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Methods for Risk Assessment of Transgenic Plants
For centuries, TK has been used almost exclusively by its creators, that is, indigenous and local communities. Access to, use of and handing down of TK has been regulated by local laws, customs and tmditions. Some TK has been freely accessible by all members of an indigenous or local community and has been freely exchanged with other communities; other TK has only been known to particular individuals within these communities such as shamans, and has been handed down only to particular individuals of thc next generation. Over many generations, indigenous and local communities have accumulated a great deal of TK which has generally been adapted, developed and improved by the generations that f...
Toledo Cathedral
Medieval Toledo is famous as a center of Arabic learning and as a home to sizable Jewish, Muslim, and Christian communities. Yet its cathedral—one of the largest, richest, and best preserved in all of Europe—is little known outside Spain. In Toledo Cathedral, Tom Nickson provides the first in-depth analysis of the cathedral’s art and architecture. Focusing on the early thirteenth to the late fourteenth centuries, he examines over two hundred years of change and consolidation, tracing the growth of the cathedral in the city as well as the evolution of sacred places within the cathedral itself. He goes on to consider this substantial monument in terms of its location in Toledo, Spain’s most cosmopolitan city in the medieval period. Nickson also addresses the importance and symbolic significance of Toledo’s cathedral to the city and the art and architecture of the medieval Iberian Peninsula, showing how it fits in with broader narratives of change in the arts, culture, and ideology of the late medieval period in Spain and in Mediterranean Europe as a whole.
Humboldt County
The story of Humboldt County begins with a settlement of progressive dissenters and New England conservatives in north central Iowa. It is the tale of land-starved Scandinavian and Northern European immigrants who traveled to the area seeking rich soil for their farms. Early settlement in the county began in 1854, and Dakota City became the county seat. In 1863, the Reverend Stephen H. Taft brought a colony of his followers to form Springvale, now the city of Humboldt. After the coming of the railroad in 1879, the county prospered from the sale of agricultural products and equipment. Today, new industries are attracted to Humboldt County's skilled labor force, work ethic, and high quality of life. The combination of high-tech school facilities and a wide range of recreational opportunities attracts thousands of people every year.
The Baptismal Font Canopy of St. Peter Mancroft, Norwich
The early 16th-century baptismal font canopy of the church of St. Peter Mancroft, Norwich, is one of only three such structures to survive anywhere in the British Isles. This study, inspired by the recent rediscovery of four attributable panels at the Philadelphia Museum of Art, offers a trans-temporal account of the canopy’s initial creation and subsequent use, mutilation, and modification. Written by a team of scholars in art/architectural history, art conservation, heritage documentation, literary studies, and museum curation, it explores the installation’s multiple artistic, ritual, and cultural contexts, from late medieval and early modern Europe to modern-day North America. Contributors are Benjamin Baaske, Sarah Blick, Kate Duffy, Brent R. Fortenberry, Amy Gillette, Jack Hinton, Lesley Milner, Peggy Olley, Ellen K. Rentz, Behrooz Salimnejad, Zachary Stewart, Achim Timmermann, Charles Tracy, Kim Woods, and Lucy Wrapson.
Architecture and Affect in the Middle Ages
How did people living in the Middle Ages respond to spectacular buildings, such as the Gothic cathedrals? While contemporary scholarship places a large emphasis on the emotional content of Western medieval figurative art, the emotion of architecture has largely gone undiscussed. In a radical new approach, Architecture and Affect in the Middle Ages explores the relationship between medieval buildings and the complexity of experience they engendered. Paul Binski examines long-standing misconceptions about the way viewers responded to medieval architecture across Western Europe and in Byzantine and Arabic culture between late antiquity and the end of the medieval period. He emphasizes the importance of the experience itself within these built environments, essentially places of action, space, and structure but also, crucially, of sound and emotion.
The Medieval Chantry in England
Chantries were religious institutions endowed with land, goods and money. At their heart was the performance of a daily mass for the spiritual benefit of their founders, and the souls of all faithful dead. To Church reformers, they exemplified some of medieval Catholicism’s most egregious errors; but to the orthodox they offered opportunities to influence what occurred in an unknowable afterlife. The eleven essays presented here lead the reader through the earliest manifestations of the chantry, the origins and development of ‘stone-cage’ chapels, royal patronage of commemorative art and architecture, the chantry in the late medieval parish, the provision of music and textiles, and a series of specific chantries created for William of Wykeham, Edmund Audley, Thomas Spring and Abbot Islip, to the eventual history and the cultural consequences of their suppression in the mid-16th century.
Precision
We all thought we were safe. Until the war spilled over into Western Europe, swamping the streets with violence and chaos. London has become the target for her enemies, seeking hostages and retribution. The military is thousands of miles away, fighting in wars we have long ceased caring about. There is nowhere to turn, no way of fighting back, and no one to help. Conceived in the Ghost Room, and forged in the deserts of Utah, the solution is violent and controversial. For killing has consequences. But what option do you have when there are no options? But then, how do you control something you have designed to be unstoppable?
Gothic Legacies
As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of “Gothic” art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legaci...
Art Patronage and Conflicting Memories in Early Modern Iberia
This volume investigates the mechanisms (artworks, treatises, and other forms of cultural patronage) that the Marquises of Villena and their opponents used to operate in the cultural battlefield of the time with the aim of understanding how their conflicting historical memories were constructed and manipulated. Concentrating on the late fifteenth and early sixteenth centuries, the book examines these two aristocrats and demonstrates that political tensions led not only to military conflicts during this period but also to conflicts fought on cultural grounds, through the promotion of artistic, religious, and literary programmes. Maria Teresa Chicote Pompanin investigates why the Marquises of Villena lost in both the military and cultural battlefields and explains how the negative historical memories forged by their opponents in the late fifteenth century managed to become the official historical truth that has remained unchallenged to this day. The book will be of interest to scholars working in art history, cultural history, medieval studies, Renaissance studies, Iberian studies, literary studies, and patronage studies.
Misera Hispania
Fortalitium fidei is one of the central texts in the controversy surrounding the religious and social status of conversos in fifteenth-century Castile. This monograph provides a close analysis of the text itself and contextualizes this study through comparison with pro-converso texts and with reference to Alonso de Espina's career as an Observant Franciscan. After an outline of the development of the converso problem, it offers a biography of Espina and a discussion of the context of production of Fortalitium fidei. There is then a discussion of three works of theology in defence of conversos: Alonso de Cartagena's Defensorium unitatis christianae, Juan de Torquemada's Tractatus contra madianitas et ismaelitas, and Alonso de Oropesa's Lumen ad revelationem gentium. The rest of the work is detailed reading of Fortalitium fidei, with chapters on the image of the fortress, the treatment of Jews and Judaism, and of conversos. This volume addresses the extent and nature of the debate about conversos, the development of models of genealogical exclusion, and the role of Espina and his text in the ending of religious plurality in Spain.
