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Important European Sculpture
*This richly illustrated and scholarly catalogue accompanies an exhibition at Carlton Hobbs in New York, January 2017. Among the 25 beautiful works, dating from the early Renaissance to the Neoclassical period, are important statuettes by masters such as Gianfrancesco Susini, Willem Danielsz van Tetrode, Masimiliano Soldani-Benzi, Pietro Tacca and Joseph Nollekens.This elegant catalog accompanies the latest in a series of acclaimed exhibitions by Tomasso Brothers Fine Art at Carlton Hobbs LLC in New York (19-27 January 2017). It includes works by some of the greatest European sculptors from the Renaissance, Baroque and Neoclassical periods - a serene polychromed stucco Madonna and Child by t...
Scultura [I]
After more than 15 years in business Tomasso Brothers are delighted to be hosting their spectacular debut sculpture exhibition at Adam Williams Fine Art, New York. To mark this seminal exhibition of more than 40 important works they have produced a luxurious catalogue, which aims to represent and describe the sculptures through sophisticated photographs and informative catalogue descriptions. The content of Scultura and the accompanying catalogue is a carefully selected range of sculptural works in marble, bronze and terracotta, from the early Renaissance to the Neo-Classical period. Many of the entries epitomize the artistic tastes and cultural ideals of their time and provide us with a rich visual journey through 500 years of sculpture. From the newly discovered powerful profile portrait of King Ferrante of Naples circa 1472 to the sublime beauty of Giambologna's 'Urania' and Bartolini's divine-like representation of the Emperor Napoleon, we can travel through the history of European sculpture and feast on Gods, Godesses, Emperors and Kings through the presentation of these enigmatic sculptures and the mythology, connoisseurship and Royal patronage that has created them.
Hans Von Aachen, 1552-1615
After first studying in Cologne, Hans von Aachen moved to Italy in 1574 to further his studies. He toured Rome and Florence, eventually settling in Venice. Combining Flemish traditions and Italian innovation he developed a style of his own. Returning to Germany, he lived in Cologne and Munich as a painter of the nobility. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor in Prague, finally moving to Prague in 1601, where he painted commissions from Emperor Rudolph II and his successor, Matthias I. The elegance, humour, and sensuality of his mythological and allegoric paintings continue to be a fascination. His religious presentations are symbolic of the constant change in a turbulent world. The Los Angeles Museum of Art (LACMA) numbers paintings from Hans von Aachen among its collection.
Important European Terracottas: Tomasso Brothers Fine Art
This catalogue presents a selection of important European terracotta sculptures from the neolithic to the neoclassical periods. The accompanying exhibition traces the history of 'fired clay' starting with the Vinca civilisation of South-Eastern Europe in the fifth millennium BC, which produced the fascinating Idol of a Mother and Child in the show and from there, via the ancient classical period and the Renaissance, to the high baroque, ending with the neoclassical era.0Among the works included is a North Italian idealised Portrait Relief of a Lady from the late fifteenth century, and an attentively described Portrait Bust of a Man from Emilia in Northern Italy, ca. 1500. Both testify to the...
Epic Heroes on Screen
Since 2000, numerous heroes of the ancient world have appeared on film and TV, from the mythical Hercules to leaders of the Greek and Roman worlds. This collection brings together a range of perspectives on twenty-first century cinematic representations of heroes from the ancient world.
Making Copies in European Art 1400-1600
Making Copies in European Art 1400-1600 comprises sixteen essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.
The Birth Of Venus
Alessandra is not quite fifteen when her prosperous merchant father brings a young painter back with him from Holland to adorn the walls of the new family chapel. She is fascinated by his talents and envious of his abilities and opportunities to paint to the glory of God. Soon her love of art and her lively independence are luring her into closer involvement with all sorts of taboo areas of life. On excursions into the streets of night-time Florence she observes a terrible evil stalking the city and witnesses the rise of the fiery young priest, Savanarola, who has set out to rid the city of vice, richness, even art itself. Alessandra must make crucial decisions about the shape of her adult life, as Florence itself must choose between the old ways of the luxury-loving Medicis and the asceticism of Savanorola. And through it all, there is the painter, whose love will change everything.
Catwoman (2018-) #41
With Batman out of the picture, Catwoman would be wise to remember that there are more than bats in Gotham’s belfries. Speaking of bats, Onyx returns to her home city to bat cleanup and make sure Catwoman’s not letting any strays into her city...and with no big Bat in the shadows, those pesky no-killing rules are off the table. Let’s see if Catwoman and Onyx can agree on a target…
Bertoldo Di Giovanni
Renaissance sculptor Bertoldo di Giovanni was a student of Donatello, a teacher of Michelangelo, and a favorite of Lorenzo de' Medici "il Magnifico," his principal patron. Bertoldo was one of the first sculptors to create statuettes in bronze. With an overview of the artist's entire oeuvre, this major scholarly catalogue is the most substantial text on Bertoldo ever produced.
Lost Treasures of Strawberry Hill
"Accompanies the exhibition Lost Treasures of Strawberry Hill: Masterpieces from Horace Walpole's Collection, 20 October 2018-24 February 2019"--Title page verso.
