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In this “moody thriller,” a family business is targeted for takeover as control of Hong Kong shifts from the British to the Chinese (The New York Times). Ninety-nine years of colonial rule are ending as the British prepare to hand over Hong Kong to China. Betty Mullard and her son, Bunt, have lived here for years, mostly keeping apart from their foreign surroundings, except for some indulgence in the local food, or in Bunt’s case, the local girls. The handover is not a concern for them—until the mysterious Mr. Hung from the mainland offers them a large sum for their family business. They refuse. But they fail to realize that Mr. Hung is unlike the other Chinese people they’ve known...
In the intricate dance of life, masks conceal as much as they reveal. This story centers around Sayesha, a woman whose life appears enviable from the outside. With professional success and a close-knit group of friends, she seems to have it all. Yet beneath this veneer lies a world of secrets and hidden fears. As Sayesha navigates the choppy waters of deception and revelation, she must confront not only the external threats that haunt her but also the internal demons she has long suppressed. As you turn the pages, may you find yourself drawn into the labyrinth of Sayesha’s life and perhaps discover a few revelations of your own.
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Performance events have long had a central place in Indonesian societies in displaying power, affirming social relations, celebrating shared values, and at times conveying potent political critique. How have they responded to the momentous social and political changes of recent years - the dismantling of the centralised, authoritarian Suharto regime and its replacement with a more open, regionally-focused political system, the rapid expansion of global cultural influence? Investigations of diverse performance genres from different regions illustrate the way general socio-political processes play out locally, and how particular groups are responding. Exploring performed understandings of identity and community, such studies expand knowledge of a complex, contested period of change in Indonesia and the workings of contemporary performance in giving it expression. With contributions by Chua Beng Huat, Alexandra Crosby, Barbara Hatley, Ariel Heryanto, Brett Hough, Rachmah Ida, Reza Idria, Edwin Jurriens, Yoshi Fajar Kresno Murti, Neneng Yanti K Lahpan, Ugoran Prasad, Wawan Sofwan, Aline Scott-Maxwell, Fridus Steijlen, Alia Swastika, Denise Varney.
The words 'Tong Sing' mean 'know everything book'. No wonder the traditional Chinese almanac contains information on everything from astrology to herbal remedies, Taoist philosophy to the interpretation of dreams. Drawing his inspiration from this centuries-old work, but using his own research and adapting the contents to appeal to a modern audience, Charles Windridge has compiled a fully updated book that will answer every question the reader can ask about the ancient Chinese way of life.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
Goh Chok Tong was an improbable Prime Minister for an unlikely country. Not by the norms and logic of most developing Asian countries. He had neither the connections nor the cunning to rise to the top, and was even once famously derided by his mentor Lee Kuan Yew for being "wooden" in his communication skills. Except for an imposing height most unusual in this part of the world, he was an ordinary man. He lost his father at a young age, lived in a two-bedroom public flat with his mother and four siblings and needed a government bursary to complete university.
Lu Jiang goes to the United States to study in 1989 when her marriage breaks up. On the airplane, she happens to sit by a sad Chinese writer, also a political exile. Their story starts to develop and ends a decade later when he dies in her arms. In New York, she meets a group of Chinese students who become her lifelong friends. Two years later, Lu Jiang returns to China to teach and to bring up her son. When routing through Europe, Lu Jiang meets an ambitious man in London whose aspiration is to build a strong and prosperous China. Their friendship evolves into love after they meet again in China. Yet their relationship brings them more pain than they can possibly foresee. Years later, many of her friends return to China, too, and become pillars of society. This book tells the life stories of Lu Jiang and her friends over a span of thirty plus years. Tasting all flavors that life has to offer, they age as they witness in pride the advancement of their motherland, which their generation helps to bring about.
What are we not seeing? Our naked eyes see only a thin sliver of reality. We are blind in comparison to the X-rays that peer through skin, and the animals that can see in infrared or ultraviolet or with 360-degree vision. In The Reality Bubble, Ziya Tong illuminates this hidden world and takes us on a journey to examine ten of humanity’s biggest blind spots. What she reveals is not on the things we didn’t evolve to see but, more dangerously, the blindness of modern society. Fast-paced, utterly fascinating and deeply humane, this vitally important book gives voice to the sense we’ve all had – that there is more to the world than meets the eye.
"The Netherlands is home to one million citizens with roots in the former colonies Indonesia, Suriname and the Antilles. Entitlement to Dutch citizenship, pre-migration acculturation in Dutch language and culture as well as a strong rhetorical argument ('We are here because you were there') were strong assets of the first generation. This 'postcolonial bonus' indeed facilitated their integration. In the process, the initial distance to mainstream Dutch culture diminished. Postwar Dutch society went through serious transformations. Its once lily white population now includes two million non-Western migrants and the past decade witnessed heated debates about multiculturalism. The most importan...