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In his travels through Croatia, Tony Fabijancic saw a world of peasants, shepherds and fishermen irrevocably giving way to the new reality of a modern European state. With a deft and sure touch, he records moments that capture the lingering spirit of the old world even as the former fabric of this place is unravelling forever. The author’s profound familiarity with the "extraordinary regionality" of Croatia leads to memorable images of the country, and to sketches and unhurried ruminations on its people, its landscapes, kitchens, cities, and coastlines.
Tensions leading to World War I brewed for years, and were brought to a head by the assassination of Archduke Ferdinand. But who was the assassin? What was his plan? Not many people know the name of Gavrilo Princip. Tony Fabijancic peels back the mystery surrounding Princip, and explores his journey to Sarajevo, his motivations, idealism, and Yugoslavianism. Fabijancic also connects Princip to the new Bosnia that emerged from the ethnic violence of the 1990s. Anyone with an interest in literary travel writing, Balkan nationalism, and international politics will find a wealth of historically important information folded into a remarkable story set in a fascinating land.
A beautiful reminiscence on the places of our youth and the indelible marks they leave on our souls. Since childhood, Tony Fabijancic has traveled frequently to Yugoslavia and Croatia, his father's homeland. He spent time with his family in the northern village of Srebrnjak and occasionally escaped to the Adriatic islands in the south. Those two worlds--the north, marked by the haunting saga and history of family life, and the south, defined by travel and escape--formed the two halves of Fabijancic's Croatian life. Over time, he watched Srebrnjak become a white-collar weekend retreat, the peasant community of the 1970s that he knew in his youth now a distant memory. From the continental inland of green valleys and plum orchards to the austere, skeletal coast, Drink in the Summer is a unique record of a place and people now lost to time, a description of a country's varied landscapes, and a journey of discovery, freedom, beauty, and love.
William Faulkner grew up and began his writing career during a time of great cultural upheaval, especially in the realm of sexuality, where every normative notion of identity and relationship was being re-examined. Not only does Faulkner explore multiple versions of sexuality throughout his work, but he also studies the sexual dimension of various social, economic, and aesthetic concerns. In Faulkner's Sexualities, contributors query Faulkner's life and fiction in terms of sexual identity, sexual politics, and the ways in which such concerns affect his aesthetics. Given the frequent play with sexual norms and practices, how does Faulkner's fiction constitute the sexual subject in relation to...
"On our way home, we stopped in Vegreville for one last look at the Pysanka-and, posing in front of it while my dad pulled out his camera, I wanted to cry. Are we doomed? Click. Is this all we are? Click. How do we drag ourselves out from under the shadow of the giant egg? Click." Conceived in a fervent desire for fresher, sexier images of Ukrainian culture in Canada, and concluding with a new reading of enduring cultural stereotypes, Leaving Shadows is the first Canadian book-length monograph on English Ukrainian writing, with substantive analysis of the writing of Myrna Kostash, Andrew Suknaski, George Ryga, Janice Kulyk Keefer, Vera Lysenko, and Maara Haas.
The style of my book must be in small pieces, as my life has been in pieces. (Jalal Barzanji) From 1986 to 1988 poet and journalist Jalal Barzanji endured imprisonment and torture under Saddam Hussein's regime because of his literary and journalistic achievements-writing that openly explores themes of peace, democracy, and freedom. It was not until 1998, when he and his family took refuge in Canada, that he was able to consider speaking out fully on these topics. Still, due to economic necessity, Barzanji's dream of writing had to wait until he was named Edmonton's first Writer-in-Exile in 2007. This literary memoir is the project Barzanji worked on while Writer-in-Exile, and it is the first translation of his work from Kurdish into English.
William Gibson, author of the cyberpunk classic, Neuromancer (1984), is one today's most widely read science fiction writers. This companion is meant both for general readers and for scholars interested in Gibson's oeuvre. In addition to providing a literary and cultural context for works ranging from Gibson's first short story, "Fragments of a Hologram Rose" (1977), to his recent, bestselling novel, Zero History (2010), the companion offers commentary on Gibson's subjects, themes, and approaches. It also surveys existing scholarship on Gibson's work in an accessible way and provides an extensive bibliography to facilitate further study of William Gibson's writing, influence, and place in the history of science fiction and in literature as a whole.
Considered one of the great American authors of the 20th century, William Faulkner (1897-1962) produced such enduring novels as The Sound and the Fury, Light in August, and As I Lay Dying, as well as many short stories. His works continue to be a source of interest to scholars and students of literature, and the immense amount of criticism about the Nobel-prize winner continues to grow. Following his book Faulkner in the Eighties (Scarecrow, 1991) and two previous volumes published in 1972 and 1983, John E. Bassett provides a comprehensive, annotated listing of commentary in English on William Faulkner since the late 1980s. This volume dedicates its sections to book-length studies of Faulkne...
This study of what Brian Norman terms a neo-segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement. From Toni Morrison's first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of recent work by black and nonblack authors and artists, Jim Crow haunts the post-civil rights imagination. Norman traces a neo-segregation narrative tradition--one that developed in tandem with neo-slave narratives--by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides. These writers upset dominant nati...
This book investigates the contextual factors that led to Korean society becoming ‘broadband heaven’ — the most wired nation in the world — by scrutinizing the historical contexts surrounding the Korean Information Infrastructure (KII) project (1995–2005), which aimed to establish a nationwide high-speed backbone network, as well as its later evolution, which involved redesigning the public infrastructure. The book details the hidden mechanisms and the real elements of building the ‘broadband heaven’: the global constraints conditioning its telecom policies, the dense state–capital linkages, and the bureaucratic desire for social control. It draws on the state-in-society appr...