried to suppress them. The relatives of Signora Salati just want their their inheritance, but Casta is going to make sure they get their just desserts as well. Because Casta isn't the sort to content himself with "presumed dead". He likes certainty, the kind of certainty that comes from seeing a skeleton. As the Salati case progresses, other corpses appear and Casta realises he's at the centre of an old-fashioned Italian whodunit. The Salti Case marks the appearance of a new and memorable detective: an orphan who has pulled himself up from the mean streets.
A beautiful teenage girl, Simona Biondi, has gone missing from her home in the Italian capital. Castagnetti, the private detective hired by her parents, trawls the streets of Rome, finding himself drawn into the dark, erotic world of a TV empire belonging to a media mogul turned politician called Mario Di Angelo.He unearths a murky world in which nubile young women, desperate for stardom, are prepared to do anything to get a break; in which powerful men are happy to exploit that desperation in order to make money and make love. Castagnetti discovers that Anna Sartori, a young woman on the fringes of the Di Angelo empire, went missing almost twenty years ago. Anna Sartori's best friend, he finds out, was Simona's sister. This is a world, Castagnetti realises, where secrets are like fireworks: you don't see them until they explode.
Oil and water, and the science and technology used to harness them, have long been at the heart of political authority in Saudi Arabia. Oil’s abundance, and the fantastic wealth it generated, has been a keystone in the political primacy of the kingdom’s ruling family. The other bedrock element was water, whose importance was measured by its dearth. Over much of the twentieth century, it was through efforts to control and manage oil and water that the modern state of Saudi Arabia emerged. The central government’s power over water, space, and people expanded steadily over time, enabled by increasing oil revenues. The operations of the Arabian American Oil Company proved critical to expan...
Curated by renowned type designer Tobias Frere-Jones, this collection features fifty postcards drawn from his extraordinary personal collection of type specimen books. These stunning cards feature typography from four countries: the United States, Great Britain, France, and Germany.
Castagnetti, a bee-keeping private detective, is hired by a businessman to find out who set fire to his car and why. It seems like a dead-end case, nothing more than an instance of mindless vandalism. But before long the businessman is receiving threatening phone calls, his factory is burnt to the ground and an employee loses his life. Castagnetti traces similar cases of arson across the city and realises that this sort of systematic intimidation happens when the owner's land is about to be redesignated as residential. The last person to stand in the developers' way was whacked in Milan a year ago. Castagnetti needs to solve the case before his client, and his city, are both buried in cement.