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Marginal to Mainstream traces the near-miraculous progress of modern art in France in the first half of the twentieth century--from a marginal phenomenon, the domain of a handful of second-string dealers, to the representative form of the epoch and a foundational part of French national identity.
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Academics, Pompiers, Official Artists and the Arrière-garde: Defining Modern and Traditional in France, 1900-1960 is a collection of eight essays and a scholarly introduction by established and emerging scholars that challenges the continuing modernist slant of twentieth-century art history. The intention is not to perpetuate the vulgar opposition between avant-garde and reactionary art that characterized early-twentieth-century discourse and has marked much subsequent historical writing, but rather to investigate the complex relationship that both innovative and conservative artists had to the concept of tradition. How did artists and art critics conceive of tradition in relation to modern...