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You thought you knew him - from Roseanne, movies like True Lies, and now his hot seat hosting Fox Sports' hit show "The Best Damn Sports Show Period." But the face he puts forth on camera is a mere part of the true Tom Arnold - also known for deciding one night in his early 20s to streak through his small Iowa town. Young Tom didn't think it was such a blast by the end of the evening, though, when he ended up naked in the drunk tank, forced to call in "sick" to his job at Hormel, where his duties included pulling fat off hog ribs and shooting in the head pigs that couldn't make it up the electrocution conveyor. When his boss found out why he had really missed work, Tom got fired, leading his...
Bernard Bergonzi has written an absorbing and fascinating biography of Thomas Arnold the Younger (1824-1900), son of the celebrated headmaster of Rugby and younger brother of Matthew, father of Mrs. Humphrey Ward, and grandfather of Aldous Huxley. A scholar, teacher, and self-styled "wanderer," Arnold's path in life took him, after a brilliant start at Oxford, to colonial New Zealand, to Tasmania, to Dublin, back to Oxford, and once more to Dublin, where he died in 1900. This biography explores Arnold's diverse path through academia, his complex relationship with Catholicism, and his acquaintances with such luminaries as Wordsworth, Arthur Hugh Clough, Lewis Carroll, Gerard Manley Hopkins, and James Joyce.
Professor Terence CopleyÆs new biography of Thomas Arnold combines a study of his life with an examination of ArnoldÆs influence as an educator, a theologian and a churchman. Arnold was only a Victorian for five years (he died in 1842) but he has been remembered as a major figure of the age, not least because Lytton Strachey chose him as one of his objects of ridicule and pillory in Eminent Victorians (1918).He stands as a monument to the development of the 19th-century public school system whose influence spread far beyond BritainÆs upper-class. Arnold was the celebrated headmaster of Rugby School and HughesÆs Tom BrownÆs Schooldays (1857) fixed him in the public imagination.Copley assesses both the uncritical Victorian versions of ArnoldÆs life--including Hughes and Dean StanleyÆs original Life--and the sneering assessment of his influence, perpetuated by Strachey, to provide the first rounded portrait of Arnold. In conclusion Copley explores the possible legacy that this great but neglected figure has left to our age.
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Unruly women have been making a spectacle of themselves in film and on television from Mae West to Roseanne Arnold. In this groundbreaking work, Kathleen Rowe explores how the unruly woman—often a voluptuous, noisy, joke-making rebel or "woman on top"—uses humor and excess to undermine patriarchal norms and authority. At the heart of the book are detailed analyses of two highly successful unruly women—the comedian Roseanne Arnold and the Muppet Miss Piggy. Putting these two figures in a deeper cultural perspective, Rowe also examines the evolution of romantic film comedy from the classical Hollywood period to the present, showing how the comedic roles of actresses such as Katharine Hepburn, Barbara Stanwyck, and Marilyn Monroe offered an alternative, empowered image of women that differed sharply from the "suffering heroine" portrayed in classical melodramas.