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Carol Henning Steinbeck, writer John Steinbeck’s first wife, was his creative anchor, the inspiration for his great work of the 1930s, culminating in The Grapes of Wrath. Meeting at Lake Tahoe in 1928, their attachment was immediate, their personalities meshing in creative synergy. Carol was unconventional, artistic, and compelling. In the formative years of Steinbeck’s career, living in San Francisco, Pacific Grove, Los Gatos, and Monterey, their Modernist circle included Ed Ricketts, Joseph Campbell, and Lincoln Steffens. In many ways Carol’s story is all too familiar: a creative and intelligent woman subsumes her own life and work into that of her husband. Together, they brought forth one of the enduring novels of the 20th century.
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Minutes of the state executive board, proceedings of the Michigan state conferences, publications, reports, and scrapbooks; also papers concerning their genealogical work, record of activities during World War I and II; historical files for individual chapters of the Michigan D.A.R.; and photographs.
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Morrison brings her genius to this personal inquiry into the significance of African-Americans in the American literary imagination. Through her investigation of black characters, narrative strategies, and idiom in the fiction of white American writers, Morrison provides a perspective sure to alter conventional notions about American literature.
A selection of new and original tales of Paranormal R&R by some of the most popular writers in the Urban Fantasy genre! It includes a new Sookie Stackhouse (the series which inspired HBO's TRUEBLOOD) story by Charlaine Harris, as well as short fiction by: Jeff Abbott; L.A. Banks; Jeaniene Frost; Christopher Golden; Chris Grabenstein; Toni L.P. Kelner; Katie MacAlister; A. Lee Martinez; Sharan Newman; Lilith Saintcrow; Sarah Smith and Daniel Stashower
What is race and why does it matter? Why does the presence of Others make us so afraid? America’s foremost novelist reflects on themes that preoccupy her work and dominate politics: race, fear, borders, mass movement of peoples, desire for belonging. Ta-Nehisi Coates provides a foreword to Toni Morrison’s most personal work of nonfiction to date.