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This volume reflects the scholarly interests and achievements of Professor Hiroyuki Ito in whose honour it was conceived. It is a collection of papers on the stylistics of English and American literature written by scholars in Japan. A wide range of approaches, from traditional philological analysis to innovative new directions such as corpus stylistics and narratology are found in this book, addressing literary works as varied as the writings of Chaucer, Shakespeare, Defoe, Austen, Dickens, and Mark Twain with Irish folktales and English-language Haiku. This volume also offers an overview of the state of the art in stylistic studies of English literature in Japan. The papers have been divided into four parts according to manner of approach: Philological Approaches, Corpus Stylistics, Narratology and Literary Stylistics.
The existence of corpus-based linguistic research in Japan has until now mainly been hidden from the view of overseas researchers - partly by the language barrier, and partly by the continuing dominance of generative grammar in Japan. At last, this volume lifts the veil to reveal the current condition of corpus-based research in Japan. English Corpus Linguistics in Japan contains a collection of twenty papers written by Japanese linguists, reflecting the state of art in English corpus linguistics in Japan. The volume covers an impressively wide range, showcasing the diversity and creativity of corpus-based research in this country, from studies drawing on the ‘old faithful’ Brown and LOB...
Focusing on the growing trend of employing the present tense in storytelling, this book explores present-tense narrative in contemporary fiction. Using a corpus approach, speech, writing, and thought presentation in 21st-century present-tense narrative is compared with 20th-century past-tense narrative. An in-depth comparative analysis reveals previously undiscovered innovative features specific to how character discourse is presented in modern narratives. Notably, narrative tenses have an impact on thought presentation; in present-tense narrative, Free Direct Thought (FDT) emerges as frequently as Free Indirect Thought (FIT), a departure from the dominance of FIT in modern past-tense narrative. This book will be of interest to stylisticians, narratologists, corpus linguists, and those who have found themselves absorbed in a 21st-century work of present-tense fiction.
"The first international conference was held at Chiba University in 1-3 September 2005, the second one at Nagoya University in 7-9 September 2007, and the third one at Hiroshima University in 28-30 August 2009"--P. [v].
English Corpora under Japanese Eyes is a fine collection of papers written in commemoration of the 10th anniversary of the Japan Association of English Corpus Studies (JAECS). Beginning with the overview of the field by Stig Johansson, an honorary member of the JAECS, the present volume shows the state-of-art in English corpus studies in Japan and demonstrates the creative uses of corpora in a wide range of research topics from studies drawing on large-scale general corpora, such as British National Corpus and the Bank of English, to studies based on more specific, historical, literary, learner and parallel corpora. The papers incorporated in this anthology are grouped into five sections: 1) Overview of corpus-based studies, 2) Corpus-based studies of contemporary English, 3) Historical and diachronic studies of English, 4) Corpus-based studies in English literature, 5) Corpus and English language teaching. This volume will inspire still further corpus exploitation in the broader field of the humanities.
This book uses computational methods and statistical analysis to challenge traditional assumptions about the plays of Shakespeare and his contemporaries.
The Medinan layer of the Qur’an occupies a key position in the formative period of Islam yet poses substantial interpretive challenges. This volume exemplifies a rich array of scholarly approaches to the Medinan Qur’an’s distinctive textual, literary, and theological features.
This work in the field of digital literary stylistics and computational literary studies is concerned with theoretical concerns of literary genre, with the design of a corpus of nineteenth-century Spanish-American novels, and with its empirical analysis in terms of subgenres of the novel. The digital text corpus consists of 256 Argentine, Cuban, and Mexican novels from the period between 1830 and 1910. It has been created with the goal to analyze thematic subgenres and literary currents that were represented in numerous novels in the nineteenth century by means of computational text categorization methods. To categorize the texts, statistical classification and a family resemblance analysis relying on network analysis are used with the aim to examine how the subgenres, which are understood as communicative, conventional phenomena, can be captured on the stylistic, textual level of the novels that participate in them.
This new, corpus-driven approach to the study of language and style of literary texts makes use of the Dickens' 4.6 million-word corpus for a detailed examination of patterns of lexical collocations. It offers new insights into Dickens' linguistic innovation, together with a nuanced understanding of his use of language to achieve stylistic ends. At the centre of the study is a close analysis of the two narratives in Bleak House , read as a focal point for consideration of Dickens' stylistic development through his whole writing life.
Austen's Pride and Prejudice has been adapted, transformed and translated into numerous languages. Thus the classic today constitutes an international, transcultural, transmedial and iconic phenomenon of pop culture that transcends genre boundaries as easily as centuries. The vitality of the book at the crossroads of the literary canon and pop culture is analysed by contributions focusing on its translations, Bollywood adaptations, iconic TV versions or vlog adaptations, on erotic rewritings or generic transformations into Chick-Lit, crime fiction or the Gothic mode, on teaching contexts or on a diachronic analysis of its illustrations. Complemented by a compilation of student essays, this volume affirms and celebrates Pride and Prejudice being perhaps more alive than ever before.