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All art constantly aspires, Walter Pater claimed, towards the condition of music. The poems in Tom Snarsky's first full-length collection Light-Up Swan are animated by twin forces: an abiding love of music, and an equal fondness for the ghostly conversation engendered by quotation. With whimsy tempered by obsessive fascination, the author unfolds an open dialogue with a private pantheon of musicians and poets, both living and dead. These spectral encounters are staged on a far-reaching array of settings, from oceans to virtual gamescapes, starry canvases to comedy clubs. The speaker of the poems is by turns assured and uncertain: in one moment explaining a mathematical result from automata t...
Poetry. Art. Photography. Candice Wuehle's DEATH INDUSTRIAL COMPLEX is a meditation on the cultural obsession with the bodies of dead women and an occult invocation of the artist Francesca Woodman. Like Woodman's photographs with their long exposures and blurred lenses, this book is haunted and haunting, hazey yet devastatingly precise. These are poems as possessions, gothic ekphrases, dialogues with the dead, biography and anti-biography, a stunning act of "cryptobeauty."
The liberating power of anger has rarely felt so good and healing as in this complete collection of a landmark in feminist poetry."She digs her teeth into the slaveries of woman, she cries them aloud with such fulminating energy that the chains begin to melt of themselves. Reaching into the hive of her angers, she plucks out images of fear and delight that are transparent yet loaded with the darknesses of life. Diane Wakoski is an important and moving poet."--The New York TimesIn 1971, Diane Wakoski published The Motorcycle Betrayal Poems to tremendous acclaim. In the decades that followed, she wrote additional "betrayal" poems, which are now collected here in one volume for the first time. ...
The Tender Between negotiates a linguistic terrain at once forming and falling apart. Through fragmented text and deftly recast associations, author Eve Luckring questions the assumptions that define self/world. Her investigation is rooted in the physical and shaped by the influence of traditional Japanese poetic forms. This is a spare, precise poetry attentive to every syllable.
This book explores questions around the meaning and significance of international student migration. Framed in relation to the mobilities – and immobilities – of international students, the book highlights various key themes emerging from the rich interdisciplinary scholarship in this area, including socio-economic diversification in mobile students, the differential value of international higher education, and citizenship and state-building projects. It also discusses the importance of considering ethics in relation to student migrants. This pioneering book will be of interest and value to scholars of student mobilities and the international student experience more widely, as well as practitioners and policy makers.
Molly Brodak’s The Cipher is a deft and unsparing study of the limits of knowledge and belief, and of what solace can be found within those limits. “We stand on the rim of the void,” Brodak writes. “We hold our little lamps of knowing / on the rim, and look in.” Drawing vividly from mathematics, Christianity, European history, urban life, and the natural world, these poems reveal a vision of contemporary experience that is at once luminous and centered on an unshakable emptiness. Wise, sharp, and sometimes devastating, The Cipher leads us through a world in which little can be trusted, takes its measure, and does not look away.
In the aftermath of her first serious long-term relationship, the book's protagonist, a 22-year-old woman caught in the loop of a dead-end data entry job, takes a trip out of the city to collect her thoughts and visit her friend, Sidney, at her hometown. Every year, Sidney throws a loosely-defined "festival" in which she invites her wide and widely-varied circle of friends to stay in her family's empty house for a long weekend of debauchery. This time, however, she's looking for a distraction, and she finds it in the form of Jay, a 40-something manual laborer who wastes no time in prying into her various emotional and existential burdens.
Poetry. Fiction. Short Stories. These moribund miniatures take the boundary between life and death as their playground, capturing the triviality and quotidian horror of being human. "A darkly funny, wry, vivid set of poetic texts. This is doing the work poetry needs to be doing, it's about language itself as much as it's about the absurdity of our own physical lives and non-lives."--SJ Fowler