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We do it over and over again, day after day, and never seem to get enough of it. Albanians do it. Zulus do it. Movie stars and plumbers do it. All around the world, people say hi and bye in innumerable languages and countless ways: they wave and bow and curtsey and shake hands and rub noses and fist-bump and mwah-mwah and perform a vast array of greeting and farewell rituals, so common and natural that no-one stops to notice ... Tales of Hi and Bye provides a delightful, witty, and intriguing insight into the sometimes strange and often wonderful customs associated with an ordinary, everyday event. For more information, book extracts and cartoons visit www.talesofhiandbye.com
The Iron Whim is an intelligent, irreverent, and humorous history of writing culture and technology. It covers the early history and evolution of the typewriter as well as the various attempts over the years to change the keyboard configuration, but it is primarily about the role played by this marvel in the writer's life. Darren Wershler-Henry populates his book with figures as disparate as Bram Stoker, Mark Twain, Franz Kafka, Norman Mailer, Alger Hiss, William Burroughs, J. G. Ballard, Jack Kerouac, Hunter S. Thompson, Northrop Frye, David Cronenberg, and David Letterman; the soundtrack ranges from the industrial clatter of a newsroom full of Underwoods to the more muted tapping and hum o...
Despite the humble origins of its name (Anglo Saxon for "the speck at the head of a boil"), the dot has been one of the most versatile players in the history of written communication, to the point that it has become virtually indispensable. Now, in On the Dot, Alexander and Nicholas Humez offer a wide ranging, entertaining account of this much overlooked and minuscule linguistic sign. The Humez brothers shed light on the dot in all its various forms. As a mark of punctuation, they show, it plays many roles--as sentence stopper, a constituent of the colon (a clause stopper), and the ellipsis (dot dot dot). In musical notation, it denotes "and a half." In computerese, it has several different ...
This book reappraises the philosophical value of short fiction by Virginia Woolf, Katherine Mansfield and Elizabeth Bowen, examining the stories through the lens of specific everyday objects. Looking at Woolf and armchairs, Mansfield and snack food, and Bowen and fashion accessories, it probes the aesthetic resonance between these stories’ form and contents and also considers the modes of thinking they might promote. Conceiving of their short fiction as intrinsically radical and experimental even within a wider context of modernist innovation, this book shows how these important women writers brought quotidian objects to riotous life, in such a way that tasked readers with reevaluating their everyday existence. Overall, Modernist Short Fiction and Things argues that short fiction epitomises modernist aesthetics, functioning as a resonant source for investigation and complementing and expanding our understanding of modernist epistemology.
This book has lots of characters. It tells the story of each character on the computer keyboard, as well as the multitude of additional marks that cannot be found on the keys but can still be typed by anyone using a computer. Ample drawings, poems and notes are used to tell how the keyboard came to have its quirky layout.
This study provides one of the most detailed and comprehensive examinations ever devoted to a critical transformation in the material substance of the printed page; it carries out this exploration in the history of the book, moreover, by embedding these typographical changes in the context of other cultural phenomena in eighteenth-century Britain. The gradual abandonment of pervasive capitalization, italics, and caps and small caps in books printed in London, Dublin, and the American colonies between 1740 and 1780 is mapped in five-year increments which reveal that the appearance of the modern page in English began to emerge around 1765. This descriptive and analytical account focuses on poe...
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How do we decide where to put ink on a page to draw letters and pictures? How can computers represent all the world’s languages and writing systems? What exactly is a computer program, what and how does it calculate, and how can we build one? Can we compress information to make it easier to store and quicker to transmit? How do newspapers print photographs with grey tones using just black ink and white paper? How are paragraphs laid out automatically on a page and split across multiple pages? In A Machine Made this Book, using examples from the publishing industry, John Whitington introduces the fascinating discipline of Computer Science to the uninitiated.