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A fresh examination of the role of the East in the German literary imagination, ranging from the Middle Ages to the present
Global Germany Circa 1800 asks two interrelated questions: How did Germans participate in the European conquest of the world, and how were they different from other imperial powers? In other words, what is the relation between the German form of empire, the old Reich, and the modern European empires that emerged in the global age? In this book, Todd Kontje presents a revisionist literary and intellectual history, inviting readers to consider how we might understand “Germany” at the turn of the nineteenth century if we remove the nation-state as the inevitable goal of cultural and political development. Focusing on the pivotal era around 1800, when many of the concepts that define the mod...
An historical overview of criticism of the Bildungsroman from the late 18th century to the present. This book provides an historical overview of criticism of the Bildungsroman from the late 18th century to the present. Although written for scholars of the German novel it will also be of interest to scholars in other literatures.The genre of the Bildungsroman includes some of the greatest German novels yet its definition is considerably less obvious than imagined by the majority of scholars and students who use the term. The book rejects the notion that criticism seeks to elucidate the timeless values of classics, and moves toward the analysis of the cultural and historical factors that shape the reception of a text, genre, or author in successive generations of readers.
Based on the premise that the modem discourse of enlightenment and its self-critique began in the eighteenth century, Impure Reason provides a fresh look at the controversy through cultural, social, and political history, confronting the often abstract theories of a dialectics of enlightenment with concrete historical studies of the Age of Enlightenment. This volume brings together current research on the German Enlightenment in order to familiarize an American audience with the period that gave rise to Lessing, Kant, and Goethe-as well as to other important figures who are practically unknown outside of German studies. Leading scholars on eighteenth-century German society, politics, literat...
Examines literary, philosophical, and cultural influences on Mahler's thought and work from the standpoint of the composer's position in German-Jewish culture.
A succinct introduction to the life and works of Thomas Mann, addressing both his literary texts and his personal life.
Todd Kontje offers the first survey in English of novels by German women from 1771 to 1871. He introduces readers to the lives and works of fourteen women writers of the period--including Sophie von LaRoche, Sophie Mereau, Fanny Lewald, and Eugenie Marlitt--and argues that their novels played an important role in shaping attitudes toward class, gender, and the nation in the century preceding Germany's first unification. Women, the Novel, and the German Nation explores ways in which novels about traditionally feminine domestic concerns also comment on patriarchal politics in the German fatherland.
Explores the concept of "distant reading" and its application to the analysis of nineteenth-century German literature and culture, drawing on a range of approaches from the emerging digital humanities field.In nineteenth-century Germany, breakthroughs in printing technology and an increasingly literate populace led to an unprecedented print production boom that has long presented scholars with a challenge: how to read it all? This anthology seeks new answers to the scholarly quandary of the abundance of text. Responding to Franco Moretti''s call for "distant reading" and modeling a range of innovative approaches to literary-historical analysis informed by theburgeoning field of digital human...
This volume of new essays by leading scholars treats a representative sampling of German realist prose from the period 1848 to 1900, the period of its dominance of the German literary landscape. It includes essays on familiar, canonical authors -- Stifter, Freytag, Raabe, Fontane, Thomas Mann -- and canonical texts, but also considers writers frequently omitted from traditional literary histories, such as Luise Mühlbach, Friedrich Spielhagen, Louise von François, Karl May, and Eugenie Marlitt. The introduction situates German realism in the context of both German literary history and of developments in other European literatures, and surveys the most prominent critical studies of ninteenth...
No detailed description available for "Phantom Formations".