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Refugee Nuns, the French Revolution, and British Literature and Culture
In eighteenth-century literature, negative representations of Catholic nuns and convents were pervasive. Yet, during the politico-religious crises initiated by the French Revolution, a striking literary shift took place as British writers championed the cause of nuns, lauded their socially relevant work, and addressed the attraction of the convent for British women. Interactions with Catholic religious, including priests and nuns, Tonya J Moutray argues, motivated writers, including Hester Thrale Piozzi, Helen Maria Williams, and Charlotte Smith, to revaluate the historical and contemporary utility of religious refugees. Beyond an analysis of literary texts, Moutray's study also examines nun...
Refugee Nuns, the French Revolution, and British Literature and Culture
Cover -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Preface and Acknowledgements -- Introduction -- 1 Encountering Convents Abroad -- 2 Spoiled Economies and Violated Virgins -- 3 Resistant Virtue in Flight -- 4 Refugee Resources and Competitive Curricula -- Epilogue -- Bibliography -- Index
Refugee Nuns, the French Revolution, and British Literature and Culture
In eighteenth-century literature, negative representations of Catholic nuns and convents were pervasive. Yet, during the politico-religious crises initiated by the French Revolution, a striking literary shift took place as British writers championed the cause of nuns, lauded their socially relevant work, and addressed the attraction of the convent for British women. Interactions with Catholic religious, including priests and nuns, Tonya J Moutray argues, motivated writers, including Hester Thrale Piozzi, Helen Maria Williams, and Charlotte Smith, to revaluate the historical and contemporary utility of religious refugees. Beyond an analysis of literary texts, Moutray's study also examines nun...
The Oxford History of British and Irish Catholicism
The third volume of The Oxford History of British and Irish Catholicism examines the period from the defeat of the Jacobite army at the battle of Culloden in 1746 to the enactment of Catholic emancipation in 1829. The first part of the volume offers a chronological overview tracing the decline of Jacobitism, the easing of penal legislation which targeted Catholics, the complex impact of the French Revolution, the debates about the place of Catholics in the post-Union state, and - following the mass mobilisation of Irish Catholics - the passage of emancipation. The second part of the volume shows that this political history can only be properly understood with reference to the broader transfo...
Art and Artifact in Austen
Jane Austen distinguished herself with genius in literature, but she was immersed in all of the arts. Austen loved dancing, played the piano proficiently, meticulously transcribed piano scores, attended concerts and art exhibits, read broadly, wrote poems, sat for portraits by her sister Cassandra, and performed in theatricals. For her, art functioned as a social bond, solidifying her engagement with community and offering order. And yet Austen’s hold on readers’ imaginations owes a debt to the omnipresent threat of disorder that often stems—ironically—from her characters’ socially disruptive artistic sensibilities and skill. Drawing from a wealth of recent historicist and materialist Austen scholarship, this timely work explores Austen’s ironic use of art and artifact to probe selfhood, alienation, isolation, and community in ways that defy simple labels and acknowledge the complexity of Austen’s thought.
Yearbook of Transnational History
The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. This fourth volume is focused to the theme of exile. Authors from across the historical discipline provide insights into central aspects of research into the phenomenon of exile in the nineteenth and twentieth century. Both centuries have seen large numbers of people fleeing revolutions, oppression, persecution, and extermination. This volume is the first publication to provide a comprehensive overview over exiles of various political and ethnic groups beginning with the French Revolution and ending with the transfer of Nazi scientists from post-World-War-II Germany to the United States. This volume contains contributions about the refugees created by the French Revolution, the Forty-Eighters who were forced out of Germany after the failed Revolution of 1848/49, the anarchists Emma Goldman and Alexander Berkman, Vietnamese anti-colonial activists in France, the exiles of Nazi Germany, and the transfer of Nazi scientists such as Wernher von Braun to the United States after World War II.
Nightingale’s Nuns and the Crimean War
Infectious disease, wounded and dying soldiers, and a shortage of supplies were the daily realities faced by the nuns who nursed with Florence Nightingale in the Crimean War. This study documents their involvement in the conflict and how the nuns bore witness to the effects of carnage and official indifference, in many cases traumatized as a result. This book reflects on the initiative and courage shown by the nuns and how their actions can be viewed as part of a wider movement among women in the mid-19th century to find fulfilment and assert control in their own lives. Nightingale's Nuns and the Crimean War also sheds light on how critics at the time accused many of the nuns of being secret...
Women and Music in the Age of Austen
Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Revolution und Exil
Verräter, Opfer, Intriganten? Matthias Winkler vermisst die facettenreiche Geschichte des politischen Exils am Beispiel französischer Revolutionsemigranten neu Als nach dem Sturm auf die Bastille im Juli 1789 eine Fluchtbewegung aus Frankreich einsetzte, die innerhalb weniger Jahre auf rund 150.000 Personen anwuchs, rechneten jene Emigranten mit einem raschen Kollaps der Revolution und ihrer baldigen Rückkehr. Die politische Radikalisierung in Frankreich und die erfolglose militärische Bekämpfung der Revolution von außen zwangen sie stattdessen, sich auf ein längerfristiges Exil einzustellen. Viele dieser Gegner der Revolution gelangten in die Länder der Habsburgermonarchie, wo sie t...
There She Goes Again
There She Goes Again interrogates the representation of ostensibly powerful women in transmedia franchises, examining how presumed feminine traits—love, empathy, altruism, diplomacy—are alternately lauded and repudiated as possibilities for effecting long-lasting social change. By questioning how these franchises reimagine their protagonists over time, the book reflects on the role that gendered exceptionalism plays in social and political action, as well as what forms of knowledge and power are presumed distinctly feminine. The franchises explored in this book illustrate the ambivalent (post)feminist representation of women protagonists as uniquely gifted in ways both gendered and seemingly ungendered, and yet inherently bound to expressions of their femininity. At heart,There She Goes Again asks under what terms and in what contexts women protagonists are imagined, envisioned, embodied, and replicated in media. Especially now, in a period of gradually increasing representation, women protagonists demonstrate the importance of considering how we should define—and whether we need—feminine forms of knowledge and power.
