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Atlanta Magazine
Atlanta magazine’s editorial mission is to engage our community through provocative writing, authoritative reporting, and superlative design that illuminate the people, the issues, the trends, and the events that define our city. The magazine informs, challenges, and entertains our readers each month while helping them make intelligent choices, not only about what they do and where they go, but what they think about matters of importance to the community and the region. Atlanta magazine’s editorial mission is to engage our community through provocative writing, authoritative reporting, and superlative design that illuminate the people, the issues, the trends, and the events that define our city. The magazine informs, challenges, and entertains our readers each month while helping them make intelligent choices, not only about what they do and where they go, but what they think about matters of importance to the community and the region.
The Wayward Zephyr
An engaging romance about a lovely New England woman and a successful Mexican American financier in New York. The story follows the lovers from their meeting on Cape Cod and their whirlwind romance that takes them to Florida, Los Angeles and New York. His financial dealings take him to Europe, the Middle East, Asia, and the South Pacific. Their romance is complicated when a major business deal causes a sensation, followed by tabloid stories that link him romantically with a beautiful French actress.
Walk On: My Life in Red
Ronnie Whelan was a mainstay of the iconic 1980s Liverpool FC side that won six League Championships, two FA Cups, three League Cups as well an unforgettable European Cup. Under the management of Kenny Dalglish, Whelan and his club team mates, including Alan Hansen, John Barnes and Bruce Grobbelaar, formed one of the finest club sides in English football history - a side that is dear to the hearts of Liverpool fans to this day. It was also, though, a time of great tragedy; when the twin disasters of Heysel and Hillsborough devastated the club and its supporters. In this frank and full-hearted autobiography, Ronnie Whelan tells the story of the good and the bad times at the club, as well as his international career with Ireland.
The Kidnapping
‘Riveting . . . a triumph . . . intertwining personal narratives with wider themes of remembrance, loss, courage and blame’ Gary Murphy, Irish Examiner November 1983. Early morning in suburban south Dublin. Businessman Don Tidey is snatched from his car and the IRA has its latest kidnap victim. Weeks later he is tracked down to an isolated Leitrim wood, but in saving Tidey’s life a recruit garda and a soldier lose theirs. The Kidnapping is a brilliantly reported account of this landmark event by two accomplished journalists and Leitrim natives. Delving deep, they provide a chilling account of the lead-up to Tidey’s abduction, the massive manhunt that followed, his bloody rescue, the ...
Cecil B. DeMille, Classical Hollywood, and Modern American Mass Culture
This book uses the long and profitable career of Cecil B. DeMille to track the evolution of Classical Hollywood and its influence on emerging mass commercial culture in the US. DeMille’s success rested on how well his films presumed a broad consensus in the American public—expressed through consumer hedonism, faith, and an “exceptional” national history—which merged seamlessly with the efficient production methods developed by the largest integrated studios. DeMille’s sudden mid-career shift away from spectator perversity to corporate propagandist permanently tarnished the director’s historical standing among scholars, yet should not overshadow the profound links between his success and the rise and fall of mid-century mass culture.
Universal Horrors
Revised and updated since its first publication in 1990, this acclaimed critical survey covers the classic chillers produced by Universal Studios during the golden age of hollywood horror, 1931 through 1946. Trekking boldly through haunts and horrors from The Frankenstein Monster, The Wolf Man, Count Dracula, and The Invisible Man, to The Mummy, Paula the Ape Woman, The Creeper, and The Inner Sanctum, the authors offer a definitive study of the 86 films produced during this era and present a general overview of the period. Coverage of the films includes complete cast lists, credits, storyline, behind-the-scenes information, production history, critical analysis, and commentary from the cast and crew (much of it drawn from interviews by Tom Weaver, whom USA Today calls "the king of the monster hunters"). Unique to this edition are a new selection of photographs and poster reproductions and an appendix listing additional films of interest.
Movie Roadshows
This work examines a film distribution system paralleling the rise of early features and persisting until 1972, when Man of La Mancha was the final roadshow to require reserved seating. Synonymous with Hollywood's star-studded premieres, roadshows were longer and cost more than regular features, making the experience similar to attending the legitimate theater. Roadshows, often epic in subject matter, played selected (usually only one) theaters in major urban centers until demand decreased. De rigueur by the 1960s were musical overtures, intermissions, entre'acte and exit music and souvenir programs for sale in the lobby. Throughout the text are recollections by people who attended roadshows, including actor John Kerr and actresses Barbara Eden and Ingrid Pitt. The focus is on roadshows released in the United States but an appendix identifies international roadshows and films forecast but not released as roadshows. Included are plots, contemporary critical reaction, premiere dates, production background, and methods of promotion--i.e., the ballyhoo.
Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Wanting to Believe: A Critical Guide to The X-Files, Millennium and The Lone Gunmen
In Wanting to Believe, acclaimed science-fiction writer Robert Shearman critiques and examines the whole of the X-Files universe, including the spin-off series Millennium and The Lone Gunmen. As such, this is one of — if not the only — guide of its kind to cover all 13 seasons of this extremely popular property. With this unauthorized guidebook, X-Files fans will be able to reevaluate these TV series with Shearman (World Fantasy Award winner, Hugo Award nominee, renowned playwright, writer on the new Doctor Who series and all-around nice guy) as he diligently comments upon all 282 X-Files-related episodes (and the two motion pictures), which form one of the most notable TV works of the 1990s — and is every bit as enjoyable today. Armed with Wanting to Believe, you will not only find yourself mulling over Shearman’s insights and opinions about The X-Files — you will want to pull your DVDs and re-watch this amazing and impressive series for yourself.
