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Music After Hitler, 1945-1955
The political control of music in the Third Reich has been analysed from several perspectives, and with ever increasing sophistication. Toby Thacker asks how and why music was controlled in Germany under Allied Occupation from 1945-1949, and in the early years of 'semi-sovereignty' between 1949 and 1955. The 're-education' of Germany after the Hitler years was a unique historical experiment and the place of music within this is explored here for the first time.
The End of the Third Reich
In January 1943, President Roosevelt, with Churchill alongside him, proclaimed that the Allies would fight until Germany surrendered unconditionally. This book charts the military defeat of Germany in 1944 and 1945, and explores how the Allies tried after the German surrender to destroy Nazism and all it stood for.
Goebells
It was called the London Season, and for three centuries it had been a time of fashionable suppers and brilliant balls that introduced England's most aristocratic and eligible girls to society. Though by 1939 the stately gavottes and minuets had long since given way to waltzes and fox-trots, the cream of young womanhood still curtsied low before the Queen and then went out to dance the night away with the young men they would one day marry. But the Season of 1939 was different: it was to be the last. And like many a finale, it lives on in memory as a lovely, enchanted dream, all the more beautiful for the horror and destruction that would follow so soon. Based on a wealth of first-hand reminiscences, press clippings, and memorabilia, "1939: The Last Season of Peace" is a fascinating portrait of this fairy tale about to end. Itcaptures the end of an era as it recreates a world whose inhabitants still believed in empire and tradition. It is a vivid picture of a generation suspended in a brief moment of sunlit summer glory, before the gathering storm of World War II swept it all away.
Composing Dissent
The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians with a pronounced commitment to social and political engagement. This book presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change.
Socialist Laments
The Ruin -- The Socialists' Cemetery -- The Church -- Concentration Camp Memorials -- The Artists' Cemetery.
Joseph Goebbels
An insightful new biography of Joseph Goebbels, Propaganda Minister of the 'Third Reich' and one of the most important and troubling figures of the twentieth century. The first account to use all of Goebbels' surviving diaries, it sheds new light on his personality, private life and political convictions, as well as his relationship with Hitler.
"Stimme Der Wahrheit"
The essays contained in this volume were originally delivered as papers to a conference on the German-language broadcasting of the BBC, held in London in 2002. For over sixty years, the BBC German Service was Britain's most authoritative voice to the German-speaking world, representing a virtual paradigm of British cultural and political attitudes towards Germany and Austria - and helping to define their perceptions of Britain and the British. Despite the BBC's enormous cultural standing and influence, however, this volume is the first to evaluate the Corporation's German-language broadcasting since the BBC German Service was closed down in 1999. The essays fall into three broad categories: German-language broadcasting during the Second World War, broadcasting to Germany and Austria during the Cold War, and finally a series of personal accounts from former employees of the Service. The volume will be of interest to scholars and students of broadcasting (including media studies) as well as those involved in German Studies and in German and Austrian Exile Studies.
Sound Diplomacy
The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retr...
The Classical Revolution
Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.
Musical Biography
Musical biography has rarely been an object of theoretical and methodological reflection. Our present-day perception of the lives of prominent composers and performers of the past has been largely formed by cultural and political assumptions of nineteenth-century biographers and their twentieth-century followers. While older biographies are being scrutinized for veracity and 'updated' with new evidence, their historiographical premisses and narrative techniques remain largely unchallenged. The epistemological upheavals in the humanities since the 1960s have generated a body of theoretical thought that has undermined many of the assumptions of traditional biography. Consequently, many of thes...
