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Framing the West
The first major publication on O'Sullivan in more than 30 years, this book offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon.
The Pond
Text by Gerry Badger, Toby Jurovics.
Time Stands Still
This is the companion volume to the Eadweard Muybridge exhibition opening at Stanford, and is the first showing of the pioneering artist's work in 30 years. 195 halftones.
Shifting Views and Changing Places
Since the 1970s Rick Dingus has photographed “landscapes”: remote wilderness and rural settings, vernacular traces, urban environments, and ancient pathways that invite viewers to look closer, to think about how to interpret what they are seeing. Perception unfolds in many ways in this volume, whose photographs document Dingus’s lifelong exploration of the intersections of time, place, culture, and nature. Dingus discusses his creative process in practical and philosophical terms through brief opening passages and an in-depth interview with art curator Peter S. Briggs. An introductory essay by curator Toby Jurovics considers Dingus’s oeuvre within the evolution of landscape photograp...
Moved to Tears
In this volume, Bedell examines received ideas about sentimental art. Countering its association with trite and saccharine Victorian kitsch, she argues that major American artists--from John Trumbull and Charles Willson Peale in the eighteenth century and Asher Durand and Winslow Homer in the nineteenth to Henry Ossawa Tanner and Frank Lloyd Wright in the early twentieth--produced what was understood in their time as sentimental art: art intended to develop empathetic bonds and to express or elicit social affections, including sympathy, compassion, nostalgia, and patriotism.
All the Mighty World
"Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant." "This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology."--BOOK JACKET.
The Modern West
A fascinating and novel exploration of the transformative role played by the American West in the development of modernism in the United States Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O'Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpai...
Faces from the Interior
"In the early nineteenth century, Prince Maximilian Of Wied traveled the length of the Missouri River on an excursion to uncover what he called "the natural face of North America"-its landscapes, flora and fauna, and particularly its Native inhabitants. Among his small party was the young Swiss artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Departing St. Louis in April 1833, Bodmer and Maximilian would travel over 2,500 miles through the heart of North America before reaching Fort McKenzie in present-day Montana, spending time among the Omaha, Otoe, and Pawnee; the Yankton and Santee Sioux; and the Assin...
A New Form of Beauty
Contemplating humanity's role in the world it is creating, Peter Goin and Peter Friederici ask if the uncertainties inherent in Glen Canyon herald an unpredictable new future. They challenge us to question how we look at the world, how we live in it, and what the future will be.
Shared Intelligence
Catalog of an exhibition opening at the Georgia O'Keeffe Museum on Feb. 4, 2011 and traveling to the Columbus Museum of Art and the Pennsylvania Academy of the Fine Arts.
