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Here is an important volume offering new insights into the generational transformation of Japanese hegemonic masculinity. Drawing on thirty-nine life-histories of three generations of sararīman (salaryman) each working, or having worked for large companies, this book is an in-depth study of Japanese salaryman masculinity, that is, the ‘hegemonic masculinity’ in Japan. Through Japanese salarymen’s own accounts of themselves, the author investigates the construction of their masculinity throughout their lives; childhood, adolescence, young adult experiences, as well as work and family life. While changes are reflected in the participants’ narratives, little research has been done to link these changes in the performance of masculinity to the dramatic economic and social changes over the last century.
This book of the Japanese hegemonic salaryman masculinity demonstrates the way in which the participants construct their masculinities through their life course. Their narratives reveal their contradictions, doubts, dilemmas, anxieties and resignation behind the fa ade of their confidence and pride.
‘Sex, love and feminism’ are three aspects of the rapidly changing gender relations that shape young people’s lives in the Asia Pacific region. Much has been written about rapidly changing countries in Asia, most recently China and India. With the global spread of capitalist production and neo-liberal ideologies, the claim that the rest of the world’s women are treading the path to enlightenment and development forged by women in the West has been revived. This book explores that contention through a comparative analysis of the attitudes of young middle class urbanites in ten countries: the USA, Australia, Canada, Japan, Thailand, South Korea, India, Indonesia, China and Vietnam. Dra...
In the Japanese language the word ‘ie’ denotes both the materiality of homes and family relations within. The traditional family and family house - often portrayed in ideal terms as key foundations of Japanese culture and society - have been subject to significant changes in recent years. This book comprehensively addresses various aspects of family life and dwelling spaces, exploring how homes, household patterns and kin relations are reacting to contemporary social, economic and urban transformations, and the degree to which traditional patterns of both houses and households are changing. The book contextualises the shift from the hegemonic post-war image of standard family life, to the nuclear family and to a situation now where Japanese homes are more likely to include unmarried singles; childless couples; divorcees; unmarried adult children and elderly relatives either living alone or in nursing homes. It discusses how these new patterns are both reinforcing and challenging typical understandings of Japanese family life.
Since Japan’s economic recession began in the 1990s, the female workforce has experienced revolutionary changes as greater numbers of women have sought to establish careers. Employment trends indicate that increasingly white-collar professional women are succeeding in breaking through the "glass ceiling", as digital technologies blur and redefine work in spatial, gendered, and ideological terms. This book examines what motivates Japanese women to pursue professional careers in the contemporary neoliberal economy, and how they reconfigure notions of selfhood while doing so. It analyses how professional women contest conventional notions of femininity in contemporary Japan and in turn, negot...
The most clearly identifiable and popular form of Japanese hip-hop, “ghetto” or “gangsta” music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational “rags-to-riches” narratives. Contrary to depictions of an ethnically and economically homogeneous Japan, gangsta J-hop gives voice to the suffering, deprivation, and social exclusion experienced by many modern Japanese. 24 Bars to Kill offers a fascinating ethnographic account of this music as well as the subculture around it, showing how gangsta hip-hop arises from widespread dissatisfaction and malaise.
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