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Host Bibliographic Record for Boundwith Item Barcode 30112106514240 and Others
  • Language: en
  • Pages: 354

Host Bibliographic Record for Boundwith Item Barcode 30112106514240 and Others

  • Type: Book
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  • Published: 1882
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  • Publisher: Unknown

None

The Church Bells of Cambridgeshire
  • Language: en
  • Pages: 302

The Church Bells of Cambridgeshire

  • Type: Book
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  • Published: 1880
  • -
  • Publisher: Unknown

None

Octavo Publications
  • Language: en
  • Pages: 560

Octavo Publications

  • Type: Book
  • -
  • Published: 1878
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  • Publisher: Unknown

None

Publications
  • Language: en
  • Pages: 260

Publications

  • Type: Book
  • -
  • Published: 1882
  • -
  • Publisher: Unknown

None

UK Directory of Executive Recruitment
  • Language: en
  • Pages: 379

UK Directory of Executive Recruitment

The UK Directory of Executive Recruitment is a comprehensive source of information on the UK's executive search and selection consultancies.

Marginal to Mainstream
  • Language: en

Marginal to Mainstream

Marginal to Mainstream traces the near-miraculous progress of modern art in France in the first half of the twentieth century--from a marginal phenomenon, the domain of a handful of second-string dealers, to the representative form of the epoch and a foundational part of French national identity.

The Reliquary and Illustrated Archaeologist
  • Language: en
  • Pages: 654

The Reliquary and Illustrated Archaeologist

  • Type: Book
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  • Published: 1867
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  • Publisher: Unknown

None

The Reliquary
  • Language: en
  • Pages: 320

The Reliquary

  • Type: Book
  • -
  • Published: 1866
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  • Publisher: Unknown

None

Academics, Pompiers, Official Artists and the Arrière-garde
  • Language: en
  • Pages: 255

Academics, Pompiers, Official Artists and the Arrière-garde

  • Categories: Art

Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modernist slant of twentieth-century art history. The intention is not to perpetuate the vulgar opposition between avant-garde and reactionary art that characterized early-twentieth-century discourse and has marked much subsequent historical writing, but rather to investigate the complex relationship that both innovative and conservative artists had to the concept of tradition. How did artists and art critics conceive of tradition in relation to modern...