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In the final part of the Carter / Slone Trilogy, We find John Carter after losing his re-election as Sheriff working on a cattle ranch, struggling to keep his family together. We find Jake Slone working as a Park Ranger at Yosemite National Park. A terrorist attack at the San Francisco Federal building will bring Carter and Slone together one last time.
While the internet bubble has burst, the New Economy that the internet produced is still with us, along with the myth of a workplace built around more humane notions of how people work and spend their days in offices. No-Collar is the only close study of New Economy workplaces in their heyday. Andrew Ross, a renowned writer and scholar of American intellectual and social life, spent eighteen months deep inside Silicon Alley in residence at two prominent New Economy companies, Razorfish and 360hiphop, and interviewed a wide range of industry employees in other cities to write this remarkable book. Maverick in their organizations and permissive in their culture, these workplaces offered person...
Winner of the 2023 Eudora Welty Prize The civil rights movement is often defined narrowly, relegated to the 1950s and 1960s and populated by such colossal figures as Martin Luther King Jr. and Rosa Parks. Many forget that the movement was bigger than the figures on the frontline and that it grew from intellectual and historical efforts that continue today. In Path to Grace: Reimagining the Civil Rights Movement, Ethel Morgan Smith shines light on unsung heroes of the civil rights movement, the ordinary citizens working behind the scenes to make an impact in their communities. Through eleven original interviews with teachers, parents hosting fundraisers for civil right workers, volunteers hel...
Since its release at the mid-point of the 1980s American horror boom, Stuart Gordon’s Re-Animator (1985) has endured as one of the most beloved cult horror films of that era. Greeted by enthusiastic early reviews, Re-Animator has maintained a spot at the periphery of the classic horror film canon. While Re-Animator has not entirely gone without critical attention, it has often been overshadowed in horror studies by more familiar titles from the period. Eddie Falvey’s book, which represents the first book-length study of Re-Animator, repositions it as one of the most significant American horror films of its era. For Falvey, Re-Animator sits at the intersection of various developments that...
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A killer monkey. Suburban witchcraft. Motorcycle jousting. A cockroach invasion. Despite this enticing list of other subjects, George A. Romero is best known for the genre-defining 1968 film Night of the Living Dead and subsequent zombie films. The non-zombie films in his decades-long career have gotten varied degrees of critical examination but they remain underexamined compared to the Dead flicks. This book focuses on Romero's "other" work, highlighting lesser-known films such as There's Always Vanilla (1971) and Bruiser (2000), as well as more popular films such as Martin (1977) and The Crazies (1973). It examines how his body of work participates in social critique by delving into issues such as capitalism's pitfalls and excesses, domestic and racial power imbalances, and our patriarchal culture's expectations of masculinity, femininity, and sexuality.
Raising the Dead dives into the expansive, extraordinary body of work found in Romero's archive, going beyond his iconic zombie movies into a deep and varied trove of work that never made it to the big screen. Based on years of archival research, the book moves between unfilmed scripts and familiar classics, showing the remarkable scope and range of Romero's interests and the full extent of his genius. Raising the Dead is a testament to an extraordinarily productive and inventive artist who never let the restrictions of the film industry limit his imagination.
This edited collection is the first book to offer a wide-ranging examination of the interface between American independent film and a converged television landscape that consists of terrestrial broadcasters, cable networks and streaming providers, in which independent film and television intersect in complex, multifaceted and creative ways. The book covers the long history of continuities and connections between the two sectors, as seen in the activities of PBS, HBO or Sundance. It considers the movement of filmmakers between indie film and TV such as Steven Soderbergh, Rian Johnson, the Duplass brothers, Joe Swanberg, Lynn Shelton and Gregg Araki; details the confluence of aesthetic and the...
When three friends gathered at Baxter's Boathouse in 1972 to discuss their Memorial Day weekend plans over a few beers, none of them would have suspected that they were on the verge of creating one of the prestigious sailing events on the Atlantic coast. The Figawi Race began as a challenge among a group of sailing enthusiasts who wanted to see who could race their boat to Nantucket first. After the first race, in which Bob "Red" Luby beat out brothers Bob and Joe Horan, it was decided by Bob Horan that it should become an annual event. In 1973, there were 15 boats, and the Figawi Race was off and running. The race evolved into a three-day event complete with a New England clambake. Figawi Race: Hyannis to Nantucket shares photographs and stories of a race that for over 40 years has continued to bring friends and sailors together.